Czech
sue.steward
An abandoned classroom in a school in Chernobyl
A 1986 documentary about the USSR’s new modernist city, Chernobyl, featured a five-year-old boy kicking a football through landscaped gardens, past blocks of clean, elegant flats and inside the soon-to-be opened funfair in the workers' town of Pripyat. A brilliant propaganda tool for the new status symbol Nuclear Power Plant, the film was intended to convey the message around the Soviet empire that the nuclear age implied a safe, happy future. The film was never shown; three weeks later, the plant exploded in the world’s worst ever nuclear disaster and Chernobyl’s almost 40,000 inhabitants Read more ...
David Nice
The angel of death, portrayed above by Evelyn de Morgan, strikes twice in Josef Suk's elegiac symphony
Asrael, angel of death, rarely glides up to the concert platform; I've only heard Josef Suk's painful and protracted symphony of the same name once before in the Festival Hall, championed by Rattle. In the past, all Suk's great Czech compatriots, including Ančerl, Kubelik and Neumann, paid their respects. Now Vladimir Jurowski joins the distinguished line for a work he clearly loves. It was no fault of his rainbow-hued interpretation if, in a week where I've sat dry-eyed through the film of A Single Man, another artistic take on bereavement left me intrigued but detached at the end of a Read more ...
igor.toronyilalic
A young Libor Pešek:
You can't ever expect immediate liftoff from a rusty old Lada. Spluttering, shaking and rattling make up as much of the first few minutes of the experience as that of actually moving. But then, before you know it, you're halfway to Plovdiv, and you wonder what you were complaining about. It's what happened last night with Libor Pešek's Czech National Symphony Orchestra. Juddering through the first two pieces (the Polonaise from Dvořák's Rusalka and Smetana's winning Polka from The Bartered Bride) at leaden tempi, the stringed body barely hanging on, the brass and percussion engine sputtering Read more ...
igor.toronyilalic
At 84 years of age, Sir Charles Mackerras is one of the best-respected and best-loved operatic conductors working in the world today. He conducts Benjamin Britten's The Turn of the Screw for the English National Opera tonight and, despite bouts of ill health, found time to talk about his friendship - and falling out - with Britten, his time conducting the opera under Britten's watchful eye, his experiences in Prague in 1948 as a witness to the Communist takeover of Czechoslovakia, his pioneering performances of Mozart from the 1960s and his run-ins with Richard Jones and Christopher Alden Read more ...