Books
Nichola Raihani: The Social Instinct review - the habits of co-operationFriday, 04 June 2021
An army on the move must be as disturbing as it is, on occasion, inspiring. In E.L. Doctorow’s startlingly good civil war novel The March, General Sherman’s column proceeds inexorably through the southern United States like a giant organism. It... Read more... |
Kylie Whitehead: Absorbed review - boundary-blurry, darkly funny debutWednesday, 02 June 2021
Absorbed meets Allison at the end of her relationship with Owen. They are at a New Year's Eve party when she realises that their 10-year partnership has wound down. So far, so normal. But even within this introduction, we are drawn into Allison's... Read more... |
Rosie Wilby: The Breakup Monologues review - do breakups make us stronger, better people?Tuesday, 01 June 2021
According to Rosie Wilby, “breaking up and staying together are simply two sides of the same coin. They are a flick of a switch apart, separated only by one fleeting moment of madness, or perhaps clarity.” Wilby’s book The Breakup Monologues: The... Read more... |
Natasha Brown: Assembly review - turning personal crisis into perfect criticismMonday, 31 May 2021
School assembly: one of the many great traditions to be upended by the pandemic. According to this novel, that might not be such a bad thing. It looks like hymns and barely secular thoughts-for-the-day have been swapped out for inspirational,... Read more... |
Esther Freud: I Couldn't Love You More review - the alternative history of a pregnancyFriday, 28 May 2021
The glamorous unreliability of Esther Freud’s father, Lucian Freud, is an inescapable force in her novels. There he is, turning up like a bad penny in Love Falls, or The Wild, or Peerless Flats, leaping from taxis into restaurants or betting shops,... Read more... |
Music books to end lockdown: Sam Lee, Hawkwind, Dylan, Richard Thompson, and the Electric MusesFriday, 14 May 2021
It won’t be long now before concert halls and back rooms, arts centres and festival grounds fill with people again, and live music, undistanced, unmasked, and in your face, comes back to us. In expectation of this gradual reopening of the stage... Read more... |
Sam Riviere: Dead Souls review – whip-smart literary satire with a techno tingeThursday, 13 May 2021
In 1992 Martin Amis published a story, “Career Move”, in which the writers of sensational screenplays with titles like Decimator and Offensive from Qasar 13 read their work to empty rooms in shabby pubs. Meanwhile, wealthy and fêted poets pen verses... Read more... |
Lucy Caldwell: Intimacies review - exploring the empty spacesWednesday, 12 May 2021
In the first short story of Lucy Caldwell’s collection Intimacies, “Like This”, one of the worst possible things that could ever happen to a parent occurs. On the spur of a stressful moment in a café, an overloaded mother takes her screaming toddler... Read more... |
Maylis de Kerangal: Painting Time review - safer in simulationTuesday, 11 May 2021
"Trompe-l’œil," explains the director of the Institut de Peinture in Brussels, “is the meeting of a painting and a gaze, conceived for a particular point of view, and defined by the effect it is supposed to produce”. In layman’s terms, it is the art... Read more... |
The Pursuit of Love, BBC One review - extravagantly entertainingMonday, 10 May 2021
Nancy Mitford's 1945 literary sensation looks poised to be the TV talking point of the season, assuming the first episode of The Pursuit of Love sustains its utterly infectious energy through two hours still to come. Adapted and directed by the... Read more... |
Sunjeev Sahota: China Room review - separate, related livesMonday, 10 May 2021
China Room, Sunjeev Sahota’s third novel, is a familiar, ancestral tale: the story of Mehar, living in late 1929 in rural Punjab, is narrated alongside that of her unnamed descendant in 1999, who has grown up in England. Despite the hardships... Read more... |
Extract: Blackface by Ayanna ThompsonThursday, 06 May 2021
Nearly a year has passed since George Floyd was killed by Minneapolis police on 25 May. Nearly 200 have passed since the birth of “blackface minstrelsy” as a performance mode: white actors applying racial prosthetics to perform and make a mockery of... Read more... |
