New music
graeme.thomson
It didn't take long for the back-to-the-barn modus operandi of bands like Bon Iver, Akron/Family, The Acorn and Fleet Foxes to descend, like a slow fall from A-minor to F, into something close to cliché: we're nowadays up to our horn-rimmed specs in beardy minstrel types peeling off into the backwoods to cook up their scratchy, mildly lysergic freak-folk-rock. Seattle’s Cave Singers live in the same neighbourhood, all right, though perhaps just a couple of miles down the track.The majority of the songs on their third album are circular and trance-like. The two supporting pillars are the Read more ...
Kieron Tyler
“Don’t pull your pants before I go down… Like the shotgun, I need an outcome, I'm your prostitute, you gonna get some”. The lyrics of “Get Some”, the first single from globetrotting Swedish popster Lykke Li’s second album, are unforgettable. The album itself, Wounded Rhymes, is pretty unforgettable too.Her first album, 2008’s Youth Novels, was great – quirky, electro-assisted rhythmic pop with wee hints of Toyah. But Wounded Rhymes is something else. What seemed tame is now wild, unleashed, closer to her whirlwind live persona. She’s said that the close-to two years of touring after Youth Read more ...
howard.male
No, not “trance” in the sense of galloping four-to-the-floor electronic music made by people on Ecstasy for people on Ecstasy. This trance is the original ritualised half-conscious state produced by fast, intensely repetitive, rhythmic tribal music… OK, now I’m thinking about it, we are kind of on the same page here, you just have to appreciate that what this French/Italian/Algerian/Kabyle singer-songwriter is interested in is the spiritual origins of the braindead quantised noise favoured today by the average clubber.She is aided and abetted on this, her third album, by sometime Robert Plant Read more ...
Thomas H. Green
There is a certain kind of Northern European songcraft that's difficult for we genre-crazed music journo sorts to categorise. The active components are a musical stew of late-night cabaret blues, oddball jazz-classical instrumentation, a smidgeon of Jacques Brel flavour, surreal lyricism and a quavering soprano female voice. At the forefront of this most miniscule of micro-genres would be Lonely Drifter Karen and Clare and the Reasons (although the latter hails from New York). Whatever we might call it, it's the polar opposite of rock'n'roll, it's often beautiful, and we can now add Read more ...
Thomas H. Green
There's been a lot of waffle lately about rock'n'roll being dead. This is down to mainstream radio turning its back on guitar music in favour of a stew of electro-pop and R&B, and the fact that just three spots in the Top 100 UK bestselling singles (ie downloads) of 2010 were held by rock songs (for the record, Journey's "Don't Stop Believing", Train's "Hey, Soul Sister" and "Dog Days are Over" by Florence + the Machine). Whenever this sort of media babble starts, it's time to run for cover because there's undoubtedly another tedious wave of guitar bands waiting gleefully in the wings. Read more ...
Russ Coffey
To mark the release of their new single "Dilly" theartsdesk has limited-edition box sets of Band of Horses album Infinite Arms to give away. The box sets have a CD version, a vinyl version and artwork unique to the set. All potential winners have to do is to answer the four questions below, and just to make it easy the answers will be found by following the embedded links.
Band of Horses' latest album is called Infinite Arms, but what is the first song on the album?
Band of Horses' lead singer Ben Bridwell is sometimes compared to Neil Young. What was the title of the last Neil Young album? Read more ...
graeme.thomson
When it comes to the Seven Ages of popular music we are now well into the post-retro era. In 2011 every artist is a magpie and every song sails out beneath a pirate flag, greedily plundering where it pleases. When everything that has gone before is up for grabs, it’s now simply a question of how you want your yesterdays delivered: rare, medium or well done?Imelda May might reheat the past but at least she serves it up red hot. A performer since her early teens, her career has crept forward by increments. Now in her mid-thirties, May's third album Mayhem, released late last year, has provided Read more ...
Joe Muggs
The Detroit electro-techno duo of James Stinson and Gerald Donald aka Drexciya never gave away their secrets easily. Almost completely anonymous and never photographed during their 10-year existence – which ended with Stinson's 2002 death after a long illness – they surrounded their music with a complex mythos and mischievous wit comprehensible only to a small, obsessive cult audience. Only now are they getting wider appreciation, with a new generation of electronic musicians like Rustie hugely influenced by their sparse electronic funk, and the art world being introduced to their Read more ...
theartsdesk
From a guitar by Matteo Sellas dating back to Germany before 1630 to one made in New York by John Monteleone in 2008, the Metropolitan Museum of Art’s Guitar Heroes exhibition is will go down as the longest guitar solo slot in history. Including one of the four surviving models by Stradivari, it monitors the guitar’s development in Italy and the instrument’s migration across the Atlantic. Angelo Mannello, born in Italy, made the mandolins seen here in America. It is clear from this gallery, which includes a bespoke instrument made for Paul Simon, that the skill exhibited by the great Read more ...
Peter Culshaw
I didn't realise how much I liked dirt. Especially New York dirt. I was going to do a rant about boutique designer hotels, which seem ubiquitous in Manhattan. Major case in point: the Gramercy Park Hotel, where I used to stay in the Nineties and Noughties. It was independent, a bit scruffy, with a great bar full of artists and rock'n'roll types and other degenerates, a perfect location and cost about a hundred dollars a night. Last time I looked it had been ponced up – fish tank in the reception, a Buddha, fancy doorknobs and good-looking but no doubt useless staff. Clean as a whistle. This Read more ...
Joe Muggs
Avant-garde art, by its very nature, always treads a fine line between the sublime and the ridiculous, and between entertainment and alienation. Thankfully this is something understood very well by the joint curators of Friday night's show at the Vortex Jazz Club: Baron Mordant of the Mordant Music record label and Jonny Mugwump of the Exotic Pylon website and radio show. As the names perhaps suggest, these are people versed in the potential deep silliness of what they do, even as they take it very seriously indeed – and their event certainly ranged far and wide between the weird, the Read more ...
Kieron Tyler
Tim Buckley might have died in 1975, but he’s lived on through re-evaluations, reissues and, by default, through the music of his also-dead son Jeff. This new Rhino Handmade version of Buckley senior’s debut Elektra album is significant as the second disc collects never-before-heard recordings by his first band, The Bohemians, and a set of pre-Elektra demos.There’s been a steady dribble of Buckley archive releases, but apart from the long-gone Works in Progress (also on Rhino Handmade) and The Dream Belongs to Me: Rarities & Unreleased 1968-1973 (which reissued some of the Works in Read more ...