TV
Lisa-Marie Ferla
If Molly Dawes (Lacey Turner) had to find one act of heroism with which to fully incorporate herself into her new squadron before the credits rolled, she couldn’t have planned it better: winched aboard a helicopter, her fist in the groin of the one-night stand who had been undermining her since her arrival to stop him bleeding to death, while Paramore - or some fearsome girl-rock on a more acceptable budget - throbbed in the background.And if you think I’m making fun of Our Girl, a new five-parter charting Dawes’s first tour of Afghanistan as an army medic, then you can’t have tuned in to its Read more ...
Adam Sweeting
As unavoidable as death and taxes, as inevitable as the rotation of the seasons, Downton Abbey has created the illusion of time-hallowed permanence in a mere four years. It is often asked how long Julian Fellowes can keep up his script-writing heroics (if it was an American show he'd be marshalling a writing team of dozens), but this opener to series five was so playfully deft and thunderously enjoyable that you'd have to conclude that Downton has become Fellowes's personal fountain of youth.The trick is to embrace change while remaining solidly rooted in Downton's dynastic saga. What Read more ...
Lisa-Marie Ferla
Let's face it, there are so many big-budget, densely plotted US TV imports around now that it seems a little hackneyed to compare them to buses - but even by those standards, scheduling the two newest ones concurrently seems a little careless. Your choice: Legends, an FBI procedural with a twist from Homeland show-runner Howard Gordon; or Guillermo del Toro's vampire virus horror The Strain.Neither premise is particularly original but Legends (***), with Sean Bean in the lead role as veteran FBI agent Martin Odum, stands out as an audacious tribute not only to genre conventions, but also to Read more ...
Jasper Rees
We think we know the story. As recounted in Philomena, in the 1950s and ‘60s the Irish state and Catholic Church colluded in putting children born out of wedlock up for adoption. A small minority was sent to America, causing a lifetime of trauma and longing in both mothers and children. For portraying one such mother who went in search of her son, Judi Dench was nominated for an Oscar, and the woman she played met Pope Francis. The film’s ending was, if not quite happy, then at least redemptive.Martin Sixsmith, whose book was the source for the film and who was played partly for comedy by Read more ...
Veronica Lee
Jack Thorne's new eight-part drama is set in a fictional but recognisable small English village, Overton, where life is centred on farming and racehorses. A green and pleasant land? Not so much; this is a series with a group of pill-popping, shagging teenagers at its heart – well, it is from the man who wrote Skins.In the opener, we meet the group of friends as they play a game of chicken, jumping into a huge grain silo. It's reckless, but it's fun, as is drinking all night then stealing a car and driving like a maniac through the narrow country lanes. And when it all goes wrong and one Read more ...
Adam Sweeting
With Cilla Black still fighting fit and eminently telly-worthy at 71, it feels a bit odd to find a three-part dramatisation of her life popping up on ITV. Black apparently gave the project her blessing and has hailed Sheridan Smith's performance in the title role, but all this does is to tacitly suggest that it's a fairly harmless piece of entertainment which is unlikely to go poking about in any dark or controversial areas. Team Cilla would surely have had the scheme quashed otherwise.Thus it was no great surprise to find the first episode (of three) of Cilla bringing us a fluffy, comical, Read more ...
Tom Birchenough
You may have had to search for his name in the closing credits of this final episode of series two of The Village, but all plaudits were due to its composer Adrian Corker, who gave us a great score which majored in atonality. The acting here remained top class, and the landscapes were still unsurpassable (more on which later), but for conveying a sense of unease in the air, it was the music that brought the atmosphere home.And there was a lot to be uneasy about as this second series closed, even if the more depressed narrative of the opener seemed rather behind us. The Twenties have brought Read more ...
Marina Vaizey
At the end of this absorbing documentary about the art – and life – of Paul Nash we visited his tombstone in a Buckinghamshire churchyard, accompanying writer and presenter Andrew Graham-Dixon as he laid sunflowers on the grave. He reminded us that Nash saw the sunflower as a symbol for the soul, turning to the sun; indeed one of his last paintings was “Solstice of the Sunflower”.The final phrase Graham-Dixon used about this highly literate and intelligent artist was that he had been haunted by life, haunted by death, and by the ghosts of war. Unusually, Nash was an official war artist in Read more ...
Adam Sweeting
Fans of this dense and rewarding odyssey of Prohibition and American gangsterism are doubtless still reeling from the news that its fifth series will be the last, despite the riotous applause which greeted series four. This unwelcome state of affairs perhaps accounted for the vaguely dissociated and dream-like quality of this season opener, which was as much concerned with filling in some of Nucky Thompson's early history as with driving the plot forward into the 1930s.An opening sequence set in 1884, of young boys diving into the sea to catch gold coins flung from the Atlantic City pier by Read more ...
Adam Sweeting
Created by Gideon Raff, mastermind of Homeland and its Israeli forerunner Prisoners of War, and produced by Howard Gordon (who worked on Homeland and 24), Tyrant parades its roots on its sleeve. Its mix of action thriller and family drama, all souped up by a stiff dose of combustibly unstable Middle East politics, adds up to a slick entertainment formula, but do such deadly and complex issues deserve to be handled quite so glibly? If The Honourable Woman was a crossword without clues, this is more like a shopping list scrawled in felt pen.Nonetheless, the basic premise is reasonably promising Read more ...
Tom Birchenough
“Changing perceptions” is the byline that Mitsubishi gives to its sponsorship of Channel 4’s documentary slot. Animal-lovers, a constituency that surely makes up a sizable part of evening viewers, will certainly have come away from Matt Rudge’s bizarrely entertaining film All Creatures Great and Stuffed with their perceptions changed.Against the background of more tradit animal shows like the BBC’s current Our Zoo, not to mention the innumerable lives, secret or otherwise, of cats and dogs that frolick their way periodically through the schedules, Rudge’s study of the astonishing growth of Read more ...
Jasper Rees
The act of learning music, in a choir or an orchestra, rounds out a young person. What are the benefits again? All together now: improved social skills, concentration, discipline, self-esteem, numeracy, behaviour, confidence. Music makes you better. Society at large would benefit from investing in music education. It sort of beggars belief that this argument still has to be made. Meanwhile it would seem the DoE's idealogues and OFSTED's bean counters are inadvertently bent on beggaring the futures of British youth.You can’t get a decent music lesson in every British primary school, not if St Read more ...