ryan.gilbey
Bio
was named Reviewer of the Year in the 2007 Press Gazette Magazine Awards. He is the film critic of the New Statesman and also contributes to the Guardian and Sunday Times. He is the author of It Don’t Worry Me, about the American cinema in the 1970s, and a study of Groundhog Day in the BFI Modern Classics series.

articles by ryan.gilbey

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latest in today

Queerness is subversive – it dissolves gender binaries. You know the kind of thing: male/female, straight/gay, married/single, fixed/fluid…
Noble intentions and two talented true individuals faced a few obstacles in this admirably-planned Prom. Gianandrea Noseda looked set to…
The completion of the Berlin Wall in 1961 severely damaged the East German industrial economy, the fallout soon affecting the GDR’s film…
Social engineering gets a bad press. The whiff of creating a eugenics-inspired master race by other means clings to it, so too agitprop…
I didn’t want to review Shania Twain. My sense of her is of ancient mega-selling hits I can’t stand. I didn’t even go to her Sunday…
The title “Tone Phase 1 for 2 Guitars & 4 Oscillators” is a giveaway, clearly indicating what’s going to be heard once the LP has…
Aaron Copland’s gleaming, monumental Fanfare for the Common Man was written to mark the USA’s entry into World War II. Those thunderous…
 Sibelius: Symphonies 1-7 Helsinki Philharmonic Orchestra/Jukka-Pekka Saraste (Ondine)Violin Concerto, Lemminkäinen Suite Ava Bahari (…
What an extraordinary band are The Punch Brothers, a bunch of conspicuously talented musicians whose six albums never fail to delight and…
The man who made Interstellar, Tenet and Oppenheimer can hardly be accused of not thinking big. Now, with The Odyssey, he’s thinking epic.…