New music
Thomas H. Green
Debby Friday is a Nigerian-Canadian singer-producer who found some success a couple of years ago with her debut album Good Luck. It won the Best Electronic Album 2023 Polaris Prize, the Canadian equivalent of a Grammy or Brit. That album had a moody rock-tronic feel.The new one, created in her new London base with her guitarist, the Australian producer Darcy Baylis, is more straightforward EDM, but draws from a varied palette and retains her personality. It’s a likeable club-centric outing.Initially, it appears she’s going to go 4/4-bangers-all-the-way but, as the album goes on, she becomes Read more ...
Kieron Tyler
The Pale Fountains played their first live show on 12 February 1980 as the support to on-the-up fellow Liverpudlians Wah! Heat. Their final stage appearance – notwithstanding the odd reunion – was on 21 May 1987 at their home city’s The Majestic Club, a venue which also traded as Mr Pickwick’sIn between, The Pale Fountains’ live schedule was erratic. Nothing was undertaken which constituted a full UK tour. Beyond one-offs or odd consecutive shows, there were a handful of December 1985 dates supporting Echo & The Bunnymen, three Japanese shows in May that year, a sprinkling of UK Read more ...
Thomas H. Green
Indigo de Souza, a singer from North Carolina, has established some reputation, mostly in the States, for combining indie, pop and emotionally open lyrical heft. This is her fourth album, but her first on a larger label, Loma Vista (she was previously on Bright Eyes-associated Saddle Creek). On Precipice she lays down a fusion of chart-style femme-pop and heartfelt guitar anthems.It’s usually engaging and sometimes outstanding. Precipice was put together with musician-producer Elliott Kozel, who’s worked with SZA, Billie Eilish’s brother FINNEAS, and others. It has a polish to it – Read more ...
Thomas H. Green
There can be few musicians on the planet from a more storied musical dynasty than Mádé Kuti. He is the son of Femi, the grandson of Fela. He grew up in and around Femi’s New Afrika Shrine in Lagos, international hub of all things Afrobeat. A multi-instrumentalist from an early age, and a member of his father’s band, he now cuts loose on his own. His second solo album showcases a mighty compositional talent.Mádé released an initial solo effort in 2020 but it was part of his father’s Legacy+ double package. So, in some ways, as per its title, Chapter 1: Where Does Happiness Come From? is his Read more ...
Thomas H. Green
Today gradually blossoms from unpromising beginnings. LouderUK’s On The Beach event series takes place throughout the summer and runs the gamut from indie pop-rock, such as Kaiser Chiefs and Bloc Party, to dance events featuring DJs such as Bonobo and Carl Cox. As the name suggests, it all happens on Brighton’s pebbled seashore, overseen by clifftop Georgian houses. Success is dictated, to some extent, by the whims of British weather. Today is Eighties day. It’s a case in point.Beneath cloudy skies, on a muggy early evening, to a less-than-quarter full arena, Toyah (pictured left) starts her Read more ...
Guy Oddy
Great (and not so great) bands reforming, either in the studio or in the live arena, is something of a trend at the moment. However, who would have thought that the original Alice Cooper band would not only be part of this trend but the creators of one of the best new albums to emerge from it – more than 50 years since their last long-player?Of course, the name Alice Cooper never actually disappeared and, to most people, it’s the stage name of a charismatic singer who was born Vincent Furnier in Detroit in 1948. However, in the early and mid-1970s, Alice Cooper was a lairy gang of hard- Read more ...
joe.muggs
Paul Weller occupies a strange place in the cultural sphere. Especially since he was adopted as an elder statesman of Britpop in the mid 1990s, he’s been particularly beloved of a core audience whose tastes are extremely conservative. So much so, in fact, that middle-aged men who ape his classic mod haircuts are now a shorthand for meat-and-potatoes, Brexity, red-faced, pub-coke bloke-rock. Yet Weller himself is anything but conservative.From the beginning he understood the “modernist” mission of mod, his ditching of the youthful energy of The Jam for the sophistication of The Style Council Read more ...
Tim Cumming
Guitarist Louis Campbell and fiddle player Owen Spafford started playing together as teenagers in the National Youth Folk Ensemble when Sam Sweeney (of Bellowhead and Leveret) was its director. They released their first album, You Golden, three years ago. It featured audacious musical extrapolations from Playford’s English Dance Master – also a key source for Sweeney’s Leveret – and with an emphasis on ensuring an abundance space, rather than notes, in the playing.Since then they’ve mounted multi-media solo shows – Spafford’s music and art installation Welcome Here, Kind Stranger at the Royal Read more ...
Kieron Tyler
Wheels of Fire was Cream’s third album. Issued in the US in June 1968 and in the UK two months later, it was a double LP. One record was of live recordings, the other of studio material. Of the nine tracks on the latter, three were co-written by the band’s drummer Ginger Baker – who wrote the lyrics – and British jazz pianist/composer Mike Taylor.This was the closest Taylor got to the mainstream. The tracks recorded by Cream – "Passing the Time," "Pressed Rat and Warthog" and "Those Were the Days" – also appeared as the B-sides of singles. In the UK and the US, “Pressed Rat and Warthog” was Read more ...
mark.kidel
There is a freshness about a show by Youssou N’Dour that never seems to lose its glow. He still has one of the great voices of Africa, a versatile and richly-textured tenor that doesn’t show the sign (at 65) of growing old and tired.At the Roundhouse, he started the show with one of his most well-known songs, “Immigrés”. Youssou and the Super Étoile de Dakar bounced in with the kind of energy that usually emerges gradually through the simmering build-up of a set. Here, it’s the deep end from the get-go, the high-pitched sabar drums clattering away furiously at the back of the stage, djembe, Read more ...
Liz Thomson
What a great album – and what a great story to lift the heart in these fetid times. A story that crosses oceans and decades and brings together a Canadian singer-songwriter for once worthy of the label “legend” and a bunch of Bob Harris Emerging Artist Award-winners with a clutch of well-received albums under their belt.Dreams is the result of a collaboration between Canadian Songwriters Hall of Famer Bonnie Dobson and the Hanging Stars, five “cosmic cowboys” comprised of Richard Olson (guitar, vocals, percussion), Patrick Ralla (guitar, keyboard), Paul Milne (bass), Sean Reed (horns, Read more ...
Thomas H. Green
The best-selling single so far this year in the UK is Californian singer Alex Warren’s “Ordinary”. It stayed at the top of the charts longer than any song this decade. If you’re not familiar, imagine the lyrical mood and production of Hosier’s “Take Me to Church” filtered through the bombast of early Bastille, and supercharged with Warren’s Christian faith and love for “worship music”. The rest of his album is equally overblown and icky.At the start of the 1960s, one of the twists that made pop blossom to greatness was gospel singers applying their craft to secular love songs. In the 2020s Read more ...