Classical music
edward.seckerson
Sir Adrian Boult laid the foundations for its revival, more recently Sir Mark Elder found astonishing illumination within it, and now a third knight of the realm - Sir Andrew Davis (the latest recipient of the Elgar Medal) - chivalrously stamps his authority on it and brings it in from the cold.Elgar’s The Apostles is both typical and startlingly untypical of the composer. So much about its retelling of the gospels is spare and concentrated, so much is understated with that peculiarly English air of dispassion that until you grow accepting of its stately pace you crave the urgency and Read more ...
philip radcliffe
Soccer-mad Shostakovich’s score for a ballet about a Soviet football team visiting Western Europe, the world premiere of an oboe concerto by John Casken marking the 1914 centenary, and a rare semi-staged performance of Kurt Weill’s The Seven Deadly Sins made up this remarkable programme. Even Sir Mark Elder pronounced it “eccentric”.The centrepiece and a musical milestone was Casken’s specially commissioned work, Apollinaire’s Bird, inspired by Guillaume Apollinaire’s poem, “A Bird Sings”, written while fighting in the trenches. In that poem, he captured the isolation of a bird singing amid Read more ...
graham.rickson
For record collectors of a certain age, Pascal Rogé is Mr French Piano Music; if you’re looking for decent recordings of Ravel, Poulenc, Saint-Saëns and Debussy, he’s the man. Hearing him perform live, here with his wife and duet partner Ami Rogé, is an overwhelming, entertaining experience, though you’re occasionally confounded by Rogé’s calm, unruffled exterior.In the dryish, intimate acoustic of Leeds’s Howard Assembly Room, the sounds conjured were magnificent. Pedal notes teetered on the edge of audibility; thunderous, fruity chords made the floorboards vibrate. And Rogé never broke a Read more ...
edward.seckerson
Some performances evolve so naturally, so inevitably, that they feel... bespoke. Andrew Davis has a long history with both the BBC Symphony Orchestra (who gave him his first big break) and Elgar’s The Dream of Gerontius and from that moment in the Prelude where the cellos intimate some eternal lullaby to the ebbing arpeggios which waft across the strings in the final page, as if Wagner had for a moment contributed to the scoring of it, this performance felt all of a piece - not so much operatic as symphonic to the nth degree. It was blessed, too, with exceptional soloists in Stuart Skelton Read more ...
Sebastian Scotney
Can there be a conductor with a clearer and more affirming beat than Mariss Jansons with the Concertgebouw Orchestra when they're at their best? The listener can just marvel at his capacity to work in partnership with this fine orchestra, to underline and reinforce everything they do, to enable them to land cleanly, decisively and unanimously, to introduce new ideas with care, precision and beauty, to treat the end of phrases with respect, love and punctiliousnes.Jansons can make the Concertgebouw sound in every respect and in every department a marvellous orchestra, even in a hall like the Read more ...
David Nice
With tickets only a couple of pounds more than screenings in the Ciné Lumière, back-to-back – sometimes overlapping - concerts by world-class pianists of all ages, and a lively roster of weekend events around the recitals, what more could you ask from the French Institute’s two-and-a-half day festival? Well, perhaps a better and bigger Steinway. The one that can now transform the cinema into a concert hall, and instigated the first It's All About Piano! weekend last year needed bags of restoration, and given the obstinately dull middle register you have to ask, was it worth it? But then again Read more ...
graham.rickson
Brahms and Schumann: Piano Quintets Alexander String Quartet, Joyce Yang (piano) (Foghorn Classics)Schumann was the first major composer to pair solo piano with string quartet. His 1842 quintet remains one of the best examples of the genre, perched between chamber introspection and public assertiveness. It's full of splendid moments, springing into life with inexhaustible exuberance. Schumann's fiendish piano writing rarely lets up, and one of the joys of this beautifully nuanced performance from the San Francisco based Alexander Quartet is the contribution made by pianist Joyce Read more ...
David Nice
Arise, Sir Edward – Gardner, not Elgar, whose First Symphony the former conducted last night. Well, maybe a knighthood’s too premature; although the daft honours system has rewarded others in the operatic world for less, and Gardner has already served two brilliant terms at Glyndebourne Touring Opera and ENO, there was just one aspect of the symphony that he didn’t seem quite to get last night.It was the visionary gleam, its flipside the pain of the composer’s tortured introspection, which he missed by a centimetre and which knights of greater experience like Sirs John Barbirolli, Adrian Read more ...
joe.muggs
It seems that the gradual leakage of avant-garde-post-classical-call-it-what-you-will music from the rarefied environment of concert halls and into the spaces traditionally inhabited by alternative and club music is now inexorable. And violinist Aisha Orazbayeva is one of the instrumental (pun intended) figures in this move from trickle to flood. As one quarter of the organising team for the London Contemporary Music Festival (along with erstwhile classical editor for theartsdesk, Igor Toronyi-Lalic), she has helped bring Parmegianni, Schwitters, Radigue and other 20th/21st century composers Read more ...
David Nice
Where did all the terrific programming energy of last year’s The Rest is Noise festival go? One answer – surprising given the orchestra’s former Friday night lite status – is into a two-concert adventure by the BBCCO. World to Come, World Once Known has been devised by Principal Conductor Keith Lockhart to reflect the Janus-headed phenomenon of music just before, during and after the First World War.While the first concert, to be broadcast this afternoon on BBC Radio 3, registered the shock of the new following the cataclysm, last night’s poignant sextet of works examined grief – for lost Read more ...
stephen.walsh
The Tchaikovsky de nos jours, is Theodore Gumbril’s dismissal of Skryabin in Aldous Huxley’s Twenties novel Antic Hay. For some reason, Alexander Skryabin has suffered more than most from snap judgements of this kind. He has been the woolly theosophist, the vacuous, over-inflated mystifier, the effete, self-indulgent decorative – everything except the refined, disciplined creative genius. It’s high time these images were consigned to the rubbish dump of history, along with the dull-witted Bach, the mad Beethoven, and for that matter the slushy Tchaikovsky. Skryabin was a superior artist whose Read more ...
graham.rickson
Beethoven: Piano Concertos 2 and 4 Mahler Chamber Orchestra/Leif Ove Andsnes (piano and director) (Sony)You know that this will be good after just a few seconds; Beethoven's comically strait-laced opening gesture promptly answered by a smartly shaped orchestral tutti. Well-tuned winds and horns are perky, and string articulation is perfect. All so good that you're caught off guard when Leif Ove Andsnes makes his sly entrance and you remember that this is a piano concerto. The lightness of touch is intoxicating, Andsnes scaling down his sound so that he's a perfect match for a well- Read more ...