Reviews
alexandra.coghlan
When the Orange Tree lost all its Arts Council funding earlier this year it was hard to get too outraged. An institution that has made a niche in giving the good folk of Richmond exactly the kind of wig-and-britches, RP theatre that they like is hardly an urgent cause. But this is a new era for the Orange Tree in many ways, not least the arrival of new artistic director Paul Miller. His crisp, clean production of Shaw’s first play makes a clear statement: the costumes and the accents may not have changed, but the message has. There’s nothing remotely cosy or comforting about this savagely Read more ...
Matthew Wright
It’s never a good start when the performers have more to gain than the audience. The album Cheek to Cheek, of which this was a televised performance, came out in September to a respectfully reserved reception in UK, while American critics, seemingly more demanding of originality, gave it a vigorous pasting. Musically, it has as much substance, and as many holes, as one of Gaga’s dresses, but the novelty of the concept, if not the interpretations, is just sufficient to see the hour’s show out.Waggish critics have suggested that the old trick of yoking of one stale, flagging career to another Read more ...
fisun.guner
The concluding episode came, and in a confusion of dates I missed it. If you’ve been following the weekly podcast Serial, you, like me and millions of avid listeners, would have been counting the days. I caught up only once I’d read the spoilers, which let it be known that they’d be no neat “did he or didn’t he” conclusion (was anyone actually expecting one?) and that we’d still be left in the realm of “maybe this, maybe that”. How frustrating. Except it wasn’t. Spoiler alert: three quarters of the way in a curveball was thrown – one we certainly didn’t see coming after all the fine- Read more ...
Matt Wolf
The worlds of marital abuse and artistic fraud collide to eye-opening if also frustrating effect in Big Eyes, Tim Burton's film about the unmasking of an elaborate deception that ruptures a family along the way. The film has would-be Oscar contender written all over it, not least in pairing five-time nominee Amy Adams alongside two-time winner Christoph Waltz, but for all that fascinates about the real-life story on view, its walk to the podium is likely to remain as much a fantasy as the claims of the central character, Walter Keane, to having been a great artist. In fact, the Nebraska Read more ...
David Nice
Covent Garden’s masked balls circling around the New Year feature not the seasonal bourgeois Viennese couple and a bat-winged conspirator but a king, his best friend’s wife and – excessively so in this production – the grim reaper. Big voices are what’s needed if it’s Verdi rather than Johann Strauss II, and if we can’t have Jonas Kaufmann, who’s committed his energies to a lesser protagonist, Giordano’s Andrea Chénier, this coming January, then much-trumpeted Maltese tenor Joseph Calleja will have to do. Sadly conductor Daniel Oren is no substitute for Antonio Pappano, also Chénier-bound, Read more ...
Stuart Houghton
Telltale Games has pioneered the 'box set' model of gaming with their hit episodic adventures based in the Walking Dead universe as well as The Wolf Among Us, set in the modern fairytale world of the Fables comics. Telltale's long-awaited Game of Thrones licence has now launched on multiple platforms. Does their signature blend of multiple choices and moral dilemmas lend itself to George RR Martin's brutal fantasy world?The answer is a cautious yes. The typical Telltale title is an adventure based around well-drawn set pieces with your protagonist unfolding their story by solving puzzles, Read more ...
Lisa-Marie Ferla
Before the second series of The Fall began, I was watching Gillian Anderson being interviewed on This Morning. While the subject matter of the drama - a tense game of cat and mouse between Anderson’s DSI Stella Gibson and Jamie Dornan’s perverted serial killer - was never going to translate well to daytime telly, but I was still a little taken aback by Amanda Holden’s fawning over the apparent sexiness of Dornan’s character. In this feature-length finale, new detective on the block Tom Anderson (Colin Morgan) also attempted to pursue the idea that there was something alluring about the Read more ...
Helen K Parker
When I found out Jack King-Spooner was making another game, I didn’t know whether to be happy, or to be sick in my mouth a bit. His previous nuggets like Will You Ever Return and Sluggish Morss, have taught me to handle his small, subversive, artistically experimental and intimate ‘hand-made’ games with extreme care. You never quite know what JKS is going to show you (or rather force you to look at) and some things you just can’t un-see.The risk however, is always worth it, and with that ‘handle with care’ label stamped all over it comes Beeswing, the fourth addition to King-Spooner’s warped Read more ...
Veronica Lee
The audience for this show could probably be divided into to two camps: those who fondly remember watching Morecambe & Wise on ITV or the BBC, and those who weren't even born when Eric Morecambe died in 1984. The latter group may know the double act from repeats, of course (which remind us of how great they were and how many of their successors pale by comparison), but if they are new to Eric Morecambe and Ernie Wise, then Jonty Stephens and Ian Ashpitel's show is a good entry point. It helps to explain why in their heyday M&W were the most successful pairing in comedy, why stars Read more ...
Sam Marlowe
Drop-dead dames, a hard-bitten gumshoe, an ambitious writer and a sleazy movie mogul: this slick, sassy 1989 musical by Cy Coleman, David Zippel and Larry Gelbart serves up two parallel tales of Forties Tinseltown – and both of them are swell. Directing her first musical, Josie Rourke tackles this dazzling collision of noir thriller fantasy and garish Hollywood machinations with seductive brio. And her cast glide between the show’s twin dimensions with an elegance and wit worthy of stars of the classic silver screen.The set-up is ingenious. Stine (Hadley Fraser), a novelist, has been offered Read more ...
Katherine McLaughlin
“Comedy is all about timing” quips Lloyd Christmas at one point, something this sequel to the Farrelly Brothers' crass, gross-out comedy from 1994 very knowingly mocks. Those who hold a fondness for Lloyd and Harry’s shtick may be amused by the huge number of in-jokes and the silly slapstick, but overall this instalment is more filler than killer and relies way too heavily on nostalgia.As part of a huge prank to fool his best friend Harry (Jeff Daniels), Lloyd (Jim Carrey) has been pretending to be in a catatonic state for 20 years. That is, until Harry reveals he needs a kidney transplant to Read more ...
Heather Neill
For a Christmas-weary Brit who's already had it up to here with commercial bonhomie and festive schmaltz, there were going to be barriers to overcome. Here is an avowedly sweet American play – actually nine playlets – on the subject of love, set in snowy Maine, in a small town "that doesn't quite exist". In John Cariani's two-handers, lovers most often – although not quite always – overcomes disappointment, misunderstandings or awkwardness to reach mini-happy endings. The piece is phenomenally popular in the States, having replaced A Midsummer Night's Dream as first choice for high school Read more ...