thu 18/04/2024

design

British Design 1948 - 2012: Innovation in the Modern Age, Victoria & Albert Museum

The V&A has played a blinder. This extraordinary, exciting and unexpected exhibition provides endless trips down memory lane for many and will be a revelation for others. Ignore the clunky title, moving us from the postwar Olympics of 1948 to...

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theartsdesk Debate: But What Does It Mean? + Can Art Still Shock?

The latest in the live events staged by theartsdesk aims to shed light on controversies and myths about the value and purpose of contemporary visual art. Taking place at the heart of the London Art Fair, where more than 100 galleries will present...

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Jonathan Meades on France, BBC Four

Jonathan Meades’s trawl through France began with the breezy theme tune from ‘Allo ‘Allo taking an unceremonious tumble from the turntable, signalling an instant war on cliché which continued with the promise of “no Piaf, no Dordogne, no ooh la la,...

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DVD: L’amour fou

“I tell myself that I have created the modern woman's wardrobe,” declares Yves Saint Laurent during the press conference that opens L’amour fou. Hubris, but the trouser suits, safari jackets and Mondrian dresses he created did – in other...

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Postmodernism: Style and Subversion 1970-1990, V&A

It took a long time for architects to embrace popular culture. I attended a talk at the Architectural Association in the mid 1970s, when someone (probably the architect Robert Venturi) waxed lyrical about shiny American diners and hot-dog...

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Power of Making, Victoria and Albert Museum

Hands on! Power of Making has it all: one of the most surprising and exciting collections of contemporary stuff on view for many a while. Some is functional, from coffins to bicycles, wine caskets, guns, bespoke shoes. Some would not be out of...

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The Lion King's West End Reign

Andile Gumbi as Simba in 'The Lion King'

The stage musical The Lion King has been seen by nearly 10 million people in the UK - almost 60 million worldwide – and Lord only knows how many must have seen Walt Disney’s animation. I have a friend who reckons he has seen it at least 26 times and...

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theartsdesk in New York: A Rooftop Ramble in the High Line Park

'A dramatic statement, 25ft off the ground': High Line Park in Manhattan

The High Line Park on the far west side of Manhattan, built on an old elevated train track, is a unique combination of everything New Yorkers love - fabulous views, a piece of history, a traffic-free zone (no dogs, skateboards or bicycles), unusual...

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Ron Arad's Curtain Call, The Roundhouse

The round and the curtain are two of theatre’s oldest pieces of stagecraft. Yet architect and design legend Ron Arad has reinvented both in celebration of the Camden Roundhouse’s fifth birthday. The north London venue, which was transformed...

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Max Bill, Annely Juda Fine Art

'green square with migrated pythagorean triangles' (1982) by Max Bill, the missing link in modern art

Max Bill might be the missing link in modern art. He died only in 1994, yet he studied at the Bauhaus in Dessau in the 1920s, taught by Josef Albers, László Moholy-Nagy, Paul Klee and Kandinsky. It is hard to imagine that someone who was working at...

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The Cult of Beauty: The Aesthetic Movement 1860-1900, V&A

'Boca Baciata': One of Dante Gabriel Rossetti's flame-haired beauties

A cult suggests unhealthy worship, and there’s more than a whiff of that in the heady decadence of the V&A’s latest art and design blockbuster, The Cult of Beauty. This is an exhibition which examines how the influence of a small clique of...

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Film Gallery: Bill Gold's PosterWorks

'Dracula Has Risen from the Grave': 'The poster is not only funny and sexy - it's of a piece with the film's camp Gothic'

Although there are thematic links between many of the movie posters designed by Bill Gold between 1942 and 2003, especially in the talismanic use of telephones (Dial M for Murder, Klute, The Front Page) and guns (Casablanca, Deliverance, the Dirty...

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