wed 23/04/2025

Brahms

theartsdesk at the Pärnu Music Festival 2018 - Pärt, Leonskaja and friends hard at play

Unanticipated miracles happen every summer in the quiet paradise of Estonia's seaside capital. The first this year came as a total surprise. Having got off the afternoon coach from Riga last Monday and dumped bags at my villa base in Pärnu's garden...

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Classical CDs Weekly: Berio, Brahms, Schubert, A Map of the Kingdom of Ireland

 Berio: Rendering, Schubert: Symphony No 9 Soloistes Européens, Luxembourg/Christoph König (Rubicon)Schubert's unfinished Symphony No 10 has been completed by various hands. I took part in a performance of Brian Newbould’s realisation several...

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Prom 33, Schultz, Reuter, BBCSO, Farnes review - powerful Brahms Requiem

The heart of Prom 33 was Brahms’s massive German Requiem, a piece that eschews Christian dogma and Day-of-Judgment terrors for a humanism focusing on consolation of the bereaved. It feels very much like a requiem for our times as much as the...

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Prom 15, Lewis, BBC Philharmonic, Gernon - a masterful Emperor took the musical laurels

There’s a particular quality to light seen from shadow. Think of the surface of the water glimpsed, hazy and haloed, as you swim upwards after a deep dive, or the smudged edges of city lights seen from a night flight. This concert by Ben Gernon and...

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theartsdesk at Leipzig's Blüthner Piano Factory - a perfect family business

Have you ever wondered why the Steinway grand piano is invariably the instrument of choice in every hall you visit, great or small? Why do the halls in question not offer a choice between two or three pianos of different manufacture, as so many did...

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Ibragimova, Tiberghien, Wigmore Hall review – light, bright and melodic Brahms

The Brahms violin sonatas make a perfect spring evening recital. The Second and Third were inspired by a summer retreat, but all three are light, bright and with direct melodic appeal. Violinist Alina Ibragimova and pianist Cédric Tiberghien...

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theartsdesk in Bremen: 150 years of A German Requiem

STOP PRESS (10/4/2020): this performance is up for a short period on the Deutsche Kammerphilhamonie's website for free viewing. Paavo Järvi is offering a live Q&A on conducting Brahms on Saturday 11 April 2020.They did things differently in 1858...

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Robin Ticciati on conducting Brahms: 'trying to understand the man through his music'

Edinburgh, October 2015. Robin Ticciati is still flying high from a remarkable performance of Brahms's First Symphony, the start of an intended cycle with his Scottish Chamber Orchestra in his seventh season as principal conductor. After a...

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theartsdesk at the Lucerne Easter Festival: Haitink, Schiff and an alternative Passion

Anyone passionate about great conducting would jump at the chance to hear 89-year-old Bernard Haitink giving three days of masterclasses with eight young practitioners of the art, his eighth and possibly last series in Lucerne (though he's not...

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Classical CDs Weekly: Brahms, Sterndale Bennett, Fieri Consort

Brahms: Piano Concerto No. 2, Strauss: Burleske Joseph Moog (piano), Deutsche Radio Philharmonie/Nicholas Milton (Onyx)It's not you, it's me. That’s probably what I'd say to Brahms in attempting to explain why I generally prefer his craggy D minor...

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Classical CDs Weekly: Brahms, Janáček, George Martin, Dmitry Masleev

 Brahms: Clarinet Sonatas, Janáček: Sonata (arr. Brill) Shirley Brill, Jonathan Aner (piano) (Hänssler Classic)Brahms's pair of clarinet sonatas are the epitome of autumnosity, were such a word to exist. Pipe-and-slippers music, which isn't...

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Christian Tetzlaff, Lars Vogt, Wigmore Hall review - lyrical Brahms from veteran duo

Sonata no 1 – Sonata no 2 – Sonata no 3 – that’s barely a recital programme, it’s just a list. Fortunately, violinist Christian Tetzlaff and pianist Lars Vogt (pictured below by Neda Navae) have good musical reasons for presenting the Brahms violin...

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