cabaret
Wonderville Magic and Cabaret review - fast-paced show delivers the promised wonderWednesday, 17 August 2022
There’s nothing quite like magic, live, up close and personal. Sure there are the TV spectaculars, the casino resort mega-shows and even The Masked Magician to pull back the curtains, but there’s a frisson in the air when the card that’s in your... Read more... |
The Tiger Lillies' Christmas Carol: A Victorian Gutter, Southbank Centre review - cult band get inside Scrooge's headSaturday, 18 December 2021
Charles Dickens and Martyn Jacques is a marriage made in heaven (well, hell I suppose): the Victorian novelist touring the rookeries of Clerkenwell the better to fire his imagination and, 150 years or so later, the post-punk maestro mining London's... Read more... |
Christine Rice, Julius Drake, Wigmore Hall review - songs of love and deathTuesday, 01 December 2020
It began as a Christmas present in the bleakest of winters. In December 1939, as war engulfed Europe, Bertolt Brecht sent a poem to the exiled Kurt Weill in New York. Weill set it as a bittersweet gift for his wife Lotte Lenya. “Nannas Lied” – the... Read more... |
Album: Tankus the Henge - Luna Park!Saturday, 28 November 2020
Tankus the Henge are one of Britain’s most energized, entertaining and spirit-raising live bands. If they were allowed to endlessly tour the nation, exempt from lockdown rules, they could eliminate the COVID blues, concert by ebullient concert. They... Read more... |
'She was Paris': RIP Zizi Jeanmaire (1924-2020)Wednesday, 22 July 2020
"You talk like Marlene Dietrich, you dance like Zizi Jeanmaire, your clothes are all made by Balmain, and there’s diamonds and pearls in your hair…" . Peter Sarstedt may have been a one-hit wonder, but his 1969 pop song, "Where do you go to (my... Read more... |
Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing showTuesday, 08 October 2019
The Barbican’s latest offering – a look at the clubs and cabarets set up by artists mainly in the early years of the 20th century – is a brilliant theme for an exhibition. Established as alternatives to galleries and museums, places like the Chat... Read more... |
CD: Renée Zellweger - JudyWednesday, 18 September 2019
Renée Zellweger already has strong musical cinema form, Her role as Roxie Hart in Chicago garnered her second Oscar nomination. However, playing and singing Judy Garland is a whole different ball game. The film Judy takes a late-Sixties run of... Read more... |
Philharmonia, Salonen, RFH review – bittersweet BerlinMonday, 10 June 2019
Esa-Pekka Salonen and the Philharmonia kicked off their series of concerts devoted to the edgy culture of the Weimar Republic with a programme that featured three works (out of four) derived in some way from the musical stage. That included, as a... Read more... |
Dead Dog in a Suitcase (and other love songs), Brighton Festival 2019 review - a feverishly foul-mouthed musical comedyThursday, 09 May 2019
Five years ago this Kneehigh Theatre production caused a stir with its vibrant modern retelling of John Gay’s 18th century satirical classic, The Beggar’s Opera. It’s currently on tour again and it’s easy to see why a revival was greenlit. It’s a... Read more... |
CD: Billie Eilish - When We All Go To Sleep Where Do We Go?Saturday, 30 March 2019
Billie Eilish is a vaudevillian. Crack that and everything else falls into place. Her impossible precociousness (at 17, she's a superstar and has been in the public eye for four years) and voraciousness (her and her brother Finneas's writing swerves... Read more... |
L'heure espagnole, Mid Wales Opera review - Ravel goes like clockworkSaturday, 01 December 2018
Mid Wales Opera makes small-scale touring look fun – even when you suspect that, behind the scenes, it really isn’t. Barely 24 hours before this performance of their current production of Ravel’s L’heure espagnole, and 11 dates into their current 16... Read more... |
Dietrich: Natural Duty, Wilton's Music Hall review - elegy for oneWednesday, 21 November 2018
Getting the look right is half the battle: in that, Peter Groom's one-time-Captain Marlene Dietrich is a winner from the start. The looks at the audience nail it too, heavy-lidded and lashed but transfixing, charismatic, winning instant complicity.... Read more... |
