Film
James Saynor
Marriage is not often presented in cinema as a bowl of mangoes, but it’s rarely shown as so morbidly strange as in this reckless corker of a debut feature written and directed by Karan Kandhari, and backed by Film4.We meet the newly hitched – that is, thrown together – Uma and Gopal on a train to their new marital home (a small hut) on the ragged edges of today’s Mumbai. She sits bolt upright in the carriage behind her wedding veil; he is slumped out cold beside her. The wedding night is equally indecorous. As she starts to undress, he hurtles out the door as if he’s seen a scorpion. It sets Read more ...
Pamela Jahn
With his furious docu-essay I Am Not Your Negro, Raoul Peck caused a stir in 2016. The film about African-American writer James Baldwin and the Civil Rights Movement not only put the Haitian-born Peck on the map as a director, but also made him one of the defining figures of contemporary black cinema.Since his debut Haitian Corner (1990), Peck has devoted himself to political topics, switching effortlessly between documentary or feature films to achieve a stronger factual or emotional impact. His work, he says, only serves one purpose: "I need to find a narrative, something that lasts and Read more ...
graham.rickson
One of The Barnabáš Kos Case’s incidental pleasures lies in its relatively accurate depiction of orchestral life. Much of the action in Peter Solan’s 1964 Slovak black comedy (originally title: Prípad Barnabáš Kos) takes place in a rehearsal studio, one filled with real, non-miming musicians. Actor Milivoj Uzelac, playing one of the conductors, was also a composer and actually looks convincing on the podium.If I’m allowed to be pedantic, the most glaring false note is the role played by the titular antihero; you’d never find a percussionist who only plays the triangle, let alone one who Read more ...
Sebastian Scotney
The German theologian, pastor and anti-Nazi dissident Dietrich Bonhoeffer (1906-1945) was a saintly, courageous figure, of major historical significance. Those are good reasons to ensure that his story gets told and becomes better known. At a time when fanatical violent nationalism is on the rise and religion has been commandeered to support it, Bonhoeffer's work and his contribution to ideas have a renewed relevance.It is one thing to tell the story of Bonhoeffer's life, and quite another to tell it well and accurately. The film's director, Todd Komarnicki, who has been accused of Read more ...
Markie Robson-Scott
When Twiggy burst on to the scene in 1966, she was a beacon of hope for all flat-chested, short-haired, skinny girls. Of course we couldn’t look as fabulous as she did, with her enormous eyes and high forehead and long legs, but we could try.Before Twiggy, models were posh. They went to the Lucie Clayton Charm Academy in Bond Street and learned how to curtsey, pivot round an umbrella and get out of a car gracefully. In director Sadie Frost’s lively, likeable film, featuring many celeb talking heads including Paul McCartney and Dustin Hoffman, an alumnus, namely Joanna Lumley, looks back. “A Read more ...
Graham Fuller
Alienation, isolation, and instability are the fruits of working as a “picker” in the chilling labour drama On Falling. The first feature written and directed by the Porto-born, Edinburgh-based filmmaker Laura Carreira presents post-industrial gig economy work as a dystopia.It is the kind of hell that Blake or Dickens would have excoriated, but instead of fiery red, Carreira and her cameraman, Karl Kürten, saturate their imagery in metallic blue, including most of the pickers’ clothes. Blue denotes the coldness of machinery, of which these algorithmically-tracked drudges are flesh and blood Read more ...
Pamela Jahn
Adrien Brody is on a roll. Following his Golden Globe and BAFTA Best Actor wins for his performance as László Toth in Brady Corbet's The Brutalist, Brody picked up the equivalent Oscar last Sunday, celebrating it by giving the longest speech in Academy Awards history. Two days later, he was nominated for an Olivier for his portrayal of the real-life death-row inmate Nick Yarris in The Fear of 13, Lindsey Ferrentino's play at the Donmar having marked the 51-year-old actor’s British stage debut.The Oscar was Brody’s second. In 2003, he became the youngest winner in the Best Actor category for Read more ...
Nick Hasted
Tobe Hooper’s The Texas Chain Saw Massacre (1974) was uniquely disturbing, with its monster Leatherface’s first primal eruption to hang a victim on a meat-hook rivalling Psycho’s murders for shock and fright. It was only as the bludgeoning effect faded on subsequent viewings that the film’s pitch-black comedy became clear.With a ferocious singularity of mood and purpose bred by its micro-budget, hothouse shoot, it cast a Citizen Kane-like shadow over Hooper’s subsequent career, despite the landmark TV scares of Salem’s Lot (1979) and the smash-hit Poltergeist (1982), which now seems a true Read more ...
Matt Wolf
Amid these troubling times, can we not all live in the world of the 2025 Oscars' runaway success story, an ever-smiling Sean Baker? That thought increasingly crossed my mind as the 97th Academy Awards crawled towards its close, a promise early on from host Conan O'Brien not to "waste time" abandoned more or less as soon as it had been spoken.But even as one wondered about a peculiarly timed James Bond tribute – in far from cheering news, the rights to 007 were recently purchased by Amazon – or any number of lame comedy sequences (a poorly dressed Adam Sandler fleeing the auditorium Read more ...
Markie Robson-Scott
Shelly (Pamela Anderson) is a dancer. She’s been with Le Razzle Dazzle, an outdated Las Vegas show that’s full of “breasts, rhinestones and joy”, in her words, for 30 years. And now it’s closing. Where can she go, at the age of 57?The third feature film from director Gia Coppola (granddaughter of Francis Ford, niece of Sofia; Palo Alto, Mainstream) is an homage to those who struggle to make a living as Vegas show-girls and casino waitresses. The locations, with their desolate flyovers, freeways and neon glitz are atmospheric, but Kate Gersten's script doesn't light up the lives of these girls Read more ...
John Carvill
Rehab people will tell you there are three stages to drug abuse: fun; fun with problems; problems. There’s also a fourth phase, where there aren't any problems, because you’re dead.Gus Van Sant’s Drugstore Cowboy maps out the territory between stages two and four. Bob (Matt Dillon) and his girlfriend Dianne (Kelly Lynch) lead Rick (James LeGros) and his girlfriend Nadine (Heather Graham) in a gang of chronic narcotics addicts robbing pharmacies around Portland, Oregon, and the Pacific Northwest in order to stay one step ahead of withdrawal. Timewise, the film is hard to pin Read more ...
Nick Hasted
Longlegs’ trapdoor ending snapped tight on its clammy Lynchian mood, reconfiguring its Silence of the Lambs serial-killer yarn into a more slyly awful tale. Osgood Perkins’ hit fourth horror film seemed sure to elevate his career, but follow-up The Monkey is a resolutely minor, down and dirty B-movie, relishing cartoon gore and comic excess.Stephen King’s 1980 short story “The Monkey” combined his observation of scary streetcorner wind-up toy monkeys with the bad luck charm of WW Jacobs’ classic “The Monkey’s Paw” (1902), in a story really about protagonist Hal’s fraught family Read more ...