Reviews
Gary Naylor
Before a word is spoken, a pause held, we hear the seagulls squawking outside, see the (let’s say brown) walls that remind you of the H-Block protests of the 1980s, witness the pitifully small portions for breakfast. If you were in any doubt that we were anywhere other than submerged beneath the fag end of the post-war years of austerity, the clothes confirm it. And a thought surfaces and will jab throughout the two hours runtime: “How different are things today in, say, Clacton?”But Ultz’s design work has grounded Harold Pinter’s second play firmly in pre-Beatles England, where even Elvis Read more ...
Veronica Lee
Grace Mulvey, Assembly Roxy ★★★ Grace Mulvey has been single for five years, she tells us at the top of the show, a matter of some disappointment to her mother back in Dublin. Even moving to London two years ago didn't change her dating status, despite the best efforts of her flatmates. But then, they're lesbians and she's straight, so maybe their advice isn't quite hitting the spot.Mulvey's debut show, Tall Baby, covers a lot of territory, but fortunately she talks at a million miles an hour: she mentions her previous career in tech, dealing with the British public in a deadend job to Read more ...
Simon Thompson
When you stop to think about it, Schwanengesang is a pretty ridiculous thing. Schubert’s final song cycle was famously put together by his publishers after his death, and so it’s barely a cycle at all. Therefore, unlike Die schöne Müllerin and Winterreise, there’s no story and, even worse, the lurches in mood between the songs are so extreme that they can become absurd.I reflected on that several times while watching Ian Bostridge singing it during this EIF Queen’s Hall recital, because his identification with the songs and their meaning seemed so complete that he could drag the audience into Read more ...
aleks.sierz
At one point, in John Fowles’s 1977 novel The Magus, the guru character in the story compares sexuality before and after the 1960s. He says that although “young people can lend your bodies now, play with them, give them as we could not”, there is also a loss – “a world rich in mystery and delicate emotion”.Sexual restraint has its own tender feelings. It is this emotional landscape that lies at the heart of Suhaiymah Manzoor-Khan’s debut play, Peanut Butter & Blueberries, at the Kiln Theatre. It’s a contemporary Muslim love story in which the two lovers never even touch each other.Set in Read more ...
Demetrios Matheou
An old woman, inexplicably known as Granny Four, is murdered by a river on the outskirts of a Chinese rural town. A respected detective is put in charge of the investigation, with the weight of his department’s reputation on his shoulders. But this a murky, twisty case that opens and closes with such regularity that it begins to threaten the man’s sanity. Adapted from a short story, on the surface Wei Shujun’s film is a combination of police procedural with film noir, shot with flair and imagination, and imbued with an offbeat sense of humour and appropriately downbeat sensibility. Yet Read more ...
Saskia Baron
In space no one can hear you scream, but they usually can in a cinema. Wednesday night’s gala launch of Alien: Romulus was awash with the gussied-up cast and writer-director Fede Álvarez, alongside assorted Olympians and influencers walking the red carpet.A more enthusiastic audience would have been hard to find, but apart from an auditorium-wide laugh at the reprise of a beloved line from Aliens, there weren’t a lot of gasps, and there were no screams at all. Touted as a return to the original film’s grunge aesthetic and practical effects, Alien: Romulus set itself up for comparison and Read more ...
Adam Sweeting
It seems cricketer-turned-TV star Freddie Flintoff was lucky to survive his crash in a Morgan three-wheeled roadster in December 2022, and his recuperation has been painful and traumatic. As he explained in the opening episode of his second Field of Dreams series, the accident, which occurred during filming for Top Gear, is going to have long-term consequences. “I struggle with anxiety. I have nightmares, I have flashbacks. It’s been so hard to cope with.”He also had to undergo a series of operations, and didn’t appear in public for many months. But he was determined to continue with his Read more ...
Helen Hawkins
Two boys in east London, one Black, one white, grow up together, play pranks at school, then decades later have a tempestuous falling out. That’s the main narrative arc of these twin plays, but it accounts for none of their extraordinary richness and the superlative acting they entail. These are monologues, a genre where dramatic excellence is primed to go right off the scale: think the powerful solos of Brian Friel’s Faith Healer, the haunted storytellers of Conor McPherson’s plays, Simon Stephens’s Sea Wall. Recast after their runs at the Dorfman, the trio of plays is directed by Clint Read more ...
Adam Sweeting
Egyptian journalist Ibrahim Nash’at is either very brave or slightly unhinged. His debut full-length documentary is an account of a year he spent in Afghanistan with the Taliban, after they’d taken control of the country at the end of August 2021, following the catastrophically inept evacuation of US and NATO forces.Nash’at described his pitch to the Taliban like this: “I went in and I said, ‘I would like to show the world your image without putting my own point of view on it. Whatever I will see, I will try to show’.” It’s a fascinating premise, but the film is ultimately frustrating because Read more ...
Veronica Lee
Adam Riches: Jimmy, Summerhall ★★★Adam Riches has long been famed as a performer who throws himself into his physical comedy – so much so that during the Fringe run of a previous comedy show he broke his leg. And now, with this one-man play he is on stage in tennis whites, running around and slamming down imaginary balls to a percussive soundtrack as he tells the story of Jimmy Connors, the self-proclaimed world's greatest tennis player.It's a fascinating story that even some keen tennis fans might not know. Connors retired at the age of 43, playing on well past his best days. But during Read more ...
Miranda Heggie
Immersive opera such as this can be tricky to pull off, but the magic of Roxana Haines’s new production of Stravinsky’s Oedipus Rex lies in its simplicity, letting the material organically weave around the audience without overcomplications or deliberately clever trickery.The National Museum of Scotland proved itself to be a fine venue for this performance in many ways. Its vast expanse of space allowed for much milling around the orchestra, which was in the centre, and the first floor balcony provided an elevated platform for those who’d prefer a birds’ eye view and not to be right in Read more ...
Veronica Lee
Sheeps, Pleasance Courtyard ★★★This is the first new show that Sheeps – Liam Williams, Al Roberts and Daran Johnson – have produced in six years, but they say The Giggle Bunch (That's Our Name For You) is their last. Having gone their separate ways some years ago, the trio have gathered together for one last time to say farewell to their fans.Keen followers will savour every minute of the show, of course, while neutral observers might pick holes in some of the hour's content. Sheeps have always played with – actually disregarded might be a better description – the rules Read more ...