New music
theartsdesk
Biz Markie: The Biz Never SleepsJoe MuggsThere are plenty who talk about hip hop's “golden age” as being circa mid-1980s to mid-1990s. This tends to be done out of snobbery or nostalgia and ignores all kinds of incredible musical developments that have taken place since. However, while this 1989 album is playing it's extraordinarily easy to get sucked into feeling like it is as good as it got. It's such a good-natured, infectiously joyful and straight-up funky gem, you may very well find yourself wondering why all rap albums can't be like The Biz Never Sleeps.Biz Markie is possibly the most Read more ...
bruce.dessau
Not sure about the title. Is it inspired by the place Graham Coxon used to finish up in each night during his drinking years? Not sure about the cover. Who wants to see a scabby knee? But there are no quibbles about the music. While Damon Albarn continues to scour the global undergrowth for inspiration like a musicological David Bellamy, Graham Coxon goes back to scratchy alt-punk, lobbing in some alto sax jazz noodling for good measure.Things kick off briskly, with the itchy "Advice" reflecting on boredom past: ”I wrote a new song while I was touring/ Man it was no fun, totally boring”. Read more ...
Thomas H. Green
In 2009 Orbital returned too soon. Dance music icons Paul and Phil Hartnoll only called it a day a little over four years previously so it was hardly a magnificent comeback. The resulting live shows smelt more of tax bills than art. Fair enough, we all have to live, but it was a shame to see such a great creative pairing fizzle rather than shine.Orbital ruled dance music throughout the Nineties. Their self-titled “brown” album remains an all-time great and the decade’s other four albums were also astonishing, even beautiful - lush listening music that turned into a driven foot-moving sonic Read more ...
joe.muggs
Welcome to theartsdesk's first radio show with Peter Culshaw and Joe Muggs, recorded with the extremely able help of Brendon Harding at Red Bull Studio London.In the course of this show, Peter and Joe take a look at the depth and breadth of music covered by theartsdesk, playing some delicious tracks just out or about to be released (see below), and discussing the meaning of musical genre in a globalised world and asking whether it is still a useful way of bracketing artists. In amongst this you can hear an interview with the young Soweto-born musician Spoek Mathambo, now mainly residing Read more ...
Lisa-Marie Ferla
Before I came to what I was surprised to discover is a fifth album from hard-rock six-piece Lostprophets, there were two things I knew about the band: firstly, that they are Welsh; and secondly, that they showed up in magazines like Kerrang! a lot back when I was in high school.Alternative rock in the 1990s wasn’t well known for either its staying power or its crossover appeal, so for a band to still be filling mid-sized venues 15 years on they must be getting by on more than tattoos, skateboards-as-accessories and misguided rap interludes (although I’d maybe steer clear of track seven). At Read more ...
Natalie Shaw
Drake’s routine is divisive; he’s attracted hip-hop’s most loyal following in a somewhat unconventional way. By using self-doubt as his signature complex, he’s taken something traditionally uninteresting and made it his calling card. The cringe factor in his lyrics seem, from the outside, best suited to an album at the tail-end of a career, but that’s without considering his charm, his astute ear for a chorus, and how unashamedly, loveably contrived and cheesy his whole shtick is. At his second sold-out night at the O2, 25-year-old Canadian Aubrey Drake Graham proved to be a master of Read more ...
Graham Fuller
The 1972 Jethro Tull opus Thick as a Brick was offered by Ian Anderson as a parody of progressive rock concept albums. Its sub-Pythonesque packaging proclaimed the record’s lyrics to be an epic poem composed by an eight-year-old swot, Gerald Bostock, who was disqualified from winning a literary prize after swearing during a BBC interview. Anderson talks up the jape to this day, neglecting the Oedipal struggle central to the album’s opaque narrative, its layered, intricate musical motifs, and its cinematic sweep. Never given its critical due, Thick ranks beside its predecessor, Aqualung, as a Read more ...
mark.kidel
Ambrose Akinmusire is the new jazz sensation, the messiah of the post-bop trumpet. With his hyper-talented and youthful quintet, the 29-year-old Californian delivered a set in Bristol that rang all the changes from the soft and lyrical to high-energy heat.Akinmusire took the stage following an at times dazzling opening performance from the equally young, gifted and black British pianist Robert Mitchell. The American trumpeter started with a kind of alaap, a jazz equivalent of the prelude to a raga when the lead instrumentalist explores the tonalities of his chosen mode. It was as if Read more ...
Peter Culshaw
The Moscow girl punk band Pussy Riot say their impromptu performance inside Russia’s major cathedral of their song “Holy Shit” was a prayer. They were replying to the Patriarch of Moscow and All Russia Kirill who called it “blasphemy”.Speaking at a liturgy in Moscow’s Deposition of the Robe Cathedral, the Patriarch condemned Pussy Riot’s actions at Christ the Saviour Cathedral as “blasphemous” saying that “the Devil has laughed at all of us.”“We have no future if we allow mocking in front of great shrines, and if some see such mocking as some sort of valour, as an expression of political Read more ...