Film
sheila.johnston
The world is turned literally upside down in Revanche's long, eerie opening shot. We see trees reflected in a dark forest lake, hear animal and bird sounds - discordant, wild, somehow unsettling - and the faint boom of distant thunder. Then something (we can't see what) plummets into the water. This superlative psychodrama sends out ripples too, that last way beyond the tight parameters of its plot.A word about the title. The film, from Austria, is partly about revenge, but the common translation for that is Rache. Revanche, according to Götz Spielmann, its writer-director, involves much more Read more ...
Adam Sweeting
Danish director Nicholas Winding Refn has already displayed unsettling form as a filmmaker intimately acquainted with violence. His Pusher trilogy probed into the black heart of Denmark's criminal underworld, while Bronson surfed a monster wave of ultraviolence in its account of psychotic jailbird Charlie Bronson. With Valhalla Rising, Refn has thrown his gears into reverse and screeched backwards to Pagan-era Scotland, though the director may be intending his location to evoke an all-purpose Nordic wilderness. Mads Mikkelsen plays a mute, expressionless fighting slave, kept in a wooden Read more ...
sheila.johnston
One evening in 1970, Princess Anne ventured forth from her manor to attend a screening of Bronco Bullfrog at the Mile End ABC. Three decades later, the same cinema, now called the Genesis, hosted a screening of Barney Platts-Mills' debut feature last night in equally ceremonious circumstances: the launch of the East End Film Festival. Rarely seen, indeed almost lost (the original 35-mm negative was salvaged from a rubbish bin at the film lab), Bronco Bullfrog, which will be released nationally on 11 June, emerges as a minor revelation.Bronco Bullfrog might have been made in 1969, but Read more ...
Jasper Rees
A father keeps his three adult children in a state of retarded development. They are deprived of books, education, television, indeed denied any access to the world beyond the electronic gates marking the perimeter edge of their known territory. In the place of knowledge is disinformation, disseminated on tapes. The sea is a leather chair, a zombie is a yellow flower, a vagina is a keyboard. And so on. In all this the mother is quiescent, complicit. The father is an absolute patriarch, the source of all morality and law. Dogtooth, a film by Giorgos Lanthimos set in contemporary Greece and Read more ...
sheila.johnston
Within the space of a single year - 1979 - Barrie Keeffe wrote two scripts which together summed up the very essence of the East End on the eve of Thatcherism. The first, which barely needs introduction, was the now-classic The Long Good Friday. The other was Sus, an explosive play about a black man detained by two racist police officers on the night of the General Election. Sus has since been performed worldwide and a screen version receives its premiere at the East End Film Festival on Saturday, prior to release on 7 May - the day after a certain other election. Meanwhile, a new stage Read more ...
Matt Wolf
Many is the mother the world over who announces that she won't die happy until she has lived to see her daughter (or son) happily wed. And so, out of a familial condition that transcends ethnicity and geography comes It's a Wonderful Afterlife, the Gurinder Chadha movie that carries this shared fretfulness one step further, throwing in curry jokes as it goes. What would happen if a mum were so desperate on her daughter's behalf that she resorted to murder? The answer is best pondered as and when this London-set Indian romcom is released on DVD, at which point you can Read more ...
sheila.johnston
Cheering news for Brits in Cannes (always assuming anyone is actually able to travel there this year). Originally rumoured to be in line for the Critics' Week, a young British filmmaker, Alicia Duffy, has now secured an even better berth: her first feature has been selected by the Directors' Fortnight, the prestigious parallel (and rival) event to the main competition.All Good Children is about two young Irish boys who move to rural France after the death of their mother and, we're told, "hypnotically plays out in the gap between childish fantasy and adult reality". Duffy's prize-winning Read more ...
Nick Hasted
Amazing untold stories remain waiting for cinema. Alejandro Amenábar has found one in the female philosopher Hypatia's quest for knowledge during the religious turmoil that gripped 4th-century Alexandria as the Roman Empire fell into the Dark Ages. Somehow he has managed to parlay the freedom given by his 2004 Foreign Language Oscar for The Sea Inside into a cosmic, 50-million-Euro epic of ideas which leaves Hollywood's narrow narrative parameters far behind.The Spanish director's follow-up to The Sea Inside (starring Javier Bardem as a paraplegic determined to die) apparently took shape Read more ...
theartsdesk
There's a piquant French perfume to our April round-up. DVD of the month is Olivier Assayas's magnificent family drama Summer Hours, reissued in the US with revealing extras (and available worldwide from Amazon). Maurice Pialat's work is considered at length and Séraphine and Rumba are among the new releases. We unearth an extraordinary Czech epic,The Valley of the Bees, and watch Ernst Lubitsch's delicious early Berlin comedies. Films covered previously, including New Moon, The White Ribbon, 2012 and Zombieland are noted in brief, with a link to the original review. Our critics are Anne Read more ...
anne.billson
BD, pronounced bédé, is short for "bande déssinée", the French equivalent of the comic-strip or graphic novel, which has long been accorded a popular affection and cultural standing well beyond that of its anglophone equivalent. Luc Besson says he was weaned on BD, which comes as no surprise to anyone familiar with his films. The only surprise is that it has taken him so long to direct an adaptation of one. But here it is - his eleventh full-length live-action directing credit - Les aventures d'Adèle Blanc-Sec, a mash-up of two volumes from a series of BDs by Tardi, one of the most respected Read more ...
Jasper Rees
From The Bridge on the River Kwai onwards, the Japanese haven’t tended to come up smelling of roses in war movies. Kind of unsurprisingly. In recent years it was Clint Eastwood who moved the story on. In Flags of Our Fathers he painted the Japanese military as the yellow peril, but gave them the benefit of the doubt in Letters from Iwo Jima, the other half of his Pacific diptych. City of Life and Death attempts to do in one film what Eastwood split into two: a portrait of the Japanese war machine as a manifestation of pitiless amorality; and the component parts of that machine as Read more ...
sheila.johnston
New films by Mike Leigh, Stephen Frears and Sophie Fiennes figure in the line-up of the 63rd Cannes Film Festival, which was announced at a press conference in Paris this morning. As expected, Leigh's Another Year will vie for the Palme d'Or, the only British film to be selected. Frears's Tamara Drewe, based on the Guardian comic strip, plays out of competition, as does Oliver Stone's Wall Street - Money Never Sleeps and Woody Allen's London-set You Will Meet a Tall Dark Stranger. Also out of competition, Fiennes's Over Your Cities Grass Will Grow, a film about the artist Anselm Kiefer, gets Read more ...