tue 29/04/2025

book reviews and features

Catherine Airey: Confessions review - the crossroads we bear

India Lewis

Anglo-Irish author Catherine Airey’s first novel, Confessions, is a puzzle, a game of family secrets...

Read more...

Best of 2024: Books

theartsdesk

Billie Holiday sings again, Olivia Laing tends to her garden, and Biran Klaas takes a chance: our reviewers discuss their favourite...

Read more...

William J. Mann: Bogie & Bacall review - beyond the screen

John Carvill

What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question and may be impossible to satisfactorily answer,...

Read more...

Jeff Young: Wild Twin review - a box of tricks

India Lewis

The writer, performer, and lecturer Jeff Young’s latest, Wild Twin, tells – ostensibly – the story of his barefoot, Beat-imitative journey through northern Europe in the 1980s. However,...

Read more...

Interview: rising star Chloe Savage on the Arctic, outer space, and igniting children's wonder for the unknown

Rachel Halliburton

How old were you when you first had an image of the Arctic? When you first had that image, what was it that most resonated? Was it its remoteness, the endless snow and ice, the polar bears? Did it...

Read more...

Jon Fosse: Morning and Evening review - after thoughts

Jack Barron

Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive...

Read more...

Jean-Baptiste Fressoz: More and More and More review - fuel for thought

Jon Turney

If you are bothered about climate change – and who isn’t? – you’ll soon come...

Read more...

Alan Hollinghurst: Our Evenings review - a gift that keeps on giving

Hugh Barnes

In Alan Hollinghurst’s first novel, The Swimming Pool Library (1988), set during the summer of 1983, the young gay narrator, William Beckwith, lives in Holland Park. That same year and...

Read more...

Jonathan Coe: The Proof of My Innocence review - a whodunnit with a difference

Bernard Hughes

Anyone who has been on a British train in the last ten years will have been irritated to distraction by the inane and ubiquitous “See it, say it, sorted” announcement that punctuates every journey...

Read more...

theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinema

Harry Thorfinn-

You may have heard the phrase “elevated horror” being used to describe horror films that lean more toward arthouse cinema, favouring tension and psychological turmoil over jump-...

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Dealer's Choice, Donmar Warehouse review - fresh take o...

Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but...

theartsdesk Q&A: director Leonardo Van Dijl discusses hi...

"Julie's story takes place everywhere", says the writer-director Leonardo Van Dijl, whose psychological drama Julie Keeps Quiet has...

Much Ado About Nothing, RSC, Stratford - Messina FC scores o...

Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic....

Zsuzsanna Gahse: Mountainish review - seeking refuge

Mountainish by Zsuzsanna Gahse is a collection of 515 notes, each contributing to an expansive kaleidoscope of mountain encounters....

DVD/Blu-ray: All We Imagine as Light

All We Imagine as Light focuses on the lives of three women in contemporary...

Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review...

I came to Isata and Sheku Kanneh-Mason’s Wigmore Hall recital on Saturday armed with a certain degree of scepticism. Not about the siblings’...

Simon Boccanegra, Opera North review - ‘dramatic staging’ pr...

Opera North have recently pioneered a way of presenting some big works which they call “dramatic concert stagings”, performing in concert halls as...

Mahler 8, LPO, Gardner, RFH review - lights on high

Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the epic setting of Goethe’...

Album: Car Seat Headrest - The Scholars

Following a tradition that reaches back to the The Who’s Tommy, bands and musicians with serious artistic ambition have created rock...

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters