Film
Graham Fuller
As he did with his Spanish idyll Vicky Cristina Barcelona, Woody Allen supplies his fourth London film, You Will Meet a Tall Dark Stranger, with an anonymous male American narrator whose air of irritatingly breezy omniscience distances us from the proceedings, limiting the empathy we may feel for the four protagonists. This is a shame, because two of them - tetchy, unhappily married Sally (Naomi Watts) and her divorced, needy mother Helena (Gemma Jones) - are, for all their faults, characters we hope to see prosper.As he did with his Spanish idyll Vicky Cristina Barcelona, Woody Allen Read more ...
Veronica Lee
Route Irish isn’t the St Patrick's Day parade along Fifth Avenue in New York, but the “most dangerous road in the world”, from Baghdad airport to the relative safety of the heavily fortified Green Zone. With impressively opportunistic timing, Route Irish’s makers release it the day after the Irish saint’s celebrations but anyone expecting shamrockery will be disappointed - Ken Loach’s latest is a smile-free affair set among the lawless private security firms that “supported” the allies after the 2003 invasion of Iraq.Route Irish isn’t the St Patrick's Day parade along Fifth Avenue in New York Read more ...
Jasper Rees
The Czech New Wave sprouted out of a fertile collaboration between film and fiction. Milan Kundera started out as a lecturer in film, lest we forget; one of his pupils was Miloš Forman. Both flew the communist nest to live and create abroad, which is why their names reverberate down the decades much more than those of the director Jiří Menzel and novelist Bohumil Hrabal, whose collaboration on Closely Watched Trains won the Oscar for Best Foreign Film in 1967. They followed it with the delightful Larks on a String but, the Soviet invasion of Czechoslovakia having put an end to the Prague Read more ...
Adam Sweeting
Former Los Angeles Times crime reporter Michael Connelly struck gold with his books about LAPD detective Harry Bosch, before pulling a deft gear-change with the creation of criminal defence attorney Mickey Haller in The Lincoln Lawyer. The movie version, directed by Brad Furman and scripted by film and TV veteran John Romano, sticks pretty close to Connelly's novel, even if Matthew McConaughey's lead character has mysteriously morphed from Mickey to Mick.Though rooted in a familiar low-life Los Angeles peopled by surly cops, hookers, petty criminals and irascible prosecutors, the film lifts Read more ...
Jasper Rees
The Sundance Film Festival: you have to pack moonboots, parka and thermals. The showcase for independent films, whose public face since its inception in 1978 has been Robert Redford, takes place each January in Utah. In April of next year it is setting up a new branch in the moonboot-free environment of the 02 Arena in London.Sundance London won’t confine itself to the movies. The multi-disciplinary four-day event will include not only screenings but also live music and discussions. One imagines that other festival directors in London will welcome it through gritted teeth. Raindance – an Read more ...
emma.simmonds
Comedian Richard Ayoade’s kinetic, charismatic and accomplished directorial debut follows an introspective adolescent with his feet clamped firmly on dry land but with his head all at sea. In Submarine, our protagonist haplessly negotiates the quagmire of first love, whilst simultaneously dealing with his parents’ romantic disillusionment.An adaptation of Joe Dunthorne’s acclaimed novel, Submarine tells the story of Oliver Tate (Craig Roberts), an utterly unremarkable 15-year-old living in a Welsh village who is elevated to greatness, albeit only in his own mind. Oliver is a dictionary- Read more ...
Jasper Rees
The opening images have mighty symbolic heft. A boy dashing across a blasted wintry field compels a flock of birds to take to the air, hundreds if not thousands of them blackening sky and screen, squawking and flapping in cacophonous unison. Cut to a freight train, truck after truck, thundering under clouds across the barren land. Cut to two plastic deer parked outside a wooden prefab. By the end of this brief montage it is clear we are being invited into a world from which, for its tragic human inhabitants at least, there is no chance of escape.Ballast, from first-time director Lance Hammer Read more ...
james.woodall
Andrea Dunbar’s story was extremely grim when first told in her 1980 play The Arbor (I’m unable to explain why, for a leafy retreat in so English a context - however decimated - the American spelling is used) and it remains so: a medieval catalogue of domestic abuse, alcoholism, racism, stupidity and misery bordering on caricature. Was it really so bad in Bradford in the 1970s? Apparently so. Is it still? I’ve no idea.For that species of ignorance, I’d be accused in many quarters of wilful, southern, middle-class self-protectionism. Yet I’m not so sure. We all have our crosses to bear. Most Read more ...
andy.morgan
Benda Bilili! is in some ways very Hollywood – the story of a dream of stardom which comes true despite incredible odds. On the other hand, the subject matter of a group of homeless paraplegic musicians in a band called Staff Benda Bilili (which means something like “looking beyond appearances”) in one of the most dangerous cities in the world – Kinshasa – is hardly Tinsel Town. As the film-makers relate below, they themselves were also “nobodies” when they started filming, in the sense that they had no experience of film-making and little money.Their friendship with the band was sealed by Read more ...
howard.male
On first hearing about Staff Benda Bilili - a Congolese band partly made up of paraplegics – I felt a little uneasy at the prospect of reviewing them. The last thing that one wants as a (hopefully) trusted critic is to feel compromised by an obligation to either give a positive review, or feel guilty about lessening their chances of bettering their circumstances with a bad review. Yes, rather embarrassingly, the vanity and solipsism of your reviewer has no limits.But this visual treat of a film wastes no time in informing us that there is no room for pity in the story of this resilient Read more ...
alexandra.coghlan
Published in 1987, Norwegian Wood was the novel that turned Haruki Murakami from writer to celebrity in his native Japan. With over 12 million copies sold internationally and a cult of devoted readers waiting fretfully, the notoriously unfilmable book finally makes its screen debut under the direction of Tran Anh Hung. Described by the author simply as “a love story”, this most conventional of Murakami’s narratives picks through the emotional detritus of a teenage suicide, exposing the strands of grief and sexuality that bind our hero Watanabe to the women in his life.“Life is too short to Read more ...
Adam Sweeting
This debut feature by writer/director Thomas Ikimi was shot in 22 days on an infinitesimal budget, and while it's easy to point out some obvious flaws, it's far more constructive to look at what Ikimi has achieved. Chiefly, he wrote a script intriguing enough to lure Idris Elba on board, and he not only agreed to play the central role of Malcolm Gray, but additionally gave the project a hefty professional shove.Consequently Ikimi also found himself directing another Wire alumnus, Clarke Peters, as well as Julian Wadham as the enigmatic arms dealer Gregor Salenko and Monique Gabriela Curnen, Read more ...