wed 07/05/2025

Film

An Impossible Love review - toxic romance across the years

This is a love that begins sweetly, turns terrible, and is told with unflinching directness. Directed by Catherine Corsini, An Impossible Love is based on a novel by Christine Angot (known in France, and increasingly elsewhere, for her powerful...

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Blu-ray: Daisies

Věra Chytilová’s 1966 film Daisies almost defies description, though what initially seems like 75 minutes of plot-free silliness does coalesce into something bordering on the coherent. Not that there’s anything wrong with that, to quote Seinfeld....

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The Favourite review - scintillatingly warped portrait of the court of Queen Anne

It can be fascinating to see ourselves as others see us. In this case, Athens-born director Yorgos Lanthimos (The Killing of a Sacred Deer, The Lobster) brings his acute eye to the English country-house period drama in a scintillatingly warped...

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Best of 2018: Film

While the Academy Awards is still searching for a host, theartsdesk's relatively controversy-free 2018 means we're ready for our end of year tributes. Superhero saturation reached breaking point, with Warner's Aquaman, Fox's Deadpool 2 and Sony's...

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Papillon review - a not very great escape

The story of Henri Charrière’s gruelling ordeal as a prisoner in French Guiana and eventual escape was a bestseller on everyone’s bookshelf in the 1970s. It didn’t take long for it to become a Hollywood drama, which showcased the gigawatt talents of...

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Mary Poppins Returns review - Emily Blunt makes the role her own

It's perhaps unfair to review a film through the prism of one that predates it by more than half a century, but even fans of Mary Poppins Returns (and I am one of them) can't help doing so. Mary Poppins (1964) has become such an established part of...

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DVD/Blu-ray: Postcards from London

Postcards from London is a surprise. You will certainly come away from Steve McLean’s highly stylised film with a new concept of what being an “art lover” can involve, while his subject matter is considerably more specialised, not least in the...

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Springsteen on Broadway, Netflix review - one-man band becomes one-man show

When Bruce Springsteen’s one-man show opened at the Walter Kerr Theatre on New York’s West 48th Street in October last year it was only supposed to run for six weeks. This being Springsteen, however, demand proved almost limitless, so the season was...

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Lizzie review - murder most meticulous

The story of Lizzie Borden, controversially acquitted of murdering her father and stepmother with an axe in Fall River, Massachusetts in 1892, has been explored many times on screen and in print (there’s even an opera and a musical version, not to...

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Spider-Man: Into the Spider-Verse review - a new hope for the superhero genre

After Sam Raimi’s original mixed-bag trilogy, Andrew Garfield’s all too familiar outing as the webslinger, and last year’s Spider-Man: Homecoming, it would be fair to say we’ve had enough Spider-Man films. Despite the potential fatigue from yet-...

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The Old Man & the Gun review - sundown on Sundance

Despite having enjoyed a prolific few years in which he has appeared in (among others) All Is Lost, Captain America: The Winter Soldier, Truth and Our Souls at Night, Robert Redford has said that The Old Man & the Gun will be his last film role...

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DVD: The Workshop

Laurent Cantet’s The Workshop (L’Atelier) is something of a puzzle. There’s a fair deal that recalls his marvellous 2009 Palme d’Or winner The Class, including a young, unprofessional cast playing with considerable accomplishment, but the magic isn’...

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