fri 18/04/2025

Peter Culshaw

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Bio
Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.

Articles By Peter Culshaw

theartsdesk Radio Show 36 - legendary producer Joe Boyd discusses his recent book on global music

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Medicine Festival review - sound and music healing in the depths of Berkshire

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Medicine Festival review - the new New Age gathers in leafy Berkshire

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theartsdesk Radio Show 35 - with writer/composer Amit Chaudhuri

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'The music business was created for people like me who are not criminal enough to go to jail, and not mad enough to go to the nuthouse'. Sinéad O'Connor, 1966-2023

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Park Jiha, Stone Nest, K-Music - timeless evocative East-West soundscapes

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theartsdesk Radio Show 34 - with post-punk visionary Lu Edmonds

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Frida Kahlo Through Indian Classical Music, Elgar Room, Royal Albert Hall review - a strangely effective meeting of cultures

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theartsdesk Radio Show 33: Ukraine special - musicians and artists direct from Ukraine, with co-host Anastasia Piliavsky

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theartsdesk Radio Show 32: a conversation with Matt Johnson of The The

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theartsdesk Radio Show 31 - special guest: TV soundtrack maestro Dominik Scherrer

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London Bulgarian Choir, Kings Place review - dark Slavic tales in waves of sound

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GogolFest:Dream review - the best music festival of the summer?

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theartsdesk Radio Show 30 - podcast on Malcolm McLaren with Paul Gorman, his biographer

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theartsdesk Radio Show 29 - Morricone, Moroccan psychedelia and Sudanese techno

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Ennio Morricone 1928-2020: A lost afternoon in his apartment in Rome

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck...

A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and,...

Blue Road: The Edna O'Brien Story - compelling portrait...

“I was born with the ability and the demon to write. I have been punished for it constantly.”

Written and directed by Sinéad O’Shea, this...

Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard B...

The name Arthur Bliss always summoned up for me the image of a fuddy-duddy old buffer writing boring music. But as I’ve discovered his work over...

Album: Gigspanner Big Band - Turnstone

For lovers of British folk from the 1970s on, Peter Knight is a potent force – renowned for his years with Steeleye Span, in their 1970s heyday...

All the Happy Things, Soho Theatre review - deep feelings, b...

The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s ...

London Choral Sinfonia, Waldron, Smith Square Hall review -...

The London Choral Sinfonia are a very impressive group, a professional choir who are churning out terrific recordings at a breakneck pace – I...

Album: Mark Morton - Without the Pain

Mark Morton is best known as a guitarist with US...

The Forsythe Programme, English National Ballet review - bra...

It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The American...

Manic Street Preachers, Barrowland, Glasgow review - elder s...

As you might expect from a Manic Street Preachers gig, literary influences were never far away. A DH Lawrence quote was prominently displayed on...