Visual arts
mark.kidel
The exhibitions of the German artist Anselm Kiefer have always been spectacular: large works with a numinous presence, often breath-taking and always mysterious. His new installation in Paris’s Grand Palais Ephémère, the temporary structure at the end of the Champ de Mars which stretches south from the Eiffel Tower, is perhaps the most ambitious work he has ever presented in a museum space.As in the Grand Palais, which is undergoing a major restoration, this is a cavernous space, one that invites artworks of gigantic scale. “Anselm Kiefer Pour Paul Celan” belongs to the tradition established Read more ...
Sarah Kent
American artist Kehinde Wiley may be best known for his photo-realist portrait of Barack Obama, but painting powerful black men is not the norm. More often he elevates people met on the street in Brooklyn, Dalston or Dakar to positions of pseudo authority by inserting them into pastiches of history paintings honouring the rich and powerful.A black guy replaces Napoleon, for instance, in Wiley’s take on Jean-Auguste Ingres’ 1806 portrait of the Emperor seated on his throne. Wiley’s model sits on Napoleon’s gorgeous ermine cape, but the red velvet robes and laurel wreath have been replaced by Read more ...
Florence Hallett
The Courtauld Gallery’s dark corners have gone, and with them a certain apt melancholy, that effortlessly summoned the ghosts of Gauguin’s Nevermore, 1897, – the abused and exploited girls of Tahiti; and Delius, who had this painting in his house at Grez-sur-Loing. In the gallery’s murky half-light, the alcohol-softened face of Toulouse-Lautrec’s In a Private Dining Room at the Rat Mort, c.1899, became still more poignant, and Van Gogh’s Peach Trees in Blossom, 1889, seemed still more luminous.Nostalgia is all well and good, but now that the Courtauld’s impressionist and post- Read more ...
Sarah Kent
Lubaina Himid won the Turner Prize in 2017 for the retrospective she held jointly at Modern Art, Oxford and Spike Island, Bristol. My review of those shows ended with the question: “Which gallery will follow the examples of Oxford and Bristol and offer Lubaina Himid the London retrospective she so richly deserves?”Four years later, here it is – at Tate Modern. But whereas those joint exhibitions revealed the richness and emotional depth of Himid’s work, this show leaves the viewer somewhat stranded, without the information needed to fully engage with subject matter that is often inscrutable. Read more ...
Jenny Gilbert
In Paris on a business trip in 1916, Wilhelm Hansen was no doubt typical of many husbands in confessing to his wife that he’d been a bit reckless in his personal spending (“You’ll forgive me once you see what I’ve bought”). But he was hardly typical in his purchases: “Landscape paintings by Sisley and Pissarro, a portrait by Renoir, and Claude Monet’s Rouen Cathedral, one of his best-known works!” he excitedly wrote home to his wife. In the space of the next two years Hansen acquired no fewer than 156 Impressionist paintings, and it’s the bulk of this collection that features in The Danish Read more ...
Bill Knight
Paris Photo 2021 was a wonderful show. Back after the pandemic it was moved to the Grand Palais Éphémère, a temporary structure built to host major art exhibitions while the Grand Palais itself is modernised in preparation for the 2024 Olympics. There were 178 exhibitors at the Grand Palais from 29 countries, 19 solo shows and 8 duo shows. There were thousands of images on display.Paris Photo is conceived on a grander scale than say, Photo London. The French love photography and between Paris Photo, the Rencontres d’Arles and other major shows, such as the Walther collection currently at the Read more ...
Jessica Baldwin
It’s been a turbulent week for British artist Kate Daudy. Am I My Brother’s Keeper, her refugee tent (main picture), the art installation and seminal work that propelled her to international fame is gone, thrown out with the trash."A nun destroyed the tent," Daudy explains. The work, a UNHCR tent embroidered with words and pictures, was being stored at a convent in Spain where it was unintentionally thrown into a skip. It’s a big loss.Working on the project, meeting Syrian refugees in Jordan and hearing their stories, Daudy says, changed her life. The refugees’ own words adorned the Read more ...
Sarah Kent
I should have emerged from the Design Museum sizzling with furious determination to help solve the world’s rubbish crisis. Trashing the planet is, after all, the most important issue of our time and Waste Age details the enormity of the problem.The globe is choking In garbage. Sixty-eight million wet wipes are thrown away each year in Europe alone, and, during the pandemic in the UK, 194 billion masks and gloves are chucked away each month. Some rubbish gets recycled, some gets burned but most ends up in landfill or in the sea. A garbage truck of plastic, for instance, is dumped in the ocean Read more ...
Mark Sheerin
Jacqueline de Jong doesn’t want to talk politics. But this should have been foreseeable. After all, she has travelled to Mostyn, in Llandudno, for her first solo exhibition in a UK art institution. And this is a painting show, not a political rally.The works span six decades of art creation right up to the present. So it’s not a snapshot of that revolutionary decade, the 1960s, which she spent in Paris, in and out of the Situationist International, editing the fabled Situationist Times.It’s understandable she doesn’t want to rehash all that. But I only realise this just prior to our interview Read more ...
Rachel Halliburton
Sebastião Salgado has carved out his career by documenting the unimaginable. He takes areas of life all too often ignored by wealthy westerners and reveals them in mesmerising, teeming detail.To look at one of his photographs is to experience the world not just through the eyes but through the mind of a man for whom everything is interconnected. Whether it’s a Mumbai commuter or a Brazilian gold-digger, a giant tortoise in the Galapagos or a worker covered in oil in Kuwait, each subject is revealed as a vital part of a planet that’s as turbulent as it is miraculous.He was in his twenties Read more ...
Sarah Kent
Its more than 50 years since Yoko Ono first presented Mend Piece at the Indica Gallery, London in the exhibition through which she met John Lennon. The piece is currently being revisited at the Whitechapel Gallery and, in the intervening years, its meaning has subtly shifted. Strewn over four tables are dozens of broken cups and saucers along with everything you need to attempt a botched repair – glue, sellotape, scissors and string.According to the Japanese tradition of kintsugi, broken pottery is repaired using lacquer mixed with precious metals like gold and silver that are clearly visible Read more ...
Sarah Kent
Last year a stoneware jar by David Drake sold at auction for $1.3 million. It fetched this extraordinary price because of its history: Drake was a slave on a plantation in South Carolina who not only made fabulous pots, but dared sign and date them at a time when it was illegal for slaves to read and write. Needless to say, his descendants haven’t received a penny in royalties from sales of his work.Theaster Gates includes one of Drake’s storage jars in his Whitechapel Gallery exhibition A Clay Sermon; on it is written “Jan 13 1862. I am Dave” – evidence of Drake’s defiance as well as Read more ...