Film
Kieron Tyler
Post Tenebras Lux is a hard film to love, but it is one which engrosses. Although riveting, its appeal is akin to the fascination exerted by catastrophes and car pile-ups. Fittingly, the taste it leaves is bitter. It’s also hard to digest. Contrary to the title – light after darkness – there’s little to suggest either salvation or a path towards redemption.Director Carlos Reygadas doesn’t make it easy for viewers: there was animal cruelty in Japón (2002) and explicit sexual situtations in Battle in Heaven (2005), but he seemed to have mellowed with the Dreyer influenced Silent Light (2007). Read more ...
Jasper Rees
Woody Allen once joked that he would prefer to achieve immortality not through his work but through not dying. He is now 77 and the inevitable is a lot nearer than it was when he first realised, aged five, that this doesn’t go on forever. Fear of death has powered the furious productivity that in the early days yielded jokes by the yard, then the films appearing year upon year. In the interim the public image has calcified: the master comedian who would prefer to be a tragedian, the world-class worrier, the clarinet-tooting workaholic. But is that the real Woody Allen? This week a two-part Read more ...
emma.simmonds
"I'm so embarrassed, I'm not a real person yet," Frances apologetically tells her date after she's forced to make a calamitous cashpoint dash when they're asked to settle their restaurant bill. This is the seventh film from writer-director - and sometime Wes Anderson collaborator - Noah Baumbach (Greenberg, The Squid and the Whale). This time he co-writes with luminous star and indie-darling Greta Gerwig and it's a terrifically fruitful collaboration. Frances Ha is a film about female friendship, artistic expression and getting your shit together in your twenties, whose monochrome elegance Read more ...
Jasper Rees
Mel Smith, who has died at the age of 60, will be principally remembered as one quarter of the satirical sketch show Not the Nine O’Clock News and one half of its blokier spin-off Alas Smith and Jones. A natural and inclusive comedian, it’s less widely recalled that Smith also directed one of the most successful films in British movie history: Bean. As co-founder with Griff Rhys Jones of Talkback, he was also a pioneer in independent television production. When they sold the company, Smith became a millionaire many times over.He was always destined for a life in entertainment. The son of a Read more ...
Jasper Rees
Just three Cornettos: the trilogy accidentally named after an ice cream concludes here. Previously in the imaginations of actor Simon Pegg and director Edgar Wright, London has been invaded by zombies and a quiet English village by organised crime. In The World’s End, it’s the turn of a faceless Home Counties feeder town to fall under the influence of yet another B movie sub-genre. In this case the local population is replaced by robots (although what precisely constitutes a robot is one of the film’s fun running gags).Is there just a hint of weariness as Pegg, Wright and faithful lumpen co- Read more ...
Kieron Tyler
The default word for these films, made by the band Saint Etienne with their collaborator and former guitarist Paul Kelly, is "poignant". As elegiac visual poems which capture the always-evolving environment of London, they certainly are expressive. They are also often described as nostalgic, as they cast a lens across businesses and buildings, proprietors and townscapes that are now gone. The mood they evoke is one of longueur: a figurative sigh. Fine as far as it goes, but that’s passive wallowing. What they generate from my viewpoint in north London is a tremendous anger, one born from a Read more ...
Karen Krizanovich
The Frozen Ground, the debut feature of New Zealand director Scott Walker, takes place in Alaska in the 1980s. Based on a true story, it tells of cop Jack Halcombe (Nicolas Cage), who teams up with prostitute Cindy Paulson (Vanessa Hudgens) to try and stop Jack Hansen (John Cusack) from killing again.Although mostly a standard issue police thriller, The Frozen Ground has some nicely balanced performances. Cage is allowed the weight and concern that his character, the dogged cop, requires. Hudgens tries a bit too hard in her role as the young mouthy prostitute, while Cusack is a little too Read more ...
Tom Birchenough
In the independent cinema world, the question of where exactly a director hopes to find his or her audience never goes away. On home ground? Around the international festival circuit? Or in a lucky combination of the two, when a film resounds both locally and beyond its native land? It was always going to be a tricky issue for Haifaa Al-Mansour’s Wadjda, the first full-length feature to come out of Saudi Arabia, where cinemas simply do not exist – they are banned. And the fact that it's a woman director who has set the Saudi film industry in motion challenges further our expectations of Read more ...
David Nice
How do you solve a problem like The Birth of a Nation? Do you admire the first part and turn away from the second (after all, the Germans screened The Sound of Music for years in a Nazi-free version ending with the marriage of Maria and Captain von Trapp)? Can you balance social, historical and aesthetic responses?My own were to admire every technique D W Griffith throws at the story-telling of the American Civil War as a fine, at times Tolstoyan interweaving of truth with the fiction of two families from north and south, only to throw in the towel at the flabbergasting rewritten history of Read more ...
ellin.stein
Christened the Blues Brothers, Elwood and Jake’s first public appearance was as the warm-up act Lorne Michaels used to put the studio audience in a receptive mood before the show started. The audience became so warmed up that in April 1978, Michaels put the Blues Brothers on the actual broadcast, backed up by the SNL band. A contract with Atlantic Records, the label of several of the artists the Brothers emulated, materialised in short order. Belushi and Aykroyd found themselves in a dreamlike state where the slightest creative whim could be realised as a viable commercial product (indeed, it Read more ...
Adam Sweeting
Based on Jens Lapidus's novel Snabba Cash (great title, even if it is meaningless to English-speakers), Easy Money is yet further evidence of the allure of the Scandi way of looking at the world. It's ostensibly a crime thriller, featuring healthy doses of violence and drug-dealing, but equally it's an examination of class warfare, divided loyalties and racial tension. It all adds up to a portrait of Stockholm and Swedish society which blows open comfortable assumptions about Scandinavia being some kind of benign social paradise.It opens at the gallop with a nifty jailbreak sequence, as Jorge Read more ...
Peter Culshaw
Last night saw the launch of the second edition of the enterprising MexFest at Richmix in East London– a celebration of all things Mexican (film, architecture, food and music in particular). The opening film was introduced by Baroness Jane Bonham Carter, the UK’s trade Envoy to Mexico, who announced 2015 would be Mexican Year in the U.K. which will showcase the best of the country's creativity.The opening film was the impressive The Girl, a tale of a struggling Texan single mother, played convincingly by Abbie Cornish who gets involved in attempting to smuggle people over the border. The Read more ...