contemporary classical
The Anvil, Royal, Purves, BBCPO, Gernon, Bridgewater Hall, Manchester - disturbing, baffling and movingMonday, 08 July 2019
Two hundred years ago next month, an assembly of around 60,000 people gathered on St Peter’s Fields in Manchester to protest about their lack of political representation. Speakers addressed the crowd, bands played and banners were carried.The local... Read more... |
Classical CDs Weekly: Dove, Leighton, Martin, Vaughan WilliamsSaturday, 06 July 2019
The Orchestral Music of Jonathan Dove BBC Philharmonic/Timothy Redmond, with Lawrence Zazzo (counter-tenor) (Orchid Classics)Jonathan Dove’s Airport Scenes could be subtitled Four Air Interludes, each movement extracted from his Glyndebourne... Read more... |
Kuusisto, Aurora Orchestra, Collon, Birmingham Town Hall review - aural voyage through spaceWednesday, 05 June 2019
It’s quite a weighty concept, and one which could easily have buckled had both the music and its execution not been of the highest quality. Aurora Orchestra’s "Music of the Spheres" was a concert inspired by the Greek philosopher Pythagoras’s theory... Read more... |
Benedetti, SCO, Birmingham Town Hall review - a powerful musical allianceTuesday, 28 May 2019
Playing with such energy, such synergy and such general camaraderie at the start of a tour must surely pave the way for even greater things to come. The Scottish Chamber Orchestra with Nicola Benedetti kicked off their European tour at Birmingham... Read more... |
Donnerstag aus Licht, Pascal, RFH review – indulgent genius at workWednesday, 22 May 2019
What happens on the stage of Stockhausen’s first opera would fill a book – quite a bad novel – but the plot is simple enough. Michael grows up with a domineering, game-hunting father and mentally unstable mother; discovers sex; passes his exams;... Read more... |
First Person: Conductor Maxime Pascal on Stockhausen at the Southbank CentreTuesday, 21 May 2019
Stockhausen stands alongside Monteverdi and Beethoven as a composer who exploded the understanding of his art. Stockhausen deeply changed the relationship between space, time and music; there’s a human, intimate dimension to his composition, and he... Read more... |
theartsdesk in Tallinn and Tartu: Estonian Music Days go globalWednesday, 15 May 2019
First under Soviet rule, then in the remarkable flourishing of a liberated nation, Estonian contemporary music has held its independent head high and showcased it, under the aegis of the Estonian Composers' Union, first for a few days and now for... Read more... |
Hardenberger, Pöntinen, Wigmore Hall review - superstar trumpeter shows his classTuesday, 14 May 2019
There can be no questioning trumpeter Håkan Hardenberger’s extraordinary mastery: his big, unforced sound, mellifluous legato, athletic virtuosity and utterly controlled high notes. But his well-attested commitment to the avant-garde led the Wigmore... Read more... |
10 Questions for Musician Will GregorySaturday, 04 May 2019
Will Gregory (b.1959) is best known as one half of the alt-pop duo Goldfrapp but has a long career in music that dips into many areas. Throughout the 1980s and 1990s he was a working musician who toured with multiple bands, notably, Tears for Fears... Read more... |
10 Questions for Musician Soumik DattaTuesday, 30 April 2019
“I think we need to get rid of labels, certainly World Music,” insists Soumik Datta, who is both composer and musician, and has lived in the UK since the age of 11. “It is possible to be a musician in the Indian tradition, as well as an electronic... Read more... |
JACK Quartet, Wigmore Hall review – superlative Elliott Carter quartetsMonday, 08 April 2019
At Wigmore Hall the JACK Quartet presented the complete Elliott Carter string quartets in a single day – an astonishing feat given the scale and complexity of the music. One of Carter’s many achievements here is the self-sufficiency of each of his... Read more... |
Melzer, Albion Quartet, Birmingham Town Hall review - songs without wordsWednesday, 27 March 2019
This was a fascinating, unexpected prospect; instantly appealing to anyone who’s ever wondered about the string quartet’s niche in the 21st-century musical ecosystem. Two practically new song cycles for soprano and quartet – Kate Whitley’s Charlotte... Read more... |
