tue 06/05/2025

Film

Fremont review - lovely wry portrait of an Afghan refugee looking for love

A cameo by Jeremy Allen White wouldn’t usually excite interest, but the star of Disney+’s The Bear is big box-office now, so his presence in Fremont, however brief, will probably guarantee it an audience. There the curious will also find a gem from...

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A Life on the Farm review - a fabulous eccentric gets neatly packaged

“There’s nowt so queer as folk”, they say, and Life on the Farm amply proves the point. A cassette slides into the slot; “play” is pressed and a middle-aged man appears on screen at the gate of Combe End Farm. “Follow me down”, he says to...

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Past Lives review - poignant story of a long-maturing love

In the mood for love? It’s over 23 years since Wong Kar-Wai’s swoony, bittersweet film of that name reset the bar for the art-house love story. Now comes Celine Song's Past LIves, an entirely different kind of bar-setter but with a similar tough-but...

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Mercy Falls review - horror in the Highlands

Mercy Falls isn’t the only Scottish film of the past year in which a young woman is haunted by childhood memories of a last summer holiday with her troubled father. And while Ryan Hendrick’s low-budget horror is unlikely to garner as much critical...

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The Puppet Asylum & Otto Baxter: Not a F***ing Horror Show review - director extraordinaire exorcises his demons

Otto Baxter is no stranger to the camera, ever since he was a small boy he’s been featured on television with his adoptive mother Lucy Baxter, an impressive campaigner for better understanding of people with Down's Syndrome. Archive footage shows...

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Passages review - amusing, lusty, surprising Parisian love triangle

From Forty Shades of Blue, 20 years ago, to Keep the Lights On and Love is Strange, writer/director Ira Sachs has proved himself to be a master at exploring romantic relationships – and the messier, the better. So, after the...

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Apocalypse Clown review - going out with a laugh

Here we are in rural Ireland and on the other side of bonkers. Apocalypse Clown is billed as an "end-of-the-world road movie with clowns". It’s hilarious, off the wall, beyond the cringe.The protagonists are three washed-up members of the circus...

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And Then Come the Nightjars review - two farm friends

This modest British dramedy is billed as a “heart-warming story of friendship and survival set against the backdrop of the 2001 Foot and Mouth outbreak”. That’s perhaps not the first catastrophe we associate with that fateful year, but it was a grim...

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Cobweb review - family secrets, bad dreams

At first, eight-year-old Peter tries to wish away the strange midnight noises as bad dreams, but the persistent knocking against his attic bedroom wall keeps him awake. His querulous mother (Lizzy Caplan, pictured below), assures him that he’s got a...

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Fool's Paradise review - unfunny stab at making fun of Hollywood

It must have looked like a funny idea on paper: a mute innocent stumbles into a Hollywood career, is mindlessly fêted by the industry and throws all its idiocies into stark relief. It’s an idea as old as the romances of Chretien de Troyes and...

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DVD/Blu-ray: Gothic

Ken Russell’s horror comedy Gothic (1986) compresses into one nightmarish night the fabled three days in June 1816 when Lord Byron (Gabriel Byrne) entertained at his retreat Villa Diodati near Lake Geneva his fellow Romantic poet...

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Mob Land review - familiar pulp fiction

Optimistically billed as John Travolta’s comeback, writer-director Nicholas Maggio’s debut is an effective Southern noir, with Travolta an authoritative but peripheral presence.Mob Land is mostly about Shelby Connors (Shiloh Fernandez), a small-town...

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