Books
Help to give theartsdesk a future!Tuesday, 31 December 2024
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and intensive months when a disparate and eclectic team of arts and culture writers went ahead with an ambitious plan – to... Read more... |
William J. Mann: Bogie & Bacall review - beyond the screenFriday, 13 December 2024
What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question and may be impossible to satisfactorily answer, but there’s no doubt that Bogart being one half of... Read more... |
Jeff Young: Wild Twin review - a box of tricksWednesday, 27 November 2024
The writer, performer, and lecturer Jeff Young’s latest, Wild Twin, tells – ostensibly – the story of his barefoot, Beat-imitative journey through northern Europe in the 1980s. However, it is, at heart, a greater tale of his return, to family and to... Read more... |
Interview: rising star Chloe Savage on the Arctic, outer space, and igniting children's wonder for the unknownThursday, 21 November 2024
How old were you when you first had an image of the Arctic? When you first had that image, what was it that most resonated? Was it its remoteness, the endless snow and ice, the polar bears? Did it seem like a mythical place of mirages and monsters?... Read more... |
Jon Fosse: Morning and Evening review - after thoughtsTuesday, 19 November 2024
Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive single thought, uttered always in a characteristically... Read more... |
Jean-Baptiste Fressoz: More and More and More review - fuel for thoughtThursday, 07 November 2024
If you are bothered about climate change – and who isn’t? – you’ll soon come across references to the “energy transition”. Example? Look, here’s one in this week’s New Scientist, a full-page ad from Equinor, the rebranded Norwegian state-owned oil... Read more... |
Alan Hollinghurst: Our Evenings review - a gift that keeps on givingMonday, 04 November 2024
In Alan Hollinghurst’s first novel, The Swimming Pool Library (1988), set during the summer of 1983, the young gay narrator, William Beckwith, lives in Holland Park. That same year and location furnish the setting of the first part of Hollinghurst’s... Read more... |
Jonathan Coe: The Proof of My Innocence review - a whodunnit with a differenceTuesday, 29 October 2024
Anyone who has been on a British train in the last ten years will have been irritated to distraction by the inane and ubiquitous “See it, say it, sorted” announcement that punctuates every journey, but only Jonathan Coe has channelled that annoyance... Read more... |
theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinemaTuesday, 22 October 2024
You may have heard the phrase “elevated horror” being used to describe horror films that lean more toward arthouse cinema, favouring tension and psychological turmoil over jump-scares and gore. It was first used to describe a crop of horror films... Read more... |
Olga Tokarczuk: The Empusium review - paranoid proseTuesday, 22 October 2024
In his first of a series of meditations on the sickness that was consuming him, John Donne reflected upon the special kind of paranoia that attends the ill individual. Each person is, by virtue of "being a little world", supremely conscious of a... Read more... |
Stevie Smith: Not Waving But Drowning review - riding the waveWednesday, 02 October 2024
Last year, Wendy Cope’s poem, "The Orange", went viral on TikTok. I’m not totally certain how a poem goes viral, but it did – and there’s nothing we can do about it.In fact, Faber & Faber actively did something about it and released a selection... Read more... |
Ellen McWilliams: Resting Places - On Wounds, War and the Irish Revolution review - finding art in the inarticulableFriday, 19 July 2024
How do you give voice to a history that is intimate to your own in one sense, whilst being the story of others whom you never knew? This is a question that Ellen McWilliams, in her highly moving and humorous memoir, takes not only seriously but as... Read more... |
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