From the off, with a bellicose Daltrey declaring “I don’t care, I know you’re going to hate this song,” on the opener “This Music Must Fade” to the ferocious vocal hitched up to a careering chariot of a riff that drives “Ball and Chain”, and the look-back-in-anger ravings of “I Don’t Wanna Get Wise”, WHO sets its stall as The Who thriving on the kind of energy that fuelled this band in the Sixties and Seventies, while dwelling in that wordy introspective philosophical space Townshend has occupied for decades, in interview and in song. The sound and fury of this bracing set of openers harks Read more ...

The O2 is usually a bright, sterile space before the bands come on. Its starkly lit US sports event ambience is accentuated by humanity milling around layered plastic seating clutching giant tubs of soft drink. Not so tonight. The venue has been open for three hours before the headline act is due. The lighting is purposefully dingy as 2ManyDJs and James Holroyd spin techno-flavoured sounds, warming up the crowd. The aim may be to reimagine this corporate space, with its horrid placards shouting Sky, Coca Cola, etc, into a warehouse party. The balconies are a black skyline with phone lights Read more ...

Natasha Khan is ending this intimate UK tour where her dreams first took shape. Study at the University of Brighton began 12 years in the bohemian town, and her twice Mercury-nominated, mythology-minded pop life. She could sometimes be found here in St Bartholomew’s, a vaulting Victorian temple with the supposed dimensions of Noah’s ark, all sunken shadows and glinting gilt, tucked just off London Road’s grubby shopping bustle. It was “a church I used to sit in and have a quiet moment”, Khan tells us. With only a second keyboardist sharing the stage, tonight is a very personal homecoming.Khan Read more ...

Despite their name, U-Bahn are from Melbourne. Instead of looking to Germany for their musical inspiration, their minds are on a vintage band from Ohio. “Beta Boyz”, the first track on their eponymous debut album, reassembles the key elements of Devo’s version of “(I Can’t Get no) Satisfaction”. The chicka-chicka tick-tock guitar is present. So too are the throat-swallowing Mark Mothersbaugh vocals, the rotating tin-can drums and primitive synth.Next up, “Turbulent Love” does a similar job by hybridising Devo’s “Mongoloid” and “Whip it”. “War of Currents” borrows from the de-evolutionist's “ Read more ...

In the liner notes to the new reissue of 2001’s All is Dream, Mercury Rev’s Jonathan Donahue says it is “a weird astral album musically, and yes the symbolism lyrically runs many layers down and deep – different coloured layers of rock, soil and ash on an archaeology dig.”More straightforwardly, Mercury Rev’s other mainstay Grasshopper explains “All is Dream was a continuation of ideas we hatched during recording [previous album] Deserter’s Songs – and [its predecessor] See You on the Other Side – but we were bolstered by the excitement that Deserter’s Songs generated.”All is Dream was Read more ...

“Are you ready to do battle with us?” bellows Johan Hegg, Amon Amarth’s imposing yet cheery frontman, immediately prompting an enthusiastic roar from the packed-out Brixton crowd. “GOOOOOOD!” He’s the most genial Viking you could imagine - six-foot plus with a gigantic beard and massive hair, a drinking horn holstered on his thigh, and a huge smile plastered across his face.Named after the Sindarin name for Mount Doom in Tolkien’s Lord of the Rings, naturally, Amon Amarth are currently marauding their way across Europe as part of a massive world tour (whose upcoming dates include Norway's Read more ...

It’s seven years since Portugal’s muscular psychedelicists, 10.000 Russos got together and five since they released their barnstorming, self-titled EP. In that time, they’ve put out numerous other EPs, singles, appearances on compilation discs and three albums, including a collaboration with Dutch industrialists, RMFTM. However, their latest long-player, Kompromat could just end up being their defining piece of work. Comprising just five tracks, only one of which comes to an end in less than seven minutes, it is a glorious mix of thumping, trancey grooves, reverb, distortion and half-heard Read more ...

There couldn't be much that's more techno than for a musician to have had a quarter-century career, only just be releasing his second solo album, and making it a quadruple. David Sumner aka Function is a true scene trouper: starting out in New York in the mid-90s, moving – inevitably – to Berlin in the 2000s, releasing dozens of 12”s, collaborating successfully with other key names like Dominick “Vatican Shadow” Fernow and, for quite some time, with Karl “Regis” O'Connor, and DJing for more nights than the imagination can comfortably encompass in various dark caverns and catacombs.These 17 Read more ...

Ever since rock’n’roll began, the orchestral cover version has played a contentious role in popular music. It has sometimes signified a revision of raw musical styles for those who prefer being spoon-fed; it has sometimes represented aspirations to high culture and the concert halls of yore; in more recent years, it’s often been a gambit to persuade those growing older to re-listen to a defanged version of their youth. And it’s almost always a cash-in.The rave generation is now ageing and, just as inevitably, bland orchestral versions of their prime have started appearing. Whole nights have Read more ...

Grimes, the Canadian art pop performer, made headlines last week when she predicted the end of musical performance as we know it on a podcast interview with theoretical physicist Sean Carroll. Live music, she said, would be “obsolete soon”, while she gave a window of a couple of decades in which artificial intelligence would become “so much better at making art” than human creatives.I suspect that Björk, who has been incorporating cutting edge technology into her music since before Grimes was born, would have a few opinions on live music’s purported obsolescence. Her Cornucopia tour, which Read more ...

If this is what Sam Fender can provoke on a Monday night, then Lord knows the reaction he generates at a weekend. A chart topping album and sold out tour may mean the Geordie is firmly at pop’s top table now, but it was still impressive the sheer delirium his arrival onstage appeared to generate, a status that lasted throughout the brisk hour or so that followed.Although a youthful crowd, there were older generations in attendance too, perhaps a reflection of the fact that Fender’s influences tap into a cross-generational appeal. There is little point in pretending the 25 year old is re- Read more ...

I was hooked after perusing Thought Porridge’s track listing; who wouldn’t want to hear songs with titles like “The British Cactus & Succulent Society” or “Mournful Colouring Book”? The latter is laugh-out-loud funny, its downbeat list of subjects including “a graph showing a downward trend in life expectancy/A tonsillectomy”, jauntily intoned by lead vocalist Dean Murray against a parping brass backdrop. “A dropped ice cream, a forgotten dream,” goes another line. Murray’s crisp delivery recalls Vivian Stanshall’s late Sixties stint with the Bonzo Dog Doo Dah Band, and like the Read more ...