New music
Kieron Tyler
Family: Once Upon a TimeFamily were always difficult to place. This lavish box set doesn’t make getting a handle on them any easier. They were as idiosyncratic as Jethro Tull and, in Roger Chapman, had a vocalist as offbeat as Joe Cocker. Not that they sounded like either, more that their DNA was as sharp-edged as both. The Leicester-born band had roots in soul-pop outfit The Farinas and the psychedelic underground embraced them – they were integral to the 1969 novel Groupie, a lid-lifting, supposedly fictional, exposé of rock’s seamier side. Despite these leg-ups and their popularity, they Read more ...
howard.male
The only time the great Malian singer spoke at any length to last night’s audience was when he said, “I don’t know my birthday. I don’t know the day or the year. So any day can be my birthday. So can you please stand up and dance for my birthday.” So either Wikipedia is wrong about it being 25 August 1949, or Keita has a strange sense of humour. Anyway, his presumably oft-repeated line gets a warm chuckle of appreciation and a third of the audience dutifully get to their feet.In other respects too this was an oddly dissatisfying gig. Keita’s new album Talé is a muscular pop/funk workout which Read more ...
Lisa-Marie Ferla
In theory, it’s close to impossible to achieve some semblance of mainstream success without being decried as a sellout by at least a proportion of your fanbase. Yet I don’t think there was a Scottish indie music fan who greeted this week's news that Frightened Rabbit had scored a Top 10 chart place for their major-label debut without a mixture of pride and delight.It helps of course that on Pedestrian Verse, Selkirk’s most famous sons have stripped back the slight gloss of over-production that threatened to overwhelm 2010’s The Winter of Mixed Drinks. This fourth album sees Scott Hutchison’s Read more ...
howard.male
With BBC Four currently mourning the passing of the LP, it’s encouraging that some artists still like to confine themselves to the format’s time limitations and its implicit requirement that the songs etched into its silky surface should be connected by some kind of theme or mood.Nick Cave is one such artist, never more so that with this suite of nine darkly warm numbers that have been nurtured by him and his long-standing and (here anyway) remarkably restrained band. The Bad Seeds have always understood that the needs of the song outweigh the needs of individual musicians to do their thang, Read more ...
Thomas H. Green
Fairport Convention bassist and longest-serving member Dave Pegg is a genial raconteur. He is relating how he presented the band with the song “The Eynsham Poacher”, pretending it was his when really he had purloined it by taping it off someone, thus cheating them “out of £13.50 in royalties”. A light ripple of laughter rolls across this early 19th century church deep in Brighton’s Kemp Town district.There are a good few hundred people here, including many distributed around the church’s wooden gallery. The atmosphere is seriously partisan. Fairport’s fans are clannish. There’s even a jokey, Read more ...
Russ Coffey
“You grow up. You really do. You mellow out…Your rage ceases to need a name,” Thus wrote Cave at 40, while moving out of his post-punk years. Ten years later the Australian goth returned to the wilder sounds of his youth. He started playing with the hard-rocking Grinderman. Fast forward to the present day and Grinderman is on pause. The Bad Seeds are back. Last night they launched Push the Sky Away, their first album for five years. So, what was it to be? Tender or tormented?The answers came from parts one and two of a three-act night. First there was a short film about the making of Push the Read more ...
Thomas H. Green
Californian oddballs Camper Van Beethoven are best known for their strange song “Take The Skinheads Bowling” which established the group in 1985 and was re-popularised when used in Michael Moore’s Bowling for Columbine. With the exception of a sabbatical during the Nineties, when Camper Van Beethoven frontman David Lowery had success with the more accessible Cracker, they’ve been lurking in the shadows of US alternative music ever since.Their unpredictable assaying of multiple musical styles, usually filtered through the prism of psychedelic folk punk, has given them solid cult status. La Read more ...
Kieron Tyler
A giant arm sweeps across the rapt audience. The newly anointed onlookers all wear the same, white-framed, glasses. A chant is heard:“We are the robots.” Those congregating in the over-sized shoebox of Tate Modern’s Turbine Hall could be at a cult meeting. In gathering to pay respect, the audience share more than a passion for Kraftwerk. They also all wear the same 3D glasses. Performing their 1978 album The Man Machine in full, Kraftwerk restate the uncertainty of the natural order. Whether prophetic or not, their message still resonates.Introducing The Man Machine before its release to the Read more ...
Lisa-Marie Ferla
To hear them tell it, Tegan and Sara have always been pop stars. It was harder to see a decade ago, sure, when they were spitting out spiky guitar anthems in matching pixie haircuts, but the roots were always there. That the twins’ seventh record drops the guitars so low in the mix as to render them almost inaudible in favour of bombastic electropop shouldn’t really be that much of a surprise - there were hints of it on 2009’s Sainthood, which itself came not long after they collaborated with DJ Tiesto.Thankfully, Heartthrob takes the majority of its cues from the synths and posing of a 1980s Read more ...
Kieron Tyler
Various Artists: Who’s That Man – A Tribute to Conny PlankThe list of acts Konrad Plank worked with is a Hollywood Walk of Fame of Krautrock. As an engineer or producer he was behind seminal albums by Neu!, Cluster, Harmonia, La Düsseldorf and Kraftwerk. From outside Germany, Ultravox and Eurythmics came to him. Later-blooming locals like DAF sought him ought. Naturally, Brian Eno was around, both collaborating with Plank and bringing Devo to his studio to complete their first album. As the liner notes of this four-CD box set note, Plank turned U2 down, something Eno did not.Plank died Read more ...
theartsdesk
Welcome to the latest edition of The Arts Desk Radio Show, originally broadcast live from London's glamorous Dalston last Tuesday on NTS Live. Once again Joe found himself flying solo as Peter was off on his travels – although this time, rather than visiting his usual far-flung destinations he was on the road, driving Malcolm McLaren's Mercedes back from Paris. In his absence, Joe kept things international, causing himself severe pronunciation anxiety by including tracks from Japanese, Lebanese, Welsh, Emirati, Malian and Danish musicians, and welcoming a Zanzibari-Dutch guest for the second Read more ...
graeme.thomson
Richard Thompson has been stretching boundaries and defying expectations for almost half a century. An unassuming 63-year-old with a neat beard whose sole concession to showbiz is his jaunty black beret, though nominally a folk artist Thompson remains doggedly unaffiliated to any scene, trend or ethos.While still a teenager, with Fairport Convention Thompson was instrumental in concocting an organic blend of folk and rock. With his first wife, Linda, he plumbed the emotional depths of confessional singer-songwriting while also writing rude songs about licking lollipops. He has since scored Read more ...