Visual arts
fisun.guner
Assistants despatch works into the Art Bin
Michael Landy, the artist who destroyed literally everything he owned in his 2001 Artangel project Break Down - birth certificate, Saab, treasured family photos, shirt off his back - finally followed that project up with another exercise in destruction, this time resulting in headlines too tempting, and way too satisfying, to resist: Modern Art is Rubbish.The Art Bin itself is a huge, see-through Perspex and steel container which takes up most of the space in the South London Gallery. At the far end there’s a staircase leading to a platform from which artists - or those who legally own an Read more ...
Jasper Rees
'Xavier', from Niall O'Brien's 'Good Rats' exhibition
Purists would have it that punk rock was but a brief explosion in first New York then London, and was all but spent by the end of 1977. Irish photographer Niall O'Brien, however, was born in 1979 and has no truck with purism. Instead, taking the role of anthropologist for his exhibition Good Rats, he has befriended and spent time with groups of young punks, from skaters in Kingston-upon-Thames to homeless teens in Berlin and Tel Aviv, and documented the noise, chaos and sense of belonging that comes with the subculture more than three decades on from its inception. Click on the images below Read more ...
sue.steward
Dazzling and surprising, this Tate Britain retrospective by the 1998 Turner Prizewinner Chris Ofili should erase memories of the media sniping about him making money from using the so-called "gimmick" of incorporating elephant turds in his paintings. It will also confirm his status as one of the greatest contemporary British artists.A chronological journey through his relatively brief career charted from the early 1990s, the exhibition leads visitors along his painting time-line into three final rooms devoted to work produced since he moved to Trinidad in 2005. Astonishingly different and Read more ...
Adam Sweeting
In his forbidding dark suit and heavy-framed sunglasses, declaiming his artfully wrought texts to camera with the ominous certainty of a hanging judge, Jonathan Meades is one of TV’s most unmistakable presences. While it may be lamentable that we don’t see him more often, it’s miraculous, in the current climate, that we see him at all.His films are densely layered brain-twisters where history, architecture and folklore collide, ripe with allusion, metaphor and facts carefully selected for their provocative value. His best-known series include Abroad In Britain, Further Abroad with Jonathan Read more ...
Graham Fuller
Norman Rockwell (1894-1978) may be the great idealiser of American smalltown life, but many of his paintings took their cues from Dickens, and they thus have an English tang. None more so than Merrie Christmas (pictured below), which Rockwell painted for the cover of 7 December 1929 edition of the Saturday Evening Post: Tony Weller, the philosophising coachman father of Mr Pickwick’s manservant Sam, is shown cracking his whip with one hand and doffing his holly-spiked hat with the other.Resplendent in a great blue coat, a red scarf and beige breeches and waistcoat, as fat-bellied if not as Read more ...
fisun.guner
This exhibition may claim to reveal the real Van Gogh through his letters, but what of the Sunflowers, the Self-Portrait With Bandaged Ear, oh, and Starry Night, with its roiling night sky and dark, mysterious cypress tree? What even of the dizzying Night Café, with its migraine-inducing electric lamps, its violent clash of reds and greens and the walls that threaten to collapse inwards, as if the painter had been hitting the absinthe all night? Surely these are the knock-out masterpieces that we expect to see in the first major UK exhibition of Van Gogh’s work for over 40 years?We may know Read more ...
theartsdesk
Wojciech Grzedzinski: 'Georgian woman cries after Russian air strike on civilian buildings in Gori'. Winner, Current Affairs category
The annual Sony World Photography Awards began in 2007. They showcase the work of both professional and amateur photographers across genres which inclu  de journalism, fashion, architecture, advertising, sport and music. This year there were over 60,000 images submitted from 139 countries. Each year, the winners and runners-up are collected in an exhibition which tours the world. The London stop of the tour opens today at the Art Work Space gallery in London W2. Here is a selection of images, with short commentaries by the photographers themselves.Gordon Welters (Germany): Loveparade 2008: Read more ...
fisun.guner
Eadweard Muybridge: 'Annie G galloping', c. 1887
When we look at still images of moving figures what we see is not exclusively determined by what is in front of our eyes but what we already know about the world. If we stopped to think about this, it would seem obvious. We would know, for instance, that the putti who are so joyously leaping, dancing and bounding about in Donatello’s static frieze Cantoria would make little sense to us if we didn’t already know what such static postures implied: still images of moving figures can only come alive in the imagination when we have some understanding of how living bodies move, and of what comes Read more ...
fisun.guner
The latest official royal portrait, and the first painted portrait featuring the Princes William and Harry, hangs in a small room at the National Portrait Gallery among a selection of royal portraits of the Windsors. There’s the rather quirky one of the Queen Mother, painted in 1989 by Alison Watt, an artist who sought to capture her sitter “as ordinary as possible”. What our attention seems most drawn to is the china cup turned upside down on the arm of the Queen Mother’s armchair. Eh?Then there is the immensely engaging portrait of Charles and the boys taken in 2004 by Mario Testino. Read more ...
theartsdesk
theartsdesk received a New Year's gift last night when we were given a significant accolade from BBC Radio 5 Live. In Web 2009 with Helen and Olly, the station's podcasters and self-styled "internet obsessives" Helen Zaltzman and Olly Mann recognised theartsdesk as one of the five "essential sites of 2009" in a series of awards to the "cream of weblebrity". The shortlist included such big names as Google Streetview and Spotify, the winner.Our category consisted of sites which "this year seemed to become entirely essential" and the presenters (pictured right) praised theartsdesk's " Read more ...
fisun.guner
Mark Wallinger instals his stainless steel 'Time and Relative Dimensions in Space' at the Hayward
2009 hasn’t been a vintage year for art, exactly - no queue-round-the-block showstoppers, if that’s your type of thing. Nonetheless the year was nicely topped and tailed by some memorable, and quietly seductive shows. My top five are Picasso, Mark Wallinger, Gerhard Richter, Sophie Calle and The Sacred Made Real.Picasso: Challenging the Past, National Gallery, London (February-June) Originally shown in Paris, where Picasso’s paintings featured alongside works that had directly inspired them, this became a much tighter, more focused exhibition by the time it arrived in London. It was all the Read more ...
mark.hudson
Van Gogh's 'Hospital at Saint Rémy', 1889: 'the first major Van Gogh exhibition in London for 40 years could break all attendance records'
2010 begins with a worldbeating blockbuster capable of breaking all attendance records – and it ends with another. It’s more than 40 years since Britain saw a major exhibition of the work of Vincent van Gogh; 40 years in which the tormented Dutch genius has gone from being merely an extremely famous and influential painter to, by common consent, the world’s favourite artist, the man who sacrificed himself for his art, whose light-filled canvases tell us most about what we think art should be – never mind that many of them are of dark, rain-drenched Dutch fields.The Royal Academy’s The Real Read more ...