jazz
Rags: The Musical, Park Theatre review - a timely, if predictable, immigrant taleMonday, 20 January 2020
“Take our country back!” is the rallying cry of the self-identified “real” Americans gathered to protest the arrival of immigrants. It could be a contemporary Trump rally – or, indeed, the nastier side of current British political discourse – but in... Read more... |
theartsdesk in Brussels - jazz, openness and youth at the start of the cultural yearTuesday, 14 January 2020
“Brussels – The Cultural Guide” for 2020 is a very substantial book. It consists of 212 tightly-packed pages in a quite small font. The message is that there is indeed a lot going on culturally in Belgium’s capital city.Whereas the separatist-led... Read more... |
Albums of the Year 2019: Claire Martin - Believin’ ItMonday, 30 December 2019
A trio of standout US vocal jazz releases included one of the year’s most hotly anticipated albums, Jazzmeia Horn’s Love and Liberation, which showcased the Dallas-born vocalist’s ever-deepening artistry and songwriter’s ear for detail. Horn’s eight... Read more... |
Albums of the Year 2019: Mark Turner Meets Gary FosterThursday, 26 December 2019
As the attention-jostling hype becomes ever more unashamed, we get further from the music. The myths and the 'message' get louder, to the point where the question of whether the music itself might actually be worth hearing can become secondary. I've... Read more... |
CD: Gang Starr - One of the Best YetThursday, 05 December 2019
Before the days of stardom on Jay-Z and Kanye’s scale, before Brooklyn became a millionaire’s playground, Gang Starr were deeply influential in hip hop and became pioneers of jazz rap. However, Guru disassociated himself from long-term partner DJ... Read more... |
10 Questions for Techno Musician Carl CraigSaturday, 23 November 2019
In the eight years since theartsdesk last spoke to Carl Craig, a lot has happened. He moved from his native Detroit for a sojourn in Barcelona (partly for ease of access to his summer DJ residencies in Ibiza), then recently returned. He's reinvented... Read more... |
Rhiannon Giddens with Francesco Turrisi review, Royal Festival Hall - musical togethernessSaturday, 23 November 2019
Leonard Bernstein talked about “the infinite variety of music” and the late maestro would have been thrilled by the variety on display at the Royal Festival Hall where Rhiannon Giddens and Francesco Turrisi were as exciting and exhilarating as... Read more... |
CD: Simon Thacker's Ritmata - TàradhSaturday, 23 November 2019
Composer, classical guitarist and ensemble leader Simon Thacker has spent the past decade immersed in distinct musical cultures; from the reinterpretations and reimaginings of the musical traditions of eastern Europe and the Roma people that... Read more... |
Iggy Pop, Barbican review - proto-punk legend goes jazz... sort ofFriday, 22 November 2019
A few years ago it would have been hard to envisage proto-punk maniac Iggy Pop being a star feature of the EFG London Jazz Festival. His last few albums, though, have been heavily flecked with jazz, and let’s not forget that as far back as The... Read more... |
Jazz Voice, Royal Festival Hall - engulfing beauty and hidden gemsSaturday, 16 November 2019
Jazz Voice unfailingly supplies a gigantic sugar-rush of auditory pleasure, and this year’s edition was no exception. Arranged, scored and conducted by the brilliant Guy Barker, the evening’s opener saw rising US vocalist Judi Jackson and the EFG... Read more... |
theartsdesk on Vinyl 54: The Beatles, Prince, Kid Acne, Nirvana, Teebs, Monty Python, Pulp and moreWednesday, 13 November 2019
Without further ado, slightly delayed by the sheer volume of releases at this year time of year, here is the latest edition of theartsdesk on Vinyl. You will not find a more extensive monthly report on the goodies newly available on plastic anywhere... Read more... |
Hubro 10th-Anniversary Concert, The Spice of Life review - boundary pushing Norwegian label marks its birthdayMonday, 04 November 2019
A fiddle projects upwards from between Erlend Apneseth’s knees. Seated, he holds another in his right hand facing-off the instruments against each other. He’s plucking both, the pizzicato pitter-patter suggesting water drops on a bell or a koto. On... Read more... |
