mon 13/10/2025

Peter Culshaw

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Bio
Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.

Articles By Peter Culshaw

theartsdesk Radio Show 37 - Pete Lawrence of the Big Chill discusses the power of protest music and his new project This Is The Fire

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theartsdesk in Fes - world music central

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theartsdesk Radio Show 36 - legendary producer Joe Boyd discusses his recent book on global music

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Medicine Festival review - sound and music healing in the depths of Berkshire

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Medicine Festival review - the new New Age gathers in leafy Berkshire

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theartsdesk Radio Show 35 - with writer/composer Amit Chaudhuri

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'The music business was created for people like me who are not criminal enough to go to jail, and not mad enough to go to the nuthouse'. Sinéad O'Connor, 1966-2023

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Park Jiha, Stone Nest, K-Music - timeless evocative East-West soundscapes

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theartsdesk Radio Show 34 - with post-punk visionary Lu Edmonds

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Frida Kahlo Through Indian Classical Music, Elgar Room, Royal Albert Hall review - a strangely effective meeting of cultures

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theartsdesk Radio Show 33: Ukraine special - musicians and artists direct from Ukraine, with co-host Anastasia Piliavsky

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theartsdesk Radio Show 32: a conversation with Matt Johnson of The The

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theartsdesk Radio Show 31 - special guest: TV soundtrack maestro Dominik Scherrer

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London Bulgarian Choir, Kings Place review - dark Slavic tales in waves of sound

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GogolFest:Dream review - the best music festival of the summer?

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theartsdesk Radio Show 30 - podcast on Malcolm McLaren with Paul Gorman, his biographer

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'We are bowled over!' Thank you for your messages... ...
Solomon, OAE, Butt, QEH review - daft Biblical whitewashing...

Forty years ago, the Orchestra of the Age of Enlightenment was born, and I heard Handel’s Solomon in concert for the first time. Charles...

The Woman in Cabin 10 review - Scandi noir meets Agatha Chri...

A fizzy mystery cocktail with a twist and a splash, The Woman in Cabin 10, based on Ruth Ware’s bestseller, sails along like the sleek...

Soulwax’s 'All Systems Are Lying' lays down some t...

It’s seven years since the Belgian brothers Dewaele unleashed their fine, largely instrumental and foot-stomping Essential album on the...

Two-Piano Gala, Kings Place review - shining constellations

Never mind the permutations (anything up to eight hands on the two pianos); feel the unwavering quality of the eight pianists and the 13 works,...

Music Reissues Weekly: Marc and the Mambas - Three Black Nig...

A month after Soft Cell’s "Say Hello, Wave Goodbye" single peaked at number three in the UK charts, Marc Almond issued a single credited to Marc...

Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...