sat 28/12/2024

New York

Metropolitan Opera At-Home Gala livestream review - classy joy and sorrow in domestic settings

So many of the world's great opera singers inviting us to look through the keyhole at a carefully presented version of their lockdown lives over four very variable hours, such bad sound for the most part (Skype, like Zoom, catches the voice but...

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Elektra/Der Rosenkavalier, Nightly Met Opera Streams review - searing hits and indulgent misses

A brutal Greek tragedy and a rococo Viennese comedy, both filtered through the eyes and ears of 20th century genius: what a feast on consecutive nights from the Metropolitan Opera's recent archive. There's been real thought behind the wealth of...

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Classical Music/Opera direct to home 7 - Jeremy Denk's well-tempered Bach revelations

One person playing one instrument from home to the edification and delight of thousands: it's been a constant in these confining days, and well meant even if the sound isn't always up to it, a necessary substitute for live communication on both...

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Tigertail review, Netflix - a story of immigrant opportunities, taken and missed

“Crying never solves anything. Be strong.” An admonishment from a stern grandmother haunts this low key first feature film by Alan Yang (Parks and Recreation, Master of None), loosely based on his father’s 1950s immigrant experience of leaving...

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Album: The Strokes - The New Abnormal

Their debut’s title was a disillusioned shrug, and for most of the 19 years since Is This It, The Strokes have continued with seeming reluctance, releasing new albums fitfully. But here they are, still riding the afterglow of Manhattan’s decadent...

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A simple twist of fate - how a chance encounter with 'Joan Baez, Vol 2' 50 years ago led to a festival in Downtown Manhattan

We’ve all spent time considering our desert island discs, which is of course why the programme Roy Plomley devised one winter’s night in 1942 is still thriving. The choices are perhaps less favourites than music that takes you back to a specific...

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Miles Davis: Birth of the Cool, BBC iPlayer - an intimate, insider's account of his life and music

Miles – where to begin? Some 21st century revisionists find his art fatally tainted by his personal life, and his violent behaviour in relationships. His rasping, epithet-scarred voice, the sound of a snake sloughing off its own skin, able to...

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Sinatra: All Or Nothing At All, Netflix review - epic two-parter on pop's first superstar

Coming in at around four hours, in two parts, this 2015 documentary is ostensibly about Ol’ Blue Eyes, Frank Sinatra, but really, via the prism of his existence, it’s as much about America’s journey through the first two thirds of the 20th century....

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Sondheim at 90: adults will listen

Here's an irony worthy of the work of Stephen Sondheim, an artist who clearly knows a thing or two about the multiple manifestations of that word. On the same day that he turns 90, namely today, Broadway is unable to host the keenly awaited American...

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The Last Five Years, Southwark Playhouse review - an inspired actor-musician take on a cult classic

There’s concept on top of concept in this revival of Jason Robert Brown’s beloved 2001 musical, which charts the ebb and flow of a relationship by juggling timelines: aspiring actress Cathy’s story is told in reverse chronological order, while...

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Album: Moby - All Visible Objects

Moby is perhaps better known these days for his two ultra-candid biographies, Porcelain and Then It Fell Apart, than he is for his massive album successes of two decades ago. His memoirs are compulsive, unique windows into the screwed up life of an...

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Gerde's Folk City at 60, The Iridium, New York City - a celebration of the legendary folk club

Fifty-nine years to the day, 24 January 1961, that a young college dropout named Robert Zimmerman clambered out of a car on the Manhattan end of the George Washington Bridge, having hitchhiked across the country to reinvent himself as Bob Dylan, the...

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