Impressionism
Painting the Modern Garden, Royal AcademySunday, 31 January 2016
Painting the Modern Garden explores the interstices between nature and ourselves as revealed in the cultivation of gardens, that most delightful and frustrating of occupations, and an almost obsessive subject for many artists. About 150 paintings... Read more... |
Inventing Impressionism, National GalleryWednesday, 04 March 2015
Here is an exhibition that tells us how something we now take totally for granted actually came about: how our love affair with the Impressionists was masterminded by an art dealer, Paul Durand-Ruel (1831-1922). He was a prime mover in inventing the... Read more... |
Von Otter, BBCSO, Oramo, BarbicanThursday, 19 February 2015
Hair-raising guaranteed or your money back: that might have been a publicity gambit, had there been one, for Sakari Oramo’s latest journey with the BBC Symphony Orchestra around a Nielsen symphony. That he knows the ropes to scale the granite cliff... Read more... |
theartsdesk in Copenhagen: Degas' Method, Ny Carlsberg GlyptotekSunday, 23 June 2013
Ny Carlsberg Glyptotek is famous for its collection of antiquities: Egyptian carvings, Greek statues and Roman sculpture form the heart of its collection. Indeed, its collection of Roman portrait busts are among the finest in the world. But the 19th... Read more... |
theartsdesk in Philadelphia: In the house of an American MediciSunday, 19 August 2012
MoMa and the Met, the Whitney and the Guggenheim – all very fine, but if you crave something different when in NYC, it’s worth braving Penn Station’s circles of hell to get a train to Philadelphia (takes just over an hour) to visit the mind-boggling... Read more... |
BBC Proms: Pelléas et Mélisande, Orchestre Révolutionnaire et Romantique, GardinerMonday, 16 July 2012
How silly an armchair looks in the Royal Albert Hall - like a rubber duck floating in the Pacific. Yet how right it was for those behind this excellent semi- staged Proms performance of Debussy's Pelléas et Mélisande to try to recreate a bit of... Read more... |
From Paris: A Taste for Impressionism, Royal AcademyFriday, 06 July 2012
As the clouds continue and the rain pours down, the Sackler Gallery at the Royal Academy is filled with sun-dappled scenes from France. The anthology is a potpourri of paintings culled from the remarkable collections put together by the millionaire... Read more... |
Degas and the Ballet: Picturing Movement, Royal AcademyTuesday, 20 September 2011
A beguiling shadow play greets and enchants on arrival: the silhouettes of three ballerinas, each performing an arabesque, are cast upon the wall as you enter. The effect, as their softly delineated forms dip and slowly rotate, is mesmerising. It’s... Read more... |
French Cancan: Jean Renoir in the Moulin RougeSaturday, 30 July 2011
When Jean Renoir returned to France at the end of 1953 after 13 years of exile, he felt as if he were beginning his career from scratch. His Hollywood films were not highly regarded, and neither The River (1951) nor The Golden Coach (1953), shot in... Read more... |
The Impressionists: Painting and Revolution, BBC TwoSunday, 17 July 2011
Who could argue that television isn’t a great medium for learning about art? In its pared-down, visually literate way it delivers what dull, theory-laden extrapolations often can’t (if only because artists don’t think that way when they make things... Read more... |
Kutlug Ataman, Brighton Festival/Thomas Dane Gallery, LondonSunday, 22 May 2011
One of the highlights of this year’s Brighton Festival, curated largely via web chats and long-distance phone conversations by Aung San Suu Kyi, is Kutlug Ataman’s silent film installation Mesopotamian Dramaturgies. The leading Turkish artist, a... Read more... |
Sargent and the Sea, Royal AcademyFriday, 16 July 2010
There’s a little-known side to the 19th-century American artist John Singer Sargent, and it is as far removed from the razzle-dazzle of his glittering career as a high-society portraitist as you can imagine. The artist who was famously described by... Read more... |
