New music
Jonathan Geddes
The farewell for KISS has lasted so long that this Glasgow show, their final ever UK gig, came four years after the End of the Road tour first stopped off in the city. Admittedly that is partly down to the coronavirus scuppering touring plans for a couple of years, but even without that there is a suspicion a group who have monetised themselves so effectively over the years might have found a reason for another trip back here.After all, this tour also featured the chance for afternoon VIP meet and greets for a few thousand quid, while a “golden circle” was in operation down the front, a sight Read more ...
Adam Sweeting
First things first. The support acts at events like this usually get completely overlooked, but it would be frankly criminal not to give a mention to a superb set by the Chicks. They dropped the “Dixie” from their original name because of its now “problematic” political connotations, and their critical comments about Dubya Bush provoked a career-changing backlash, but they’ve bounced back feistier than ever.Armed with an arsenal of instruments sure to bring joy to country music fans – dobro, pedal steel, fiddle, banjo, mandolin – they surged through a set of old favourites, including “Cowboy Read more ...
Kieron Tyler
One of the most striking scenes in Andrei Tarkovsky’s 1972 outer-space allegory Solaris is psychologist Kris Kelvin’s first encounter with a being which seems to be his wife, who had died a decade earlier. The unsettling incident’s inherent tension is heightened by its sonic backdrop: rumbling, a peculiarly musical pink noise, lightning-like bolts of sound. This was created on the ANS synthesiser (AHC in Russian script), a device invented in Soviet-era Russia.The inspirational figure for the ANS was Boris Yankovsky, who was working with creating synthetic sound from the early 1930s. In 1932, Read more ...
Guy Oddy
Forty years ago, the songs of New Jersey’s Kool and the Gang formed an essential soundtrack to many a suburban lothario’s weekend. “Celebration”, “Ladies’ Night” and “Get Down on It” were undisputed chart classics of the time – laying down slick grooves that focused wholly on having a good time and not having a care in the world.James “JT” Taylor, lead singer during the band’s commercial peak, may be long gone but bassist, Robert “Kool” Bell and keyboard player, George “Funky” Brown (all the original band members seem to be obliged to have a one-word nickname) are still very much on board for Read more ...
mark.kidel
As an authentic artist, PJ Harvey manages to remain true to her essence as well as constantly shifting her creative stance. Each of her albums has been a leap forward, and yet anchored in a sound and style that are immediately recognisable as hers.This new album, the first in seven years, is in character – sensual, mysterious, a mixture of introverted softness and extrovert violence. It's very good, full of surprises, slow to reveal itself, like a really well-accomplished piece of poetry.Her previous release, The Hope Six Demolition Project (2016) was a collection of demos, Read more ...
Cheri Amour
You could say the catalyst behind it all was Rocketman himself. During his Apple Music Show, celebrated CBE Elton John named Gabriels’ self-released EP, Love and Hate in a Different Time, one of the most seminal releases in the last ten years. At that time, little was known about the US-UK trio. When they eventually signed a major record deal a few months later, there wasn’t a single photograph of the three of them in the same room.Despite the inconspicuous start, the band has already racked up a performance at The Royal Albert Hall (for Letters Live). They supported Harry Styles in Texas and Read more ...
joe.muggs
A “back to basics” album is a risky thing. When an act has expanded into big, lavish or experimental production, it’s not a simple act to strip that away. Trying to go back to the intimacy or spontaneity of early work can feel forced: they may find they’ve become reliant on the possibilities of studio craft, or simply evolved into a different kind of artist. U2’s recent horrorshow of a catalogue-reworking album, for example, shows just how laboured such an exercise can be. And for those who’ve thrived on electronic sound it can even seem like a betrayal to step into Jools Holland-friendly Read more ...
Kieron Tyler
“Summer Glass” is The Greater Wings’ fourth track. A synthesiser pulse evoking water dripping from eaves unites with glistening harp arpeggios and muted strings. The voice weaving through this is distant, shrouded in fog. Lyrics are about “being ready to travel again,” wanting “to be whole enough to risk again.” Atmospherically, there are intimations of the intense 1969 Jerry Yester and Judy Henske LP Farewell Aldebaran and Beach House at their most oblique.The new album by the Buffalo, New York-born Julie Byrne initially seems weightless. The delivery is light, nothing bludgeons, textures Read more ...
Kieron Tyler
“There's a richness and a true depth here that places Jeopardy alongside (U2’s debut album) Boy as early Eighties tonics for ailing mainstream-rock. The Sound are on to a winner. There isn't one track here that isn't thoroughly compulsive. Overall it's a vastly impressive sound, with as much energy as I've heard on any record all year…the result is a form of sheer power-rock that doesn't make you blush or grimace.”In November 1980, Sounds’ Dave McCullough was enthusiastic about The Sound’s first album Jeopardy. But he had some reservations about whether they could cut through to become more Read more ...
Tim Cumming
Dartmoor-born folk star Seth Lakeman has an illustrious album catalogue behind him, and this is the general release of a limited-edition vinyl released earlier this year for Record Store Day.Lakeman’s songs embrace traditional folk, pop music and plenty of folk rock – often all at the same time – and he’s long had a knack for a memorably catchy hook and for encapsulating a narrative in a handful of verses, as much on classics like the Mercury nominated “Kitty Jay” as on this album's opener, “The Giant”. He’s recently been seen supporting Van Morrison on The Man’s superb Moving On Skiffle set Read more ...
Guy Oddy
Richard Jobson may be the only original member left standing in first wave Scottish post-punkers, the Skids’ line up. But almost 45 years on from the release of their debut album, Sacred to Dance, the band is again pumping out anthemic rockers in the same vein as when they first started out.Original guitarist, Stuart Adamson is sadly long gone but Bruce Watson from Adamson’s post-Skids group, Big Country, has picked up the torch from his former band mate. “Open Your Eyes” and “Tidal Wave” particularly see him standing confidently in Adamson’s shoes, banging out the riffs and lending his voice Read more ...
caspar.gomez
TUESDAY 27TH JUNE 2023I wake up around 11.00, get outta bed around 12.00.My carcass has been ridden over by Immortan Joe’s entire fleet of vehicles from Mad Max: Fury Road. My inner head has been scooped out like a cantaloupe. Where my brain once resided a blistered, reddened, atavist lizard id sits curled in upon itself, pulling levers. I need to write. I can barely recall how to use a spoon. Maybe I have Long Glastonbury? No time for mewling. Back in…THURSDAY 22ND JUNE 2023Shepton Mallet’s behind us. So’s the A361. We’re into the leafy lanes, bustin’ the pastoral with GN’R. Don Carlton and Read more ...