sat 20/04/2024

West End

Stranger Things: The First Shadow, Phoenix Theatre review - formidable stagecraft unlocks new depths to the popular series

Stranger Things has shown us over four seasons that the alternate dimension known as the Upside Down can be the seat of many things: terror, mystery, camaraderie, compassion. As it turns out, it can spawn great theatre, too, for Stephen Daldry’s...

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Pandemonium, Soho Theatre review - satire needs a shot of Pfizer's finest to revive tired storylines

In 2020, throughout the country, many people’s lives were affected adversely by an ever-present threat to our already fragile society. Though most got over it, many people still bear the cost every day, sapping them of energy, making them cough and...

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Peter Pan Goes Wrong, Lyric Theatre review - adult panto delivered as jolly chaos

Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy the scenery without maiming themselves.More crucially, they have to pull off the Janus-faced trick of playing the...

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Backstairs Billy, Duke of York's Theatre review - starry and gently subversive, too

Rarely has a play's opening been so opportune. Just when it looked as if the West End was slipping into decline, along comes the smart, shrewd Backstairs Billy to allay mounting fears of late that the commercial theatre had lost all sense of quality...

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Dear England, Prince Edward Theatre review - still a winner in its new West End home

It was interesting, in the same week that the England football team trounced Italy 3-1 in a Euros qualifier, to see Dear England again, the National Theatre smash that has just embarked on a West End run at the Prince Edward Theatre.One of the three...

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Unbelievable, Criterion Theatre review - Derren Brown-directed show misses his otherworldly danger

Unbelievable is a strange title for a slightly strange show, the brainchild of Derren Brown, Andrew O’Connor and Andy Nyman, a trio with an impeccable pedigree in creating successful magic-based events. It’s a strange title because suspension...

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The Little Big Things, @sohoplace review - real-life story movingly realised onstage

It's rare that a new musical or play opens in the West End with as much positive word-of-mouth as The Little Big Things. Social media has been ablaze over the last few weeks, with critics and bloggers sneaking into previews and authoritative big...

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Dr Semmelweis, Harold Pinter Theatre review - a play in search of a bedside manner

As an actor, Mark Rylance specialises in outsiders and eccentrics, outliers of one kind or another. He identified and developed his latest character himself, based on the real-life, mid-19th century Hungarian doctor whose pioneering,...

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Crazy For You, Gillian Lynne Theatre review - high-kicking heaven

Who says you can't go home again? As proof that you can, and to giddy and gorgeous results, along comes the current West End revival of Crazy for You, which reunites Broadway name Susan Stroman with the Gershwin-inspired title that launched this...

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The Crucible, Gielgud Theatre review - outstanding National Theatre transfer

Whining Donald Trump and snivelling Boris Johnson claim that they are victims of witch-hunts, although all the evidence suggests otherwise. In 1953, haunted by the iniquitous McCarthy trials that were designed to purge the US of communism, Arthur...

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Disney 100 - The Concert, OVO Hydro, Glasgow review - a slick tour of the Magic Kingdom

There are a few perils to saying supercalifragilisticexpialidocious, as Janette Manrara discovered on this opening night of Disney’s anniversary arena jaunt. Trying to divide the Glasgow crowd into sections to sing the song, Manrara tripped over who...

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Aspects of Love, Lyric Theatre review - not much has actually changed

Love may change everything, as we're reminded multiple times during Andrew Lloyd Webber's rabidly polyamorous Aspects of Love, but certain things about this 1989 London hit (and subsequent Broadway flop) are fixed.The sexual shenanigans tracked...

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