book reviews and features
Extract: Blackface by Ayanna Thompson
Thursday, 06 May 2021
Nearly a year has passed since George Floyd was killed by... Read more... |
Kate Lebo: The Book of Difficult Fruit review - a rich, juicy delight
Tuesday, 27 April 2021
Two years ago, I became preoccupied with beetroot. I didn’t want to eat it, particularly, or learn new ways to cook this crimson-purple veg. Instead I hunted down stories of the “beet-rave”, as it... Read more... |
Michael Spitzer: The Musical Human review - charting our age-old relationship with music
Wednesday, 21 April 2021
Music and time each dwell inside the other. And the more you attend to musical sounds, the more complex their temporal entanglements become.... Read more... |
Jonathan Calvert and George Arbuthnott: Failures of State review - a devastating exposé, slightly mistimed
Wednesday, 14 April 2021
Almost a year ago, in the midst of the first national lockdown, The Sunday Times broke the news that Boris Johnson had failed to attend five consecutive Cobra meetings in the lead up to... Read more... |
Polly Barton: Fifty Sounds review - what is lost in translation
Tuesday, 13 April 2021
Fifty Sounds is translator Polly Barton’s first novel, conceived as part of Fitzcarraldo’s annual... Read more... |
Andrea Bajani: If You Kept a Record of Sins review - where blame, grief and discovery meet
Wednesday, 07 April 2021
“I think it happened to you, too, the first time you arrived.” So begins Andrea Bajani’s second novel (... Read more... |
Will Page: Tarzan Economics - a 'rockonomist' writes
Wednesday, 31 March 2021
The idea behind Tarzan Economics is, in its essence, that “if the vine we are holding onto is withering, we can have confidence to reach out for a new one.” This thesis expounded in Will... Read more... |
Extract: TV by Susan Bordo
Tuesday, 30 March 2021
"Television and I grew up together." As a baby boomer born in 1947, Susan Bordo is roughly the same age as our beloved gogglebox, which began life as a broad box with a ten-inch screen, chunky and... Read more... |
theartsdesk Q&A: Author Sam Mills on the phenomenon of the 'chauvo-feminist'
Monday, 29 March 2021
Sam Mills’s writing includes the wondrously weird novel The Quiddity of Will Self, the semi-memoir Fragments of My Father, and Chauvo-Feminism (The Indigo Press), which... Read more... |
Charles Saumarez Smith: The Art Museum In Modern Times review – the story of modern architecture
Thursday, 25 March 2021
“This book is a journey of historical discovery, set out sequentially in order to convey a sense of what has changed over time.” Add to this sentence, the title of the work from which it is taken... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
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Music Reissues Weekly: Stefan Gnyś - Horizoning
For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies of his 1969 single...
Wicked review - overly busy if beautifully sung cliffhanger
"No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes two hours 40 minutes later...
Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan re...
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Snow Leopard review - clunky visual effects mar a director...
Pema Tseden's final film Snow Leopard is a Chinese Tibetan-language drama that addresses wild animal preservation. It serves as a kind of...
King James, Hampstead Theatre review - UK premiere drains a...
Cleveland is probably the American city most like the one in which I grew up. Early into the icy embrace of post-industrialisation, not...
Album: Kim Deal - Nobody Loves You More
The progress of Kim Deal has been one of the great delights of modern music. Much as one wishes Pixies well, they have never been the same without...
Kavakos, Philharmonia, Blomstedt, RFH review - a supreme val...
From a privileged position in the Festival Hall stalls, I could see 97-year old Herbert Blomstedt’s near-immobile back as he sat on a piano stool...
Hannah Scott, Worthing Pavilion Theatre Atrium review - fill...
London-based singer-songwriter Hannah Scott has warned her next song may reduce us to tears. It is, she says, inspired by events following the...