Reviews
Tom Birchenough
This year’s Palme d’Or winner at Cannes, Turkish master Nuri Bilge Ceylan’s Winter Sleep (Kiş Uykusu), is a monumental film. Not merely in its scale – though at 196 minutes, it certainly clocks in on that front – but in its emotional heft.It’s like one of the great Russian novels, and in his seventh feature Ceylan shows the influence of that country’s culture more strongly than ever (remember the direct references to Andrei Tarkovsky in the wintry Istanbul of Uzak, his first prize-winner at Cannes back in 2003?).This time his script, as acknowledged in the film’s closing titles, is a loose Read more ...
edward.seckerson
Music lovers invariably divide into two factions over the Brahms piano concertos: those who thrill to the elemental D minor and those who prefer to bask in the more reflective charms of the sumptuous B flat Second Concerto. I’m a D minor man myself, secretly convinced that the four-movement Second would prove a far more startling piece if it began with the second movement. But then again it depends who plays it and Lars Vogt with Yannick Nézet-Séguin and the London Philharmonic Orchestra seemed to find new dimensions in its extravagant elaborations. It had to do with variety and atmosphere Read more ...
Adam Sweeting
This will have brought a nostalgic tear to the eye of fans of The Sweeney (the TV show, not the Ray Winstone movie) or GF Newman's still-shocking 1978 series Law and Order. The producers had rounded up seven retired policepersons and got them to spill some of the beans about what policing was like in the Sixties and Seventies.The strange thing was, it was exactly like folklore says it used to be. There was plenty of rough justice including kickings and beatings, dousings in freezing cold baths and possibly even some electric shocks. Rule-bending was de rigueur, there was routine acceptance by Read more ...
David Nice
Had the BBC Symphony Orchestra been at full stretch, rather than in the neoclassical and otherwise selective formations of last night’s concert, it might have outnumbered the live audience. Perhaps I exaggerate, but not much; this was never going to be a box-office hit. A big-name soloist might have made a difference. But just about every orchestral principal last night was a star, thanks to the cornucopia of solos in Respighi’s Trittico botticelliano and Strauss’s Suite from Le bourgeois gentilhomme. Besides, the programming was clever and satisfying, no doubt about it, with the blue skies Read more ...
Veronica Lee
Clearly the makers of this delightful film from New Zealand have watched a lot of movies, as so many are neatly and obliquely referenced – Nosferatu, The Blair Witch Project, The Lost Boys, Grease, to name just a few - in a comic tale about a group of vampires in Wellington.It's spearheaded by Jemaine Clement and Taika Waititi – collaborators as performer and writer respectively in Flight of the Conchords - who write, direct and star in here, and are ably abetted by any number of their friends from New Zealand's thriving and deeply inter-connected arts community. It is, my Kiwi pals tell me, Read more ...
Matt Wolf
Behind the Beautiful Forevers, David Hare's adaptation of Katherine Boo's Pulitzer Prize-winning book, works as both play and portent. Viewed on its own terms, the evening grips throughout in its embrace of the multiple contradictions of contemporary Indian life as here filtered through those existing quite literally off the scrap of that country's gathering economic power. Even more importantly is what Rufus Norris's epic staging – this director's most confident work yet at this address – may signal about the sort of National Theatre we have in store when Norris launches his Read more ...
Hanna Weibye
How long should a dance programme be? Opera and theatre habitués can be surprised by outings to contemporary dance, where the pieces might be shorter than the intervals, and a 7:30 start could see you comfortably on the 9:15 train home. But the early train is in no danger from Rambert’s new programme, their annual showcase of contemporary creations at Sadler’s Wells, which features one world première, one London première, and one revival from this time last year, and last night came in at a handsome two and a half hours.Ashley Page, former Director of Scottish Ballet, is a good choreographer Read more ...
Jessica Duchen
“Watch out for the dog!” instructs Covent Garden’s programme for its latest revival of L’elisir d’amore. These creatures do have a way of stealing shows, but the canine who dashed across the flat Italian cornfield after Dr Dulcamara’s decrepit lorry had some impressive competition – from Vittorio Grigolo’s behind.The Italian tenor de nos jours, as Nemorino letting his hair down under the influence in part two, was apparently proving himself a hotter mover than the audience had anticipated. Fortunately his singing more than matches his dance-floor expertise; by the time the opera reached "Una Read more ...
Jenny Gilbert
Were it not for William Christie and Les Arts Florissants, the vocal and instrumental ensemble he started in Paris in the 1970s, the beauties of the musical French Baroque might have remained a dusty fact of pre-Revolutionary history. As it is, there is barely a singer, player or conductor now performing Lully, Couperin, Rameau, Charpentier et al who has not benefited from the life’s work of this diligent conductor-musicologist. Through him, their arts are indeed flourishing.So a one-off concert at the Barbican, part of a Europe-wide tour to mark the 250th anniversary of the death of Read more ...
Emma Dibdin
Fortune, as a rule, does not favour Part Threes. Hollywood history is replete with sequels that outstrip their predecessors, but second sequels have an altogether patchier track record – for every Return of the King, there are five Spider-Man 3s.The Hunger Games’s third instalment has a lot of things stacked against it, from the cynical bifurcation of an already slow-paced story into two parts, to the fact that Mockingjay is by far the least loved of Suzanne Collins’ novel trilogy. It’s a prickly, bleak war story with no actual Hunger Games to speak of, its once gutsy heroine Katniss ( Read more ...
peter.quinn
It's day five of the EFG London Jazz Festival, and Snarky Puppy's show at the Roundhouse has sold out weeks in advance. And, as the crowd sings the gorgeous main theme of “Thing of Gold” in perfect unison, one of the reasons for the band's huge success becomes apparent. Yes, there's brilliant musicianship, spirited improv, blazing energy and the kind of impressively vast textures that only a band this size can achieve. But there's something else, which trumps all of these things. There's melody. And the kind of melody that tends to stick in your auditory cortex for days on end.“Kite”, Read more ...
Barney Harsent
You know that thing? That thing that bands of a certain age do? You know… the thing where they get all misty-eyed about past glories and decide to get the band together for one last spin of the big hits? Well, the continuing story of Loop is about as far removed from that as it’s possible to be.When, in 2013, founding member Robert Hampson announced that Loop were reforming after 22 years, it felt like an attempt to put demons to rest, for the pioneering drone rock outfit to end things properly after their sudden implosion in 1991. Indeed, after their curation of the last ever Camber Read more ...