drama
Barney Harsent
The 1965 film The Heroes of Telemark, documenting the Allies' mission to stop the Nazis from going nuclear, is to historical accuracy what David Starkey is to tact. Or common decency. The Saboteurs however, a Norwegian/Danish/British TV co-production, seems to be keener to explore the truth behind the mission. Or at least as much of it as is known.After the first episode’s slow, measured pace, we began the second in a secret military base in Scotland with a stronger sense of urgency. If we had any doubts as to just how urgent things were, these were soon quashed as the entire plan was Read more ...
Kieron Tyler
Pinpointing exactly what makes Force Majeure so disquieting is difficult, and a second viewing on DVD confirms this. Overall, the elements of the film are unified so smoothly that focusing on any one of them doesn’t indicate the unexpectedly powerful effect of Ruben Östlund’s dissection of the collapse of male character.The impact could be a result of the director and writer's avowed reversal of the filmic hero trope. It could be Johannes Kuhnke’s intense depiction of father Tomas’s denial and subsequent breakdown in the wake of his transgression. Or it could be that such a sensitive theme Read more ...
Jasper Rees
Drama is all about secrets revealed, discoveries unfurled. Black Work was straight into that territory from the first scene. A man and a woman sat in a car, taking the solace from each other that they couldn’t find at home. As ever in such a scenario, you promptly wondered if or when they’d be caught in the act. This was especially so given that the woman was played by Sheridan Smith, who starred in just such an adultery drama not that long ago.She sounded keener on rescuing her marriage to a mostly absent husband. But the next time he went out to work he failed to come back. The sight of a Read more ...
Matthew Wright
A young man, in trouble with drunk or drugs, returns to his Scottish family riven by dark secrets? Of course, it’s a new Iain Banks dramatisation, the first since the author’s death two years ago. This version of his 2012 novel Stonemouth attempts to recreate the success the BBC enjoyed with its 1996 adaptation of Banks’s Crow Road. Compressing a near-400 pages of fiction into two hours’ television requires a thicket of flashbacks that tests the viewer’s recall, and piles coincidence a little high in places, though enjoyable lead performances, and Banks’ gripping, if familiar, preoccupations Read more ...
Kieron Tyler
Despite its 19th-century setting, John Schlesinger’s film adaptation of Thomas Hardy’s Far From the Madding Crowd – released to cinemas in 1968 – is a very Sixties film. Amongst the themes of the novel which resonated then are class differences, female self-determination, the guises adopted to steer perceptions of the self and repression: all very relevant in 1960’s Britain as society sought to re-invent itself. Casting the then-hot Julie Christie and Terence Stamp further stressed the film was of the moment. As Frank Troy, Stamp could have been a poster boy for the voguish nostalgia embodied Read more ...
Barney Harsent
A third series for Kay Mellor’s rags-to-riches series can herald few real surprises. We know, roughly speaking, what we’ll be getting: a cautionary tale – be careful what you wish for – populated by warm, well-drawn and big-hearted characters who are believably flawed and hiding secrets of the sort that fill the time and mouths of garden fence gossips across the country. That, and the reliable, solid ensemble cast that Mellor’s track record (Band of Gold, Fat Friends, In the Club) can command.What we might not have been expecting (had we managed to avoid the pre-transmission press) was for Read more ...
fisun.guner
If it’s about magic, and features sanitised cobbled streets and dark gothic interiors, then Harry Potter comparisons will no doubt be inevitable.And so it has been with this seven-part adaptation of Susanna Clarke’s hefty 2004 novel, Jonathan Strange & Mr Norrell, directed by Toby Haynes. The comparison seems fitting, for though this is a mini-series that has the sumptuous look and high production values of a typically lavish BBC costume drama, everything else about it says children’s drama. Surely the BBC schedulers are wrong to put it out after the watershed? Even more than Harry Read more ...
Jasper Rees
They must have run out of contemporary Danes to bump off, or coalition governments to form. 1864 is something completely different from Danish national broadcaster DR, and it’s safe to presume it wouldn’t have made it onto British TV without a prior softening up of the audience. An epic drama about Denmark’s disastrous attempt to claim Schleswig-Holstein in the eponymous year – would you honestly have watched that if Sarah Lund and Birgitte Nyborg hadn't paved the way? Helpfully it’s also riddled with actors familiar from The Killing and Borgen.Apart from its cast, 1864 has in common with its Read more ...
Kieron Tyler
As he died in 2010, we can never know what John du Pont was like in person, but if Steve Carell’s rendering of the maniacal American multi-millionaire with a wrestling fixation is even close to the real thing, the experience must have been disturbing. Foxcatcher, the story of du Pont’s immersion in wrestling, is disquieting but Carell stands out. Creepiness defines every moment he is on screen.Foxcatcher draws from the real-life story of du Pont, the heir to his family’s fortune. He wrote books on ornithology, donated money to good causes and was also increasingly consumed by an interest in Read more ...
Adam Sweeting
Already a couple of Golden Globes to the good after debuting in the States last year, The Affair effortlessly hit its stride as it landed in Blighty. This opening double episode began generating a subtle miasma of intrigue and vague menace from the off, as teacher and aspiring novelist Noah Solloway (Dominic West) gathered his untidy family together for a summer holiday trip to the in-laws in Montauk, in the Hamptons.A holiday romance might take many forms, but with any luck will turn out to be just a fleeting by-product of too much sun and alcohol. However, the one getting ready to crash up Read more ...
Jenny Gilbert
"I sometimes wish we were more normal," sighs one of the adult Bliss children in Noel Coward’s country-house comedy. But it’s her family’s self-dramatising abnormality that provides both the froth and the substance of this early play, written in a blaze of youthful elan over three days in 1924. What has kept it a theatrical staple for 90 years and counting is not just its writer’s talent to amuse, nor its near-perfect structure: it is also the stain of truth that seeps through its merry mayhem, drawing on Coward’s own experience as a hapless weekend houseguest, and his sharp-eyed observations Read more ...
Barney Harsent
There’s been much hullabaloo surrounding the new series from Paul Abbott – and with good reason. It’s a decade since we’ve seen any TV from the creator of State of Play and Clocking Off and, given the impact and lasting legacy of Shameless, anticipation has been as high as Frank Gallagher at the business end of a three-day bender.It seemed, on the surface at least, to be a more straightforward police drama than one might have expected, particularly given the attention that has been heaped upon the comedy expected of this comedy drama. In truth, it was never likely to be primarily gag-driven Read more ...