New music
mark.kidel
Mavis Staples keeps on comin': with a contralto voice soaked in gospel and soul, she delivers consistently heart-warming music.This is her second collaboration with Wilco’s Jeff Tweedy, a rocker with enough knowledge and taste to create a contemporary ambience in which Mavis can deliver classics such Washington Phillips’s spine-chilling religious classic “What are They Doing in Heaven Today” alongside Funkadelic’s secular lament “Can You Get to That”.Mavis grew up under her father’s musical and spiritual guidance: Pops was a Mississippi man, from the same plantations that gave us Charley Read more ...
Thomas H. Green
Being assigned to review Editors on the Other Stage at Glastonbury 2007, when Shirley Bassey was on the main Pyramid, was not a good way to consolidate my already fragile critical relationship with the Brummie quartet. Their music pushed my mind to predictable comparisons, ones many had drawn before – Joy Division, notably. Thus I avoided them from thereon, left them alone and they left me alone, going on to sell millions of albums of gloom-flecked indie, tinted with a – to my ears, rather unsatisfying - smidgeon of electronics.Now their fourth album arrives bearing possible good news (at Read more ...
Lisa-Marie Ferla
It could be Katie Crutchfield's voice: in the moment, its ragged timbre packs the punch of a cross-my-heart whispered secret. It could be the songwriting itself: stories half-told in two minute bursts, frank and funny and even contradictory the more you listen to the album as a whole. Or it could be some combination of the two that makes Cerulean Salt feel like an undiscovered treasure, a 33-minute mystery between you and your headphones.Only it's not like that at all, because Crutchfield grew up fronting enough girl-punk bands for this to be old hat to her and this album is in fact her Read more ...
graeme.thomson
Lucinda Williams’s current tour might be billed as “intimate”, but anyone who has seen her perform before will know that intimacy tends to come with the ticket. It is true, however, that this pared-down format, in which she performs drummerless and accompanied – splendidly – by Doug Pettibone and David Sutton on guitars, pedal steel, bass and harmonies, brings the audience even closer to her extraordinary voice and unflinching words. In Edinburgh last night, the effect wasn’t “intimate” so much as visceral: at times it felt like placing a microscope over an open wound.Two of the first three Read more ...
Kieron Tyler
Nicky Haslam is best known as an interior designer. His clients include Rupert Everett, Bryan Ferry and Mick Jagger. His first book was called Sheer Opulence. He has also written, bred horses and performed in cabaret. Accompanying him on his album Midnight Matinee are Everett and Ferry, Cilla Black, Tracey Emin, Bob Geldof, Helena Bonham Carter, AN Wilson and Prince João of Orléans-Braganza. The press release proclaims Haslam, born in 1939, “the most promising performer of his generation.” Geldof declares that he “has… shown us all how it should be done,” and says Midnight Matinee is as Read more ...
Sebastian Scotney
“Marianne Faithfull, you are first of all a timbre, a warm and bewitching voice…” Those were the words of the French Culture Minister in March 2011, when he awarded her the title of Commandeur dans l'Ordre des Arts et Lettres. That celebrated vocal timbre has now settled comfortably, truly, deeply in the baritone register. With its occasional cracks and rawness, it gives her a capacity to interpret and to communicate songs with a rare combination of power and intimacy, backed up by her vast experience of performing in public. She reminded the audience that “As Tears Go By” - "the song which Read more ...
Kieron Tyler
Various Artists: Scared to Get Happy – A Story of Indie-pop 1980-1989It’s a good thing this box set has the hedge-betting sub-title A Story of Indie-pop. Making the definitive statement on a whole decade of pop’s undergrowth is probably impossible, but being so equivocal from the off sets up Scared to Get Happy as not bold enough to nail its colours to the mast.Compiling and licensing the material on Scared to Get Happy must have been a nightmare. Spread across the five CDs of this first large-scale collection of the era are 134 tracks, beginning with The Wild Swans’s 1982 single “ Read more ...
Lisa-Marie Ferla
It is unfortunate that those who hate Deap Vally find it way easier to articulate why than those who love them. There’s little new in the bluesy, garage-rock riffs that pose and swagger their way through debut album Sistronix, and it’s not as if - on the evidence of the hidden a cappella track that closes off the album - they have the greatest voices. Even the two-piece, guitar and drums setup has been done before, with the White Stripes so obvious a reference point it would be negligent not to mention it.But it is its very simplicity that makes the Californian duo’s music so direct and so Read more ...
peter.quinn
When it comes to live performance, nothing quite socks it to the solar plexus like a choir singing their heart out. Last night, in the intimate space of Soho's Pizza Express Jazz Club, Urban Voices Collective (UVC) gave it to us with both barrels. Founded by Karl Willett in 2006, UVC’s most recent accolades include performing at the closing ceremony of the London 2012 Olympic Games – backing the likes of Take That, Elbow, George Michael, The Who and Muse – performing at the 2013 BAFTAS and recording on Paloma Faith’s latest album Fall To Grace.Combining a refreshingly different vocal style Read more ...
Russ Coffey
Long before the release of Tom Odell’s debut, certain critics’ knives were drawn ready to give this middle-class lad a good stabbing. The recent stories about his dad ringing up the NME to complain about his no star review, and the contents of that piece, say it all. The reviewer wished there was a “particular place in hell” for this daddy’s boy and bridled at the idea he might be “all over 2013 like a case of musical syphilis”.But although Odell has been primed for success by his early Brit award, it’s ludicrous to suggest that he’s as bland as the face of 2012, Emeli Sandé. It’s true he may Read more ...
garth.cartwright
Having witnessed Neil Young’s shambolic O2 concert on Monday – Young treating the occasional venture into his back catalogue with listless contempt whilst serving up multiple banalities from his recent albums – I considered skipping seeing more veteran American rockers. But one should never pass on a chance to see The Stooges and, as their last London concert was in 2010 (beyond supporting Soundgarden in Hyde Park one sodden Friday last summer – what kind of insult is that where The Stooges open for Soundgarden?), the atmosphere before their Meltdown performance was one of huge expectation. Read more ...
peter.quinn
While the melodic and rhythmic subtleties of traditional Irish music are best experienced through listening to the solo performer, it's very much through groups that the music has reached a global audience. While some so-called "supergroups" have promised much and delivered very little – being nothing more than a session on stage with no thought for arrangements, pacing or mood – in this much anticipated UK premiere The Gloaming spectacularly fulfilled, and surpassed, all expectations.This surely has something to do with the fact that four-fifths of the group - fiddler Martin Hayes, guitarist Read more ...