Reviews
Adam Sweeting
They've had Ray Winstone all over Sky this Christmas, gamely plugging this new dramatisation of J Meade Falkner's rumbustious crowd-pleaser, Moonfleet. Ray's theme is that we urgently need more quality drama with broad appeal on TV and shouldn't keep relying on worn-out cliches about drug dealers and murderers. His character in Moonfleet, smuggler and pub landlord Elzevir Block, is from the hard-but-fair school, prepared to fight it out with the men from the Revenue but also capable of unbending loyalty and protective, fatherly feelings towards the orphaned John Trenchard.Winstone is the best Read more ...
Kieron Tyler
Despite his nickname and habit of doing a bunk, George “Shadow” Morton was one of America’s highest-profile and most distinctive producers and songwriters. He was responsible for shaping the sound and style of The Shangri-Las, Janis Ian, Vanilla Fudge and The New York Dolls. Until the release of Sophisticated Boom Boom!! – The Shadow Morton Story, the musical side of his story had not been told. A consummate collection, this significant release was pulled off with style. The packaging was superb, as was the annotation. Its music was amazing too.Morton’s vision brought filmic drama to pop. Read more ...
David Nice
Which musical calendar year isn’t laden down with composer commemorations, too often a pretext for lazy and unimaginative planning? The last 12 months, with Verdi, Wagner and Britten as the birthday boys (in case you failed to hear), have raised the stakes.It looked on paper as if the BBC Proms were going for the obvious: all the major Wagner operas except The Flying Dutchman and The Mastersingers in semi-staged versions.The execution exceeded everyone’s wildest hopes (there, I’ve snuck in a collective top choice already). Now, it seems, is the time when opera is becoming the designer’s Read more ...
mark.kidel
“The Little Mermaid”, along with many other classic tales, suffers from having been Disneyfied: Hollywood made sure that the shadows darkening Hans Christian Andersen’s original were softened for family viewing and his ambiguous end replaced by American-style positive closure firmly set in the mainstream comfort zone. Simon Godwin’s production pays homage to panto without being tied to the clichés and steers a sensible path between the pain and suffering evoked by the Danish master and the need for a joyful end in which the young lovers live happily ever after.The show takes a long while to Read more ...
Tom Birchenough
Queer as Pop (****) was as much about social as musical history, and Nick Vaughan-Smith’s film told its story with a combination of outstanding archive material and some incisive interviewees, the archive taking fractionally more of the weight. Subtitled “From the Gay Scene to the Mainstream”, it started loosely in the Sixties, then jumped back and forth across the Atlantic until the present day as the story demanded.It started from the premise that gay clubs were the places that played the best music, and that it was gay artists who were pushing the stylistic boundaries, which were then duly Read more ...
Hanna Weibye
When he became Artistic Director of Scottish Ballet in 2002, Ashley Page’s first creation for the company was a witty, pacy, Nutcracker, the kind of box-office friendly production all companies need to win the hearts of the public and stabilise the finances. The present bad blood between the company board and Page (whose contract was not renewed in 2012 despite a very happy and successful decade at the helm) has now led to the icing of his Nutcracker: Christmas 2014 will instead see a revival of the old 1990s Peter Darrell production. But the legacy of the Page years cannot be erased as Read more ...
Adam Sweeting
No definitive answers to what was "the best" of 2013 of course, and I daresay opinions will differ wildly. For instance, despite the plaudits showered on it elsewhere, I felt that Broadchurch stretched itself too thin after showing initial promise. An increasingly acute allergy to serial killer dramas meant I couldn't get too involved with Tony Grisoni's Southcliffe, let alone The Fall, with its extended, voyeuristic murder scenes. Being Netflix-free (he confesses sheepishly), I haven't caught up with House of Cards yet, or the conclusion of Breaking Bad, but obviously a profound shift in our Read more ...
fisun.guner
Not an exhaustive list, but, in no particular order, these are the shows I'm still left thinking about as the year draws to a close. The best have opened my eyes to new ways of thinking about an artist. A few are still on. Try not to miss. And do suggest your own favourites in the comments below. As you'll see, I've also nominated one "Disappointment of the year" and one "Most ill-conceived show of the year". Don't hesitate to suggest your own in these catagories too.1. Jake and Dinos Chapman: Come and See, Serpentine Sackler GalleryBehind that mask of tom-foolery, Jake and Dinos Chapman are Read more ...
Matthew Wright
At the time a mere 90 years old, detective novelist PD James raised literary eyebrows in 2011 with the publication of Death Comes to Pemberley, a crime-based sequel to Pride and Prejudice. Deftly recognising that Jane Austen’s popular romance had, in its country house setting and simmering rivalries, the staple ingredients of classic English detective fiction, James also managed to bring respectability to the sequel genre, which critics had hitherto looked upon, if at all, by squinting severely down the nose.Inevitably, TV came calling, palpitating with gratitude that James had resuscitated Read more ...
Stuart Houghton
Art? Emotion? Intelligence? If you want proof that videogames can provide all three and far more, the burgeoning "indie" scene provided plenty of evidence this year. While mainstream games-makers continue to choose to drive towards photorealistic graphics at the expense of all other elements, independent games makers built on the success and critical acclaim of titles in the last few years, such as Minecraft, Fez and Braid, to innovate in narrative form, emotional response and interactive play.If you want to experience gaming as an artform, if you want to interact in new ways with media, Read more ...
Karen Krizanovich
Patchy but visual, actor/director Ben Stiller ignores the Hollywood motto of not remaking anything good to create an all-encompassing take on the daydreamer Walter Mitty.Stiller’s dramatic romantic comedy The Secret Life of Walter Mitty is far from the beloved 1947 original starring Danny Kaye based on James Thurber’s magical short story of 1939. This glossy reboot written by Steven Conrad (Pursuit of Happyness) sees Stiller as Walter, an exceptional everyman (if there can be such a thing) whose life is spent in heroic daydreams as he copes with what he sees as a non-heroic life. Losing his Read more ...
Lisa-Marie Ferla
So long then, Matt Smith, and thanks for all the fish fingers and custard. I’m sure I wasn’t the only fan left scratching my head as the Eleventh Doctor, clad in smoking jacket and age-enhancing makeup, played out his final scenes - not least because I checked Twitter afterwards, just to make sure I hadn’t missed anything. I can’t begin to imagine what your family members, tuned in through force of habit as their turkey dinners digested, must have thought.I’m not sure whether last month’s 50th anniversary episode is to blame for setting the bar too high, or perhaps for using up all of the Read more ...