fri 08/11/2024

book reviews and features

Anne Michaels: Held review - one story across time

Lucy Thynne

Near the end of My Name is Lucy Barton, Elizabeth Strout’s prize-winning 2016 novel, a creative writing teacher tells Lucy, ‘you will...

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Ishion Hutchinson: School of Instructions review - learning against estrangement

Leila Greening

School of Instructions, a book-length poem composed of six sections, is a virtuosic dance between memory...

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Jesse Darling: Virgins review - going straight

Alice Brewer

Self-described ‘intermittent poet’ and 2023 Turner Prize-nominee Jesse Darling said this in a recent interview for Art Review: ‘I...

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Justin Lewis: Don't Stop the Music - A History of Pop Music, One Day at a Time review - deft and delightful pop almanac

Bernard Hughes

This splendid book proves that trivia need not be trivial, and that a miscellany of apparently disconnected facts can cohere, if done well. It is in the proud lineage of the “toilet book”, a form...

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Adam Biles: The Shakespeare and Company Book of Interviews review - the old curiosity bookshop

Lia Rockey

Over 10 years in the making, The Shakespeare and Company Book of Interviews reflects its namesake in more ways than one.

To those familiar, it is paean and tribute to one of the...

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Charlie Porter: Bring No Clothes - Bloomsbury and the Philosophy of Fashion review - dress to impress

India Lewis

It’s not hard to miss the fact that Bloomsbury is back in fashion at the moment. This summer, it felt like everyone’s Instagram story showed a...

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Adam Sisman: The Secret Life of John le Carré review - tinker, tailor, soldier, cheat

Bernard Hughes

This book is quite a sad read. I had been looking forward to it, as a posthumous supplement to Adam Sisman’s 2015 biography of John le Carré/David Cornwell, which, at the time, quite clearly drew...

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Caspar Henderson: A Book of Noises - Notes on the Auraculous review - a call to ears

Jon Turney

Have you ever considered the sheer range of sounds? You may think of deliberate human efforts to move the air: music and song, poetry or...

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'The people behind the postcards': an interview with Priya Hein, author of 'Riambel'

Hannah Hutching

Priya Hein’s debut novel, Riambel, is an excoriating examination of Mauritius’ socio-political structures and the colonial past from which they have sprung. Centred around Noemi, a young...

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Michael Peppiatt: Giacometti in Paris review - approaching the impossible

Jack Barron

We begin with a dead-end. In 1966, Michael Peppiatt – at the time “an obscure young man” – travelled to Paris to...

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

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The Tales of Hoffmann, Royal Opera review - three-headed mon...

Having all but sunk one seemingly unassailable opéra comique, Bizet’s Carmen, director Damiano Michieletto...

The Day of the Jackal, Sky Atlantic review - Frederick Forsy...

Fred Zinnemann’s 1973 film The Day of the Jackal was successful thanks to its lean, almost documentary-like treatment of its story of a...

Kolesnikov, Hallé, Elts, Bridgewater Hall, Manchester review...

Pavel Kolesnikov returned to the Hallé last night with a bobby-dazzler of a concerto. He’s a laid-back dude in appearance, with no tie, flapping...

L’Addition, BAC review - top billing for physical comedy duo

Can experimental theatre survive the decades? This year marks the 40th anniversary of the Forced Entertainment theatre company, whose mission is...

The Problem With People review - local zero

A quarter of an hour into The Problem With People, there’s a 15-second clip of Bill Forsyth’s Local Hero – and it’s the best...

Album: Garfunkel & Garfunkel: Father and Son

A father and son union – the first joint collaboration by Garfunkel père et fils. Art Junior it seems has already released two solo...

Tucker Zimmerman, The Lexington, London review - undersung o...

Tucker Zimmerman is singing a number called “Don’t Go Crazy (Go in Peace)”. At 83, he performs sitting down. Surrounded by support band Iji, who...

Album: Primal Scream - Come Ahead

In many ways, Primal Scream have had a strikingly similar career path to the Rolling Stones – despite them forming some 20 years after Mick and...

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