Sundance London 2013: A.C.O.D.

A stonking cast turn squabbling into near art in this entertaining comedy from Stu Zicherman

Occasionally an ensemble cast comes along that makes you want to get down on your knees and give praise to the movie gods; A.C.O.D. (Adult Children of Divorce) has such a cast. The directorial debut of Stu Zicherman brings together Parks and Recreation stars Adam Scott and Amy Poehler and expertly tosses into the mix Oscar-nominee Richard Jenkins, along with bona-fide comic geniuses Jane Lynch and Catherine O'Hara. And that's just for starters.

Scott plays the neurotic, cynical Carter, ever-the-peacemaker for his acrimoniously divorced parents (Jenkins and O'Hara): "You have turned a nine-year marriage into a 100-year war" he chides them. When his contrastingly sunny and irresponsible brother Trey (Clark Duke) gets rapidly engaged, the impending nuptials threaten to bring their parents together in an apocalyptic showdown. To prepare himself Carter enlists the help of Dr Judith (Lynch) who had used a young Carter as a case-study in her book "Children of Divorce" and plans to follow it with a look at the continuing impact of divorce on him (and others like him).

A.C.O.D. is peppy, likable and consistently funny. Though its problems aren't catastrophic, like Carter's parental hang-ups, they do hold it back. Poehler is wasted in a small role as Carter's stepmother and there's a dalliance with Jessica Alba which feels oddly abbreviated. Also, while most of the cast get their chance to shine comedically, only Scott has a fully fleshed-out role. However the cast do squeeze every drop of comic juice from the material and watching this lot bounce off each other is worth the price of admission alone.

Follow @EmmaSimmonds on Twitter

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The cast squeeze every drop of comic juice from the material

rating

3

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more film

The actor resurfaces in a moody, assured film about a man lost in a wood
Clint Bentley creates a mini history of cultural change through the life of a logger in Idaho
A magnetic Jennifer Lawrence dominates Lynne Ramsay's dark psychological drama
Emma Stone and Jesse Plemons excel in a marvellously deranged black comedy
The independent filmmaker discusses her intimate heist movie
Down-and-out in rural Oregon: Kelly Reichardt's third feature packs a huge punch
Josh O'Connor is perfect casting as a cocky middle-class American adrift in the 1970s
Sundance winner chronicles a death that should have been prevented
Love twinkles in the gloom of Marcel Carné’s fogbound French poetic realist classic
Guillermo del Toro is fitfully inspired, but often lost in long-held ambitions
New films from Park Chan-wook, Gianfranco Rosi, François Ozon, Ildikó Enyedi and more