New music
theartsdesk
Can: The Lost TapesKieron TylerDespite being compiled from previously unreleased material, the extraordinary The Lost Tapes is as wonderful as last year's 40th Anniversary edition of Tago Mago. This archive trawl outpaces previous exhumations like Limited Edition, Unlimited Edition, Delay ‘68 and Prehistoric Future by a very long distance. Not because it’s a three-CD set, but due to the sheer quality of what’s heard. Can still had material on the shelf equalling what they issued. Little is from the post-Damo Suzuki configuration of the band (it’s roughly half-and-half between the Suzuki and Read more ...
joe.muggs
So here it is, our fourth show of new, rare, exclusive and peculiar music - as ever recorded at Red Bull Studios with Brendon Harding ably manning the machines.As ever, the show is vaguely themed, with Peter and Joe doing their best to emphasise "vaguely" by looking at areas where ideas and genres blur. This time round, they are looking at jazz and its offspring, asking the question "where does jazz stop?". So they have Armenian jazz, Chicagoan ghetto-electro jazz, Croydon grime jazz, Icelandic jazzy folktronica, Hungarian jazz and Ethiopian jazz-funk, as well as some music from Brazil so far Read more ...
Adam Sweeting
Naturally it couldn't be anything as straightforward as a mere album. Rather, Smashing Pumpkins supremo Billy Corgan would have it that Oceania is "an album within an album", and that its 13 songs form a subset of the ongoing Teargarden by Kaleidyscope project, part of which appeared in digital download format in 2009. But prune away all the baggage and Oceania stands up as a very plausible specimen of Pumpkinness. It also marks the arrival of a brand new line-up, namely drummer Mike Byrne, guitarist Jeff Schroeder and the band's latest female bassist/vocalist Nicole Florentino, but as ever Read more ...
Kieron Tyler
The Sex Pistols played their final live show on 14 January 1978 in San Francisco. According to the third and final programme in the Punk Britannia series, “for many, it would be the end of punk”. It certainly was for ex-Pistol John Lydon, who'd form Public Image Ltd. Taking on the task of tracing what happened next was a challenge. Nothing was neat. Loose ends, new strands and evolution of the existing meant it couldn’t be. If this programme succeeded, it was in portraying the turmoil that came in punk’s wake.Bringing order where there is chaos is always difficult. As an overview of the Read more ...
joe.muggs
We're extremely happy to have the first viewing of this beautiful video by Grammy-nominated director Eric Epstein for Hilary Hahn and Hauschka's “Draw a Map”. Its perhaps the most completely realised audio-visual summing up of the area of music that is becoming known as post-classical: that is, music that uses the techniques and instruments of the classical tradition but is not constrained by the classical world's commercial and social strictures.Watch "Draw a Map":Hauschka, aka Volker Bertelmann, is a composer and pianist whose music has always drawn on the techno and world music played in Read more ...
bruce.dessau
It is always easy to remember the first time: 11 November, 1974, Hammersmith Odeon. Sparks. I cannot recall the exact seat where I was sitting when I lost my rock 'n' roll virginity, but it was the second stalls block on the left and the seasoned gig-goer on my right tipped me off that you can tell when a band is going to do an encore because the roadies leave the amps turned on. Look out for the red light. Sure enough, Ron and Russell Mael returned to do their biggest hit to date, "This Town Ain't Big Enough for Both of Us".Nearly four decades on they were back in West London last night with Read more ...
howard.male
As all the background information to this new release can be found in Nick Levine’s recent interview with Neneh Cherry for theartsdesk, let's get straight down to scrutinising the music. For this serious contender for album of the year deserves more than just a reshuffling of the information on its press release.Just as one can take pleasure in the physical substance of paint on a canvas (dragged, splattered or elegantly arced), it's also enjoyable when the music issuing from the stereo seems to violently push the air aside before threatening to ransack the room. Take this Read more ...
peter.quinn
If this gig by the new vocal supergroup, BLINQ, had to be summed up by a musical expression, then poco a poco crescendo would fit the bill rather nicely. The group, Brendan Reilly, Liane Carroll, Ian Shaw, Natalie Williams, plus the Mercury Prize nominated virtuoso pianist, Gwilym Simcock – what's wrong with a bit of BLING? – gave their first ever performance at Ronnie Scott's last August. Despite not having clocked up many miles on their musical pedometer, last night the quintet delivered auditory thrills by the bucket load.Balancing the BBC Jazz Award winners Shaw and Carroll Read more ...
Lisa-Marie Ferla
When your albums tend to drop into a frenzy of anticipation after gaps of six or seven years, the creation of a certain mythology becomes inevitable. So much has been written in certain circles about Fiona Apple since the release of 2005’s Extraordinary Machine - an album which itself seemed certain to never see the light of day at one point - that it has become impossible to distinguish the music from the character - reclusive, frustrating, challenging.And yet the opening track to Apple’s fourth album (its poetic full title - The Idler Wheel is wiser than the Driver of the Screw and Whipping Read more ...
howard.male
The solid, shiny band sound on New Yorker Mike Doughty’s most recent solo album Yes And Also Yes was a reason to get very excited about the prospect of him visiting the UK to do some live concerts. But then a couple of weeks ago a new live double CD The Question Jar Show turned up in the post featuring just Doughty accompanied by celloist Andrew Livingstone. It’s a diverting enough listen but it did look like last night might turn out to be a pat-arse rather than kick-arse kind of show.Then when Doughty took to the stage alone, the heart really sank. But the man who made one of the best rock/ Read more ...
joe.muggs
Coming from a thriving East London improvisation scene, "aquatic Krautrock experimentalists" Snorkel have made a logical step forward and released a single that was entirely recorded in one, improvised take. We are very happy to present here in its full ten-and-a-half minute glory the video of the recording, as well as a free download of a remix by Crewdson of another track from the session.Snorkel now feature in their lineup trombonist/producer Ralph Cumbers aka Bass Clef, who is no stranger to improvisation as his previous collaboration with the London Improvisers Orchestra demonstrated. Read more ...
joe.muggs
Though he first came to public attention via the Los Angeles-based Brainfeeder psychedelic electronic hip hop collective led by Flying Lotus, 25-year-old producer Lorn comes from “the middle of nowhere in Illinois”, and it's easy to see in his music a less sunny disposition than many of his comrades. Most of the Brainfeeder crew have a loose-limbed funkiness to their sound and an accumulation of sonic detail that speaks of heat and humdity. But while Lorn shares their aesthetic of complex rhythms that slip off the grid, there's something chilly and chilling about his industrial-sounding Read more ...