Film: The Soloist

Film: The Soloist | reviews, news & interviews

Film: The Soloist

Surprising honesty for a Hollywood film about homelessness

by Ryan GilbeyMonday, 21 September 2009

Hollywood stars looking to punch the clock again after a public scandal will tend to seek recompense, and express humility, through their choice of roles. Even with this in mind, the resurrection of Robert Downey Jr has been one of the great heartening spectacles of modern film acting.

Explore topics

Reviews

Share this article

The future of Arts Journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

Help to give theartsdesk a future! Support our GoFundMe appeal

Gilliver, Liverman, Rangwanasha, LSO, Pappano, Barbican review - a rainbow of British music Poetic Maconchy and Walton, surging Vaughan Williams bursting its confines

theartsdesk Q&A: Iranian director Mohammad Rasoulof on 'The Seed of the Sacred Fig' - 'It became a question of self-respect' The exiled filmmaker on authoritarian minds, reluctant radicalism and Iran's future

Bowling For Soup, Civic Hall, Wolverhampton review - nostalgic, celebratory fun Texan pop-punk legends filled the sold-out Civic Hall with pure joy

Philip Marsden: Under a Metal Sky review - rock and awe Myths, mines, and mankind combine in this wide-eyed reading of the earth beneath our feet

Blu-ray: High and Low Akira Kurosawa’s multi-layered Japanese noir, brilliantly plotted

The Years, Harold Pinter Theatre review - a bravura, joyous feat of storytelling The Almeida’s all-women hit transfers to the West End

Nina Conti: Whose Face Is It Anyway?, Brighton Dome review - a melee of jubilant spontaneity The ventriloquist-comedian's improvised hour-long outing is skilful and fabulously entertaining