Ryan Gilbey
Bio
was named Reviewer of the Year in the 2007 Press Gazette Magazine Awards. He is the film critic of the New Statesman and also contributes to the Guardian and Sunday Times. He is the author of It Don’t Worry Me, about the American cinema in the 1970s, and a study of Groundhog Day in the BFI Modern Classics series.
Articles By Ryan Gilbey
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Years, Harold Pinter Theatre review - a bravura, joyous...
Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through...
Gilliver, Liverman, Rangwanasha, LSO, Pappano, Barbican revi...
For all its passing British sea shanties and folksongs, Vaughan Williams’ A Sea Symphony does Walt Whitman’s determinedly global-oriented...
theartsdesk Q&A: Iranian director Mohammad Rasoulof on...
Iranian director Mohammad Rasoulof is now an Oscar-nominated refugee, in a bittersweet harvest for his film The Seed of the Sacred Fig....
Nina Conti: Whose Face Is It Anyway?, Brighton Dome review -...
“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.
The brilliance of...
Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguil...
It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper...
Phaedra + Minotaur, Royal Ballet and Opera, Linbury Theatre...
Greek myths are all over theatre stages at the moment, their fierce, vengeful stories offering unnerving parallels with events in our modern world...
Cyndi Lauper, OVO Hydro, Glasgow review - still having chaot...
Cyndi Lauper was preceded onstage by a brief video that zipped through her career, which she drily declared was just in case someone was at the...
Music Reissues Weekly: Beggars Arkive - The Lurkers’ 1978 Jo...
On its own, the second session The Lurkers recorded for the BBC’s John Peel show on 18 April 1978 is arguably a curio, a footnote. Four tracks of...
Manchester Collective, RNCM review - something special in ne...
When a piece of music is heard for the first time ever, there’s always the delicious hope that, just by being there, an audience might witness...