Film
emma.simmonds
“Paradise can go fuck itself”: the candid words of a disillusioned middle-aged man in director Alexander Payne’s latest road-to-redemption dramedy. He’s referring to the irritating presumption that Hawaii’s idyllic surroundings in some way shield its residents from the mire and misfortunes of life. Although there’s a smattering of such sourness in Payne’s adaptation of the novel by Kaui Hart Hemmings, for the most part this tale of a father reconnecting with his daughters is surprisingly sweet.In The Descendants a pleasingly shaggy George Clooney plays Matt King, a Hawaiian lawyer and Read more ...
Matt Wolf
Michael Fassbender (Shame) got blanked (maybe Hollywood was put off by his manhood?), as did We Need to Talk About Kevin’s Tilda Swinton, for my money the year’s best performance by an actress, notwithstanding the marvellous Meryl. Gary Oldman, meanwhile, is in as Best Actor for Tinker Tailor Soldier Spy – his first-ever Oscar nod, incredibly - whereas Leonardo DiCaprio (J. Edgar) is out.Those are just a few of the surprises unveiled at today’s announcement from Los Angeles of the nominees for the 84th annual Academy Awards; the winners will be named on 26 February. In an eclectic and Read more ...
Adam Sweeting
Best known for comedies like Chasing Amy and Mallrats, indie-land workaholic Kevin Smith has made a handbrake turn with Red State. Set in the small-town American South, it's a hectic mash-up of slasher flick, horror-fest and muscular action movie, with a caustic political twist in its tail. It's too much to pack into one short-ish (80 minutes) movie, but Red State's hectic pace, stylish visual design and provocative checklist of hair-trigger issues make it bogglingly watchable.Plot-wise, we kick off with a trio of sex-crazed teenage boys looking to get laid by any possible means. They end up Read more ...
Matt Wolf
Romance follows a recognisably rocky path, and visa issues don't help much either, in Like Crazy, a small but seriously affecting movie that is sure to hit many filmgoers where they live. An Anglo-American tale of love's vagaries that doesn't follow the expected Hollywood arc, Drake Doremus's 2011 Sundance Film Festival darling raises niggling questions on various plot details while getting the large-scale issues right. And when it's over, you may experience something resembling a dying fall, as if in sync with a story about how tough it is to sustain the intensity of the kind of love whose Read more ...
Kieron Tyler
Although the title of this new DVD box set was a given considering the nature of the films included, all six films collected are – whatever their reputation, levels of nudity and explicitness – sober-minded, hardly measuring up to any standard of what normally constitutes erotica. Three are dry sex education films, presented by real-life psychologists, while the other three are bizarre examinations of an alienated young women in relationships that involve power play, subjugation and abuse. Like nightmare, no-budget counterparts of Ingmar Bergman’s Scenes From a Marriage.Swedish cinema Read more ...
Jasper Rees
It must have been gruelling to pitch. A cynical modern satire set in a motivational conference for salesmen would have been a hard enough sell on its own. So too the choric figure who comments on the action directly to camera. But the bold USP of Acts of Godrey is the script: it's entirely in rhyming couplets.There is a place for rhyme in dramatic storytelling, and for most punters that place is Molière (Racine and Corneille not being box office these days). Only the other year Keira Knightley made her stage debut in an updating of The Misanthrope to contemporary media London. In recent times Read more ...
Matt Wolf
Ralph Fiennes' commitment to the theatre, not least the classical repertoire, has long been a source of wonder, bringing legions of Voldemort followers to see him live, most recently as a movingly hirsute, brooding Prospero in an otherwise heavy-going account of The Tempest. So Fiennes deserves double credit for transmuting the Bardic passions that launched him on stage to the global marketplace of the screen, especially with a title that exists some way from the Hamlet-driven norm that tends to be the Shakespearean celluloid transfer of choice - as Fiennes' fellow Bardolator, Read more ...