Reviews
Jasper Rees
A year ago it was all so different. Lady Mary gave birth and on his way home from the delivery suite Cousin Matthew steered his vintage soft-top into a tree trunk. There's rather less to report from Downton Abbey (***) this Christmas and the Daily Telegraph is free to devote its Boxing Day front page to something else. No actor has asked to be written out of the series, no one got engaged or even kissed, no one ended up in prison or even tears. His Lordship came dressed as Santa Claus, although he claimed to be wearing the uniform of a Lord Lieutenant.The yawning sense that there is nothing Read more ...
Lisa-Marie Ferla
Among all the frank, hilarious bits that peppered Caitlin Moran’s bestselling book How To Be a Woman, it was the early chapters – the ones that dealt with the author’s unconventional upbringing in the suburbs of Wolverhampton – that seemed most ripe for repackaging for television. Whether Raised by Wolves lives up to its promise as a coming-of-age comedy drama for any teenage misfit that ever had an annoying sibling remains to be seen. So far, only this pilot episode has been produced. But on the strength of this sample Channel 4 could do worse.Although co-penned by Moran and her sister Read more ...
Thomas H. Green
Many a series has found that its initial dynamism and brilliance cannot be sustained. From Julia Davis’s smart, brutal sitcom Nighty Night to the wildly-plotted sci-fi of Heroes, the second seasons just couldn’t keep up the standard or the pace. Often this failure is down to a consensus reality being pushed too far, the suspension of disbelief which the creators cleverly, carefully built with the audience being shattered. Fresh Meat, until very recently, never slid into this trap.Channel 4’s sitcom about a house of students in Manchester arrived in 2011, courtesy of Peep Show creators Jesse Read more ...
David Nice
Not every Yuletide fixture need be commercial and routine. Certainly St John’s annual Christmas Festival packs them in, but why wouldn’t it when the voices for the last two events, backed up by no less than the Orchestra of the Age of Enlightenment, are the best you could possibly find for the great monuments of Handel and Bach?Admittedly, Bach’s cornucopia of celebration isn’t an oratorio like Handel’s Messiah, rather a sequence of six self-contained cantatas, of which last night’s team omitted two which are in no way inferior to the others (indeed, Part Four, with its horns adorning two Read more ...
Karen Krizanovich
Going from a talky debut with Margin Call, J C Chandor plunges Robert Redford into the solitary, (virtually) silent sea. All Is Lost is Hemingway for now. As the story of a solitary sailor in a single-handed adventure in the Indian Ocean, metaphor and meaning abound. Unlike some heavy, worthy piece of obtuse art house, however, Chandor wrests a tense, puzzling dynamic from a situation that could go cold in another filmmaker’s hands.Redford once said that for all his work with the Sundance Festival, no one ever returned the favour and gave him a job – until now. Chandor, a laudable Sundance Read more ...
Adam Sweeting
Homeland's coming home? Well not exactly, but the conclusion to this crazy, mixed-up third series did suddenly feel as if the writers had finally managed to express something that they'd been groping towards for the last three months. Namely, if the show was to stay on the road (series four is in the works), Brody had to go.The endgame to Brody's assassination assignment to Tehran was brutal and shocking, but given the stakes being played for it kind of had to be. True, you had to swallow enormous skip-loads of steaming disbelief before you could allow yourself to experience the cathartic Read more ...
David Nice
Nothing tests small-hall acoustics better than that most exuberant of holies, the Sanctus from Bach’s B minor Mass. After one of the year’s big disappointments, the blowsy sound coming from chamber ensembles in the Barbican/Guildhall School’s new Milton Court – a surprise miscalculation from Arup acousticians - it seemed imperative to get back to Kings Place’s Hall One, which feels bigger but is some 200 seats smaller (420 to Milton Court’s 608). And oh, the clarion cries of the 32 young Cambridge choral singers! The piercing but never ear-splitting beauty of perhaps the greatest Read more ...
Steve Clarkson
The best bit is the Wagon Wheels. Frisbeed, they are, towards the audience's outstretched arms and expectant faces, with the precision of a man who's been doing it for the past 35 years, with the assurance of a cult hero whose presence continues to dominate the York pantomime tradition.They love Berwick Kaler here (seriously, how many local celebrities have ice sculptures of themselves admired in their city centre?) and the affection is mutual. "This isn't a pantomime, it's a family reunion!" declared the writer, co-director and indisputable star of Aladdin and the Twankeys, which is, Read more ...
Kieron Tyler
Beachwood Sparks: Desert SkiesBeachwood Sparks didn’t become Fleet Foxes, but their DNA is integral to the harmonious Seattleites. Both bands have been issued by the Sub Pop label, but after two albums Beachwood Sparks drifted apart in 2002. Fleet Foxes picked up the torch in 2008. The connection is more than a shared label and general musical preferences. It’s through the torch held for Gram Parsons's “cosmic American music” and the debt both owe to David Crosby’s 1971 solo album If I Could Only Remember my Name. Beachwood Sparks had started something – a parallel path to, but not, Read more ...
fisun.guner
“Repellent” is one word I’ve heard to describe Alastair Adams’ new portrait of Tony Blair, but I don’t know if that’s a reaction to the painting or the subject. In either case, I can’t say I share that gut-reaction. Most of the portraits in the National Portrait Gallery manage to say very little about the subject or their reputation. This one does, so that’s my first positive response to it. In case you were wondering “why?” or “why now?”, the NPG’s commission is in line with their policy of acquiring a painted portrait of all former British prime ministers. I think they chose well in Read more ...
David Benedict
There’s a reason why many people think Handel and, particularly his Messiah, is dull. Relatively easy to play, his music is incredibly difficult to perform well. Take this Temple Winter Festival outing with choral expert David Hill conducting the immensely skilled BBC Singers who can, and largely do, sing everything; four soloists all banishing grandiose, wobbly vibrato from days of yore; and the accomplished St James’s Baroque. There was nothing wrong with the performance... Unless, that is, you wanted the intensity, passion and, yes, the drama that Handel wrote.Scale is the key factor in Read more ...
alexandra.coghlan
Unlikely subjects can make for great musicals. (Assassins, anyone?). Just as great subjects can make for terrible ones (the Broadway Breakfast at Tiffany’s comes to mind). Sadly Andrew Lloyd Webber’s latest project can’t redeem itself on either count. An awkward story allied with a treatment that veers from unexciting to embarrassingly bad, the only marvel here is how it ever made it past the workshop stage. I would have hated Stephen Ward if I hadn’t been so numbed by boredom that I couldn’t muster emotion even approaching that intensity.The internet has been rife with chatter over the Read more ...