New music
Kieron Tyler
Various Artists: Scared to Get Happy – A Story of Indie-pop 1980-1989It’s a good thing this box set has the hedge-betting sub-title A Story of Indie-pop. Making the definitive statement on a whole decade of pop’s undergrowth is probably impossible, but being so equivocal from the off sets up Scared to Get Happy as not bold enough to nail its colours to the mast.Compiling and licensing the material on Scared to Get Happy must have been a nightmare. Spread across the five CDs of this first large-scale collection of the era are 134 tracks, beginning with The Wild Swans’s 1982 single “ Read more ...
Lisa-Marie Ferla
It is unfortunate that those who hate Deap Vally find it way easier to articulate why than those who love them. There’s little new in the bluesy, garage-rock riffs that pose and swagger their way through debut album Sistronix, and it’s not as if - on the evidence of the hidden a cappella track that closes off the album - they have the greatest voices. Even the two-piece, guitar and drums setup has been done before, with the White Stripes so obvious a reference point it would be negligent not to mention it.But it is its very simplicity that makes the Californian duo’s music so direct and so Read more ...
peter.quinn
When it comes to live performance, nothing quite socks it to the solar plexus like a choir singing their heart out. Last night, in the intimate space of Soho's Pizza Express Jazz Club, Urban Voices Collective (UVC) gave it to us with both barrels. Founded by Karl Willett in 2006, UVC’s most recent accolades include performing at the closing ceremony of the London 2012 Olympic Games – backing the likes of Take That, Elbow, George Michael, The Who and Muse – performing at the 2013 BAFTAS and recording on Paloma Faith’s latest album Fall To Grace.Combining a refreshingly different vocal style Read more ...
Russ Coffey
Long before the release of Tom Odell’s debut, certain critics’ knives were drawn ready to give this middle-class lad a good stabbing. The recent stories about his dad ringing up the NME to complain about his no star review, and the contents of that piece, say it all. The reviewer wished there was a “particular place in hell” for this daddy’s boy and bridled at the idea he might be “all over 2013 like a case of musical syphilis”.But although Odell has been primed for success by his early Brit award, it’s ludicrous to suggest that he’s as bland as the face of 2012, Emeli Sandé. It’s true he may Read more ...
garth.cartwright
Having witnessed Neil Young’s shambolic O2 concert on Monday – Young treating the occasional venture into his back catalogue with listless contempt whilst serving up multiple banalities from his recent albums – I considered skipping seeing more veteran American rockers. But one should never pass on a chance to see The Stooges and, as their last London concert was in 2010 (beyond supporting Soundgarden in Hyde Park one sodden Friday last summer – what kind of insult is that where The Stooges open for Soundgarden?), the atmosphere before their Meltdown performance was one of huge expectation. Read more ...
peter.quinn
While the melodic and rhythmic subtleties of traditional Irish music are best experienced through listening to the solo performer, it's very much through groups that the music has reached a global audience. While some so-called "supergroups" have promised much and delivered very little – being nothing more than a session on stage with no thought for arrangements, pacing or mood – in this much anticipated UK premiere The Gloaming spectacularly fulfilled, and surpassed, all expectations.This surely has something to do with the fact that four-fifths of the group - fiddler Martin Hayes, guitarist Read more ...
joe.muggs
The easy thing would have been for Omar to come back trading on nostalgia, made his seventh album a nice smooth jazz-funk set and reminded everyone what made them fall for his biggest hit, "There's Nothing Like This" from 1991. Indeed you might even think that's what he's doing, with a new recording of that song appearing here. The moment you put the album on, though, there is no question at all of a man resting on his laurels.OK, "Simplify" is kind of smooth in its way, but as Omar's voice cruises in on a cloud of harps and strings, it sounds rather a lot more like the rich and strange Read more ...
James Williams
The Meltdown Festival has always been a fascinating proposition, getting a living legend in their field to curate their own personal festival line-up, and present all of their idiosyncratic choices to London in the refined and retro-futuristic surroundings of the Royal Festival Hall. It throws up some fascinating curation, and while Yoko Ono has clearly had a hand in presenting some of the more agit-pop and esoteric acts on the bill this year (think Peaches, the ferocious Bo Ningen and a newly reformed Cibo Matto) it is clearly her son Sean Lennon who has taken it upon himself to populate the Read more ...
Jasper Rees
It’s the cross Lloyd Cole has to bear more than any songwriter of his vintage. His first album landed squarely in the record collections of sensitive young brainiacs in the Eighties and, at least to that constituency, nothing has ever quite matched up. To anyone who’d had their fill of chaps in eyeliner plinking on synths and was seeking a Dylan for the Thatcher age, Rattlesnakes - with its jingle-jangle cod-philosophical noodlings fed through Cole’s gorgeously cracked larynx - was profoundly seductive.Funnily enough, Standards is the product of a commission to review the septuagenarian Dylan Read more ...
Adam Sweeting
"Don't say it's over," wailed Neil Young at the end of "Hey Hey, My My", his raging anthem against the dying of the light which still sounds as bellicose and cantankerous as it did in 1979. And happily it isn't over yet, because on this evidence the 67-year-old Young still looks fighting fit and raring to run round-the-clock heavy metal marathons.He'd packaged the show with some wacky dramatic trappings that seemed to specifically reference the Rust Never Sleeps era from which "Hey Hey..." sprang. Back then he toured with a bizarre crew of "Road-Eyes", while here they were dressed in zany Read more ...
James Williams
Equal parts prodigiously talented musician, consistently funny comedian, auteur, theatre performer, free thinker and writer, Reggie Watts is nigh on impossible to pigeonhole. He is a hurricane of furious creativity operating completely in his own lane, hurtling full-speed towards Parts Unknown. Primarily known for his inimitable blend of improvisational music and comedy, each show he performs is completely original, never to be repeated.Utilizing a looping effects pedal and keyboard (and very little else) Watts creates on-the-fly songs in a variety of sublimely lampooned musical styles, Read more ...
Thomas H. Green
For starters, Middle Class Rut is a great name for a band. It sounds irritated, punky, full of fighting spirit. Happily the duo from Sacramento California, live up to it. Their second album is an impassioned roar, occasionally a howl of disgust, grounded somewhere between punk and heavy rock, but smeared with distortion and MCR’s own take on the wall of sound.What really sets them apart are their drums. Sean Stockham attacks his kit with ferocity but also precise rhythmic bite. At least half the songs recall the Beastie Boys’ use of Led Zeppelin’s “When The Levee Breaks”. They’re not hip hop Read more ...