On the Road With Tom Russell, Last American Songwriter | reviews, news & interviews
On the Road With Tom Russell, Last American Songwriter
On the Road With Tom Russell, Last American Songwriter
Peter Culshaw takes the cowboy train with Russell and Ramblin' Jack Elliott
Saturday, 19 September 2009
Tom Russell is, certainly geographically, the last great American songwriter. His adobe ranch-house is perched as far west in Texas as you can go, near El Paso and just over the border from the Mexican town of Juarez. Russell approves of the saying, “If you can’t piss in your front porch, you are living too close to town”.
Tom Russell is, certainly geographically, the last great American songwriter. His adobe ranch-house is perched as far west in Texas as you can go, near El Paso and just over the border from the Mexican town of Juarez. Russell approves of the saying, “If you can’t piss in your front porch, you are living too close to town”.
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more
Help to give theartsdesk a future!
Support our GoFundMe appeal
Nutcracker, English National Ballet, Coliseum review - Tchaikovsky and his sweet tooth rule supreme
New production's music, sweets, and hordes of exuberant children make this a hot ticket
You Me Bum Bum Train, secret location review - a joyful multiverse of anarchic creativity
This latest incarnation of the show is a wild, spinning ride through different forms of reality
The Tempest, Theatre Royal, Drury Lane review - Sigourney Weaver's impassive Prospero inhabits an atmospheric, desolate world
Magic is minimised in Jamie Lloyd's pared-back version
Albums of the Year 2024: Mercury Rev - Born Horses
An exploration of inner space, freeze-dried electronica, French nursery rhymes and more
Strike: The Ink Black Heart, BBC One review - protracted, convoluted puzzler lifted by its leads
The army veteran and his partner are still trapped in a detective-genre script
Albums of the Year 2024: Ca7riel & Paco Amoroso - Baño María
Art that creates it's own (deliriously wild) lane
Natasha, Pierre & the Great Comet of 1812, Donmar Warehouse review - a blazingly original musical flashes into the West End
War and Peace - but not as you know it
Messiah, Wild Arts, Chichester Cathedral review - a dynamic battle between revelatory light and Stygian gloom
This supple inventive interpretation of the 'Messiah' thrillingly delivers the story
Wallace & Gromit: Vengeance Most Fowl review - an old foe returns
Stop-motion animation on an epic scale
Albums of the Year 2024: Kneecap - Fine Art
The music sector finely emerges from the long shadow of Covid with a bumper year
The Invention of Love, Hampstead Theatre review - beautiful wit, awkward staging
Tom Stoppard’s evocation of Victorian golden age Oxford stars Simon Russell Beale
Add comment