Film
Sarah Kent
“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring to the genocide perpetrated by the Nazis in concentration camps like Auschwitz-Birkenau, where she was held prisoner.Six million Jews were murdered in the camps, but Lasker-Wallfisch survived because she was a musician. She describes the “welcoming” ceremony in which arrivals were “stripped of every vestige of human dignity”. Stark naked, they had their heads shaved and a number tattooed on their arms.But the woman conducting this identity- Read more ...
Tim Cumming
Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up there with Perfomance and That’ll Be The Day.Like those films, it has grittiness running through it like barbed wire through a stick of Blackpool rock. It’s raw and dark; very dark. Not glam at all. And wrapped up in its singular brilliance is the grim rather than glam fact that Slade in Flame tanked at the box office and almost tanked the career of the band it – sort of – celebrated.There was one DVD release in the Noughties, which now goes for around £200 on Amazon. But Read more ...
Saskia Baron
There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a familiar subject – Shakespeare, Ancient Egypt, Andy Warhol – they all came round again with a decent interlude between reassessments. But if the pitch involved Nazis, all bets were off. And maybe in Germany itself, that’s been the case with film-maker Leni Riefenstahl who may have had more documentaries made about her than she made herself during her years as Hitler’s favourite director.The latest, Riefenstahl comes with the promise of new revelations Read more ...
Markie Robson-Scott
“Don’t live here, don’t surf here,” is the menacing motto (sounds more scary with an Australian accent) of the tanned, muscular denizens of Luna Bay beach. But the unnamed hero known as The Surfer, played by Nicolas Cage, isn’t listening.The Surfer is directed by Lorcan Finnegan (Vivarium, 2019; Nocebo, 2022) and written by Thomas Martin (both are Irish). They were inspired, says Finnegan, by John Cheever’s The Swimmer as well as Australian New Wave movies of the 70s. This film is, however, not big on subtlety and has a limited scope. It’s shot in Yallingup, Western Australia on a beach and a Read more ...
Sebastian Scotney
Carl Craig (b.1969) is a leading Detroit electronic music producer and DJ whose Planet E Communications label has existed for over three decades. This 90-minute documentary, which was directed by Jean-Cosme Delaloye and features over thirty interviews, tells Craig's life story and attempts to define his importance. It's accompanied by a soundtrack largely comprising music recorded by him, either under his own name or under his many aliases.The film's account of Craig's early years draws on extensive input from his parents and his sister. In one vivid exchange, he recalls the formative Read more ...
Hugh Barnes
The reporting of Anna Politkovskaya, the journalist who was shot dead in her Moscow apartment building in 2006 – on Vladimir Putin’s birthday, a deranged gift from his loyal security services – is perhaps the nearest thing we have to a full diagnosis of the horrifying corruption and brutality of Russia under his governance.Some of the events depicted in Words of War happened over a quarter of century ago when, as Yeltsin’s Prime Minister, Putin started a war in Chechnya on the same false pretext of anti-terrrorism that now masks his real intentions in Ukraine. However, as Politkovskaya, who Read more ...
Pamela Jahn
Gary Oldman has always lived life to the fullest, on screen and off. Maybe that's why he is often at his best in his pitch-perfect portraits of real-life personae such as Winston Churchill in Darkest Hour and Herman J Mankiewicz in Mank. He now stars as the bibulous middle-aged American author John Cheever in Parthenope, Paolo Sorrentino's latest lush homage to Italy's recent past. Oldman's Cheever is little more than a cameo, but his performance is genuinely touching – poignant and witty, appreciative of the beautiful young protagonist (Celeste Dalla Porta) but detached from her.  Read more ...
graham.rickson
Eureka’s second volume of Laurel and Hardy shorts catches the pair in 1928 on the cusp of their successful transition to the sound era, two of the 10 films originally released with synchronised sound effects and music.This works especially well in We Faw Down, though having another actor dub Stan’s laugh is disconcerting. Otherwise, it’s hysterically funny, much of the material reworked five years later in Sons of the Desert, the boys digging themselves into an ever-deeper hole while lying to their improbably glamorous wives about where they spent the previous evening.There’s some dispute Read more ...
Hugh Barnes
The Ealing-like comedy heist caper Two to One is Natja Brunckhorst’s second feature as a director, after the 2002 short film La Mer, but most people will remember her for an extraordinary performance as a 13-year-old actor in Uli Edel’s 1981 cult film Christiane F. The following year, she had an equally memorable walk-on in Rainer Werner Fassbinder’s last film Querelle.Edel’s movie controversially depicted the empty lives of teenage drug addicts in West Berlin a decade before the collapse of East German communism and the fall of the Wall. In Two to One, Brunckhorst fast-forwards, as it Read more ...
Pamela Jahn
One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been described as a director of "slow cinema", which she regards as a compliment.Kulumbegashvili's intention is to create an imaginative space that uncovers the truths behind patriarchal expectations and misogyny, without ever limiting the viewer's experience or agency. Characterized by carefully crafted but disorienting compositions, her storytelling is fiercely confrontational.Her second feature, April, combines revealing social realism with Read more ...
Helen Hawkins
The makers of The Extraordinary Miss Flower are billing it as a “performance film”, a subspecies of the concert-movie and stablemate of the fictive biopic 20,000 Days on Earth, about Nick Cave, from the same film-makers. It’s one part arty documentary to two parts music video, both a daughter’s tribute to her mother and a singer’s elaborate way of promoting her latest album.Its subject, Geraldine Flower, was the aptly surnamed daughter of an Australian father and Dubliner mother who spent the years of her prime – the Swinging Sixties and discontented Seventies – relocating from Read more ...
Kathryn Reilly
Purporting to be a documentary about John Lennon in the 1970s, Borrowed Time is no such thing. Instead, we have a lot of fan boys stating the bleeding obvious and covering a much longer period of time. On the other hand, there are some really interesting and illuminating details here, so the film is an absolute must for fans.Touring plans for 1981 were afoot when Mark Chapman changed the world. And it was going to be extraordinary technically (Lennon’s brief was "to give Mick and Elton ulcers"), a glimpse of which is recreated here. Tariq Ali, Bob Harris, Earl Slick and many, many others ( Read more ...