New York
Album: Kim Gordon - The CollectiveThursday, 14 March 2024
Some icons sit back and bask. Kim Gordon does not. She has occasionally intimated that her New York cool and relentless work rate may be down to a smidgeon of imposter syndrome, even after all her years on the frontline. Whatever the truth of it,... Read more... |
Say She She, Koko review - flawless, pizazz-filled show from rising starsFriday, 08 March 2024
Back in 1979, Koko operated as The Music Machine. As such, the Camden Town venue lent its name to the film Music Machine, marketed as the British equivalent of Saturday Night Fever. Buying into this vision of the North London setting as a hot-bed of... Read more... |
Cruel Intentions, The Other Palace review - uneasy vibes, hit tunes and sparkling stagingFriday, 01 March 2024
Transgression was so deliciously enticing. Back in the Eighties when I saw Les Liaisons Dangereuses in the West End on three occasions, life was simpler – or so us straight white men flattered ourselves to believe. Consent was unproblematic for... Read more... |
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early yearsFriday, 16 February 2024
At last Yoko Ono is being acknowledged in Britain as a major avant garde artist in her own right. It has been a long wait; last year was her 90th birthday! The problem, of course, was her relationship with John Lennon and perceptions of her as the... Read more... |
Plaza Suite, Savoy Theatre review - real-life married couple brings panache and pain to period comedyMonday, 29 January 2024
Sarah Jessica Parker's screen renown as Carrie Bradshaw in Sex and the City has made a London event out of the West End revival of Plaza Suite, the Neil Simon triptych from 1968 that is as definably New York as the TV series in which Parker made her... Read more... |
Richard Dorment: Warhol After Warhol review - beyond criticismTuesday, 09 January 2024
2023 was a good year for Andy Warhol post-mortems: after Nicole Flattery’s Nothing Special, after Alexandra Auder’s Don’t Call Home, Richard Dorment’s Warhol After Warhol.Their publication journeys undoubtedly benefitted from the value Anglophone... Read more... |
The Motive and the Cue, Noel Coward Theatre - National Theatre transfer excels in the West EndWednesday, 20 December 2023
Plays about the theatre tend to go down well with audiences. Why wouldn’t they? The danger is that they become too cosy as actors and audience smugly agree on the transcendence of the artform. Jack Thorne’s The Motive and the Cue comes perilously... Read more... |
Maestro review - the infinite variety of Leonard BernsteinFriday, 24 November 2023
The only seriously false note about Maestro is its title. Yes, Bernstein was masterly as a conductor, and Bradley Cooper gives it his best shot. But he was no master of his life as a whole. Maybe the title should have been something like Lenny and... Read more... |
Blu-ray: After HoursTuesday, 31 October 2023
Not all Scorsese films are behemoths; Killers of the Flower Moon may last over three hours but After Hours, a low-budget black comedy released in 1983, packs an incredible amount into just 93 minutes.That Scorsese directed the film at all is a happy... Read more... |
Madonna, Celebration Tour, O2 review - spectacular, ambitious and occasionally bemusingTuesday, 17 October 2023
Exactly 40 years since Madonna’s first UK hit, “Holiday”, was skittering about the Top Five, she launches her global Celebration Tour at the O2.It is spectacle on the very grandest scale. In the latter half, following a video montage of tabloid... Read more... |
Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questionsTuesday, 17 October 2023
A polar bear stands guard over the seal pup it has just killed (main picture). How could photographer, Hiroshi Sugimoto have got so close to a wild animal at such a dangerous moment? Even if he had a powerful telephoto lens, he’d be risking life and... Read more... |
Dalíland review - a tidy portrait of a chaotic artistThursday, 12 October 2023
The director Mary Harron is famous for staying classy while tackling blood-splashy topics – notably the attack on pop art’s leader in I Shot Andy Warhol (1996) and whatever the hell was going on in the Bret Easton Ellis novel that became Harron’s... Read more... |
