Film
howard.male
Although Lars von Trier’s latest boasts a few mainstream stars (amonst them, Kirsten Dunst, Charlotte Gainsbourg and Kiefer Sutherland) and the director himself has described the film as having not only having a Hollywood aesthetic but also - horror of horrors - a happy ending, everything is relative.Von Trier’s idea of a happy ending gets previewed at the beginning of the film, so it doesn't give much away by saying it consists of our snooker ball-sized Earth getting pulverised by a football-sized planet called Melancholia. As for why the director might think of the destruction of all life Read more ...
theartsdesk
Predictably and no doubt justly, it was a good night for The Artist at tonight’s London Critics’ Circle Film Awards. It won Film of the Year, Director of the Year for Michel Hazanavicius and Actor of the Year for its dashing lead Jean Dujardin. Both were at BFI Southbank this evening to pick up their gongs. Fans of Iranian cinema will be cheered to see A Separation also pick three awards, Foreign Language Film of the Year, Screenwriter of the Year for Asghar Farhadi and Supporting Actress of the Year for Sareh Bayat.Of the surprises, the biggest was that Meryl Streep did not walk away Read more ...
alexandra.coghlan
“I’m not a beautiful woman,” Wallis Simpson once declared. “I’m nothing to look at, so the only thing I can do is dress better than anyone else.” Madonna’s second feature W.E. operates under a similar philosophy – with rather less success. Never knowingly under-dressed, under-designed or under-directed, the film contorts itself into ever more stylish poses in a desperate attempt to stun its audience into a couture-induced coma of submission.The lumpy silhouette of cinematic ambition cuts persistently through however, exposing the steel Madonna’s revisionist fairytale is so keen to strip from Read more ...
Demetrios Matheou
The protean director Steven Soderbergh has offered us many things, from the art house individualism of his debut, sex lies and videotape, to glossy mainstream hits like Ocean’s Eleven and Erin Brockovich, the sci-fi of Solaris to the satire of The Informant!, and the meticulous biography of Che to the eccentric, experimental Schizopolis.But my favourite of his modes is the hardboiled thriller. In fact, it was two such films in the late Nineties, Out of Sight and The Limey, which arguably saved his career from the rabbit hole of Schizopolis and nudged Soderbergh towards his current high status Read more ...
Adam Sweeting
Gary Oldman's shrewd and skilful portrayal of mole-hunter George Smiley has prompted excitable Oscar gossip, but the biggest success of Tinker Tailor... is its creation of a melancholy sealed world where the common currency is secrets, lies and disillusion. Swedish director Tomas Alfredson has brought a supernaturally observant eye to jaded 1970s London, where a disgraced Smiley is brought back to the Circus (John le Carré's pet name for MI6) to conduct a clandestine probe for the traitor leaking secrets to Moscow.It's an all-male world of fading paintwork, whisky and cigarettes, where women Read more ...
Jasper Rees
What is it about Denmark? What, specifically, is it about Danish drama? I am currently fourth in the queue to borrow a box set of The Killing ( I know, I know: late), which all experts advise is as lethal as crack and to which Jennifer Saunders lately paid hilarious homage in Absolutely Fabulous. Borgen has just started trafficking across our screens, and last autumn there was the piercingly good low-budget film The Silence, partly German but also robustly Danish in its aesthetics and ethics. And now there’s In a Better World, best film at last year’s European Film Academy. And deservedly.It Read more ...
Sarah Kent
When it premiered at the Venice Film Festival in September, Steve McQueen’s second film, Shame, got rave reviews from male critics. Michael Fassbender (who played Bobby Sands in McQueen’s splendid debut feature, Hunger) is brilliant as Brandon, a successful thirtysomething New Yorker. His screen presence is so appealing that one could ogle him for hours and if, indeed, that is his body sauntering naked past the camera, he is well hung as well as handsome. Like Hunger, Shame explores bondage, but of a different kind: Bobby Sands was in prison, while Brandon is free but imprisoned by his Read more ...
Tom Birchenough
Richly nuanced in its sideshot view of Uruguay’s film world and Montevideo street atmosphere, Federico Veiroj’s A Useful Life is a small film that picks up on suppressed emotions which are only released in its second half. Its black-and-white images (actually transferred from colour, in a manner consciously evoking previous eras) recalls something of European cinema of the 1950s and 1960s. The three non-professional leads live rather than play their parts, but it’s atmosphere, conveyed especially through its score, that gives the film its charm.Central character Jorge (played by real-life Read more ...
Matt Wolf
The thrilling does battle with the banal and just about calls it a draw, which is a synoptic way of describing the effect of Steven Spielberg's film of War Horse, based on the Michael Morpurgo novel that spawned the now unstoppably successful play. Those nay-sayers who said it couldn't be done will find their prejudices confirmed, preferring the imaginative reach infinitely more easily arrived at by the use of puppets on stage. On the other hand, no one does epic screen moments quite like Spielberg, which on occasion means wincing through various passages while you await this director's long- Read more ...
Jasper Rees
Margin Call, a smart, taut and brutally frank portrait of the money game, asks a lot of its audience. A movie about traders as, if not quite good guys, then at least rounded guys? It’s not a trick Oliver Stone ever managed to pull off, and he tried twice. Refusing to deal in the Hollywood placebos of idealism and redemption, this is not a product that the big studios would have gone anywhere near. Scripted and shot by first-time writer-director JC Chandor, it was made on the very stringiest shoestring – a snappy little irony given the numbers its characters bandy around in the course of its Read more ...
Jasper Rees
Wanted: classic novel, preferably 19th-century but 18th will do, or early 20th. Anything reeking of period before television acceptable, though preferably not too working class. English if poss. Barnaby Rudge need not apply.Is there a crisis in the adaptation industry? Is inspiration running dry? This Christmas a new adaptation of Great Expectations became the fifth – yes, the fifth – version of the work put out by the BBC. In a nanosecond or two the movie will follow with Helena Bonham Carter as Miss Havisham and Mike Newell (Four Weddings, Harry Potter 4) at the helm. No matter that Dickens Read more ...
Nick Hasted
The Western image of manga comes from the thick volumes of knicker-flashing schoolgirls and lurid s.f. teenage boys pore over, and the anime (cartoon films) which adapt them. Singaporean director Eric Khoo’s animated adaptation of five stories by Yoshihiro Tatsumi, framed by details from his graphic autobiography A Drifting Life, reveals a radically different medium. As a young man proud of an art form which was being attacked for corrupting postwar Japanese youth, the now 76-year-old Tatsumi coined a new term for adult comics, gekiga (dramatic pictures), in 1957. It took until the 1970s for Read more ...