Classical music
David Nice
It’s a given that no finer Rachmaninov interpreter exists than Nikolai Lugansky – a few others may see the works differently, not better – and that Vasily Petrenko has an uncanny affinity with both the swagger and the introspection of Elgar. But just how clearly and deeply both made their understanding felt seemed like an harmonious miracle in the most famous of all Second Piano Concertos and a parallel journey of revitalisation from Petrenko in Elgar’s world-embracing First Symphony.So the theme of this season, “Icons Rediscovered”, was for once supremely apt. Petrenko, after an engaging Read more ...
graham.rickson
Documentaries intended for cinema release don’t always come off, and cynics might suggest that Sheila Hayman’s Fanny: The Other Mendelssohn would work perfectly well as a BBC Radio 3 broadcast. Fortunately, Hayman’s visual flourishes and a sense of how to tell a good story make this film work.A closing caption points out, depressingly, that 90% of all music performed in the world’s concert halls is written by men, making the tale of Fanny Mendelssohn Hensel all the more pertinent. Her biography is intercut with sequences showing pianist Isata Kanneh-Mason preparing to give the premiere of a Read more ...
Robert Beale
For the most adventurous programme in its autumn Saturday series at the Bridgewater Hall, the BBC Philharmonic’s John Storgårds brought two works from his native Finland’s repertoire, and a concerto some distance from the beaten track.Like the Hallé’s concert of mainly new music with Thomas Adès two days before, it did not pull the crowds in, despite a sweetener in the mix, but those who were there were enthusiastic.The sweetener was Sibelius’ tone poem, Pohjola’s Daughter, which, oddly for a repertoire work, seemed to get off to a slightly sticky start. Maria Zachariadou’s haunting cello Read more ...
graham.rickson
Kabeláč: Eight Preludes, Motifs from Exotic Lands, Smetana: Dreams Jan Bartoš (piano) (Supraphon)Anyone interested in 20th century music should investigate Supraphon’s box set of Miloslav Kabeláč’s eight symphonies. when you've done that, get hold of pianist Jan Bartoš's engrossing recital disc. Kabeláč’s relationship with the communist regime in post-war Czechoslovakia was often strained, though things improved after Stalin’s death. He was fascinated by cosmology (“…everything in the world and the universe has a centre around which it revolves…”) and his music, though often Read more ...
Bernard Hughes
The Philharmonia’s current season, Let Freedom Ring, celebrates American music through some notably interesting programming. And although last night’s concert was very conventionally structured, with an overture, concerto and big symphony to finish, it was also the chance to hear some repertoire only quite rarely presented.Barber’s Violin Concerto is a personal favourite, a bit of a guilty pleasure as it is undoubtedly Romantically indulgent, and old-fashioned even when it was written. But I’m surprised it’s not heard more often – I’d take it over Bruch or Brahms or Elgar every time. Here Read more ...
Robert Beale
Thomas Adès had a job to do in his first concert with the Hallé since being appointed Artist-in-Residence for the next two years: to win over the audience that came to witness it.It wasn’t a sell-out (anything that smacks of new music is unlikely to draw a huge number to the Bridgewater Hall, no matter what sweeteners are provided), but for those who were there he definitely succeeded, and by the end they were shouting their approval.That was due particularly as appreciation of his ability as a conductor pure and simple, as he finished the programme with Janáček’s Sinfonietta, that uplifting Read more ...
Sebastian Scotney
A full Wigmore Hall always feels special. Formerly we saw a board with the words “HOUSE FULL” on it, in large, bright red capital letters at the entrance. If we had tickets back then, we knew how lucky we were. These days, the 552-seater hall gets booked out far more often, as it was last night. The promise of a programme of Schubert (both of the piano trios composed near the end of his all-too brief life) played by performers including András Schiff had filled the hall. Schiff was playing a fortepiano (no more information given, but he has been recording Schubert for ECM in recent years Read more ...
David Nice
Young French soprano Clara Barbier Serrano has everything it takes to shine in an overcrowded singers’ world, including vivacious communicative skills – I witnessed those for the first time last Tuesday, when she performed at the Oxford International Song Festival without the score in front of her – attention to detail and a knack of forging unusual programmes beyond the usual song-recital round, commissions included.This often mesmerising event in the City Literary Institute’s recital room towards the end of the Bloomsbury Festival harnessed the talents of a fellow former student at the Read more ...
David Nice
The word “great” is going to be stated, or implied, rather a lot here. Christine Rice is, after all, one of the world’s great mezzos, and her partnership with Julius Drake has long been something to seek out at every opportunity. Add to the mix a young viola player already in the top league, Timothy Ridout, and a programme featuring music by an individual voice among composers, Rebecca Clarke, and there was reason enough to travel to Oxford yesterday.Hopes were movingly rewarded. But other riches emerged, thanks to the rainbow net spread wide of what is now the Oxford International Song Read more ...
Jenny Gilbert
On the whole the Bible is not big on sex and sensuality, with the exception of one very short book in the Old Testament. The Song of Solomon – aka Song of Songs – is a hymn to carnal pleasure, one whose vivid descriptions of perfect flesh and brimming wine flagons have divided religious scholars for centuries.The New York-based choreographer Pam Tanowitz turned to the text when looking to deepen her understanding of her Jewish roots, and invited the Pulitzer Prize-winning composer David Lang to collaborate. It should surprise no one that their Song of Songs, which has just played at the Read more ...
Christopher Lambton
As any good choral singer knows, you can’t deliver too emphatic a “k” for the opening Kyrie Eleison of any one of thousands of Mass settings. Well, almost. The Scottish Chamber Orchestra Chorus produced such a distinct, detached, and powerful opening consonant for this performance of Bach’s B minor Mass that it seemed to bounce several times round the auditorium before being enveloped by the great tide of chromaticism that characterises this magisterial movement.As the Kyrie developed, the consonants retreated somewhat to a more conventional audibility, but the opening served to remind us Read more ...
graham.rickson
Bach: Goldberg Variations Víkingur Ólafsson (piano) (DG)Bach Goldberg Variations Reimagined Rachel Podger/Brecon Baroque (Channel Classics)It feels like ages since I’ve listened to Bach’s Goldberg Variations. I’m more team piano than team harpsichord, so my current favourites include recordings by Glenn Gould (both of them), Murray Perahia and Igor Levit. Víkingur Ólafsson’s lucid sleeve note is entertaining, particularly when he follows his florid comparison of the work to “…a grand oak tree… living and vibrant, its forms both responsive and regenerative…” with Bach’s punchier Read more ...