Reviews
Jasper Rees
There is no end to The Fifth Estate. Instead, like those outtakes at the end of cartoons and comedies, there are cut-ups from an interview with Julian Assange holed up in the Ecuadorian embassy. “A WikiLeaks movie?” he says wryly. “Which one?” Well quite. Assange is box office, and it’s the argument of both The Fifth Estate and the documentary We Steal Secrets that deep down this is what he always wanted: to be a screen hero.This isn’t the real Assange, of course, but Benedict Cumberbatch’s beguiling take. Quite what constitutes a convincing impersonation of such a slippery and unknowable Read more ...
Hanna Weibye
Some choreographers get turned on by stories; others by music; yet others by the unpredictable magic of rehearsal room chemistry between dancers. Wayne McGregor, the shaven-headed, lanky, black clad superstar of British contemporary ballet, apparently needs a few research scientists, and a question philosophers have been trying to answer for three thousand years: what is a body?This is the question heading up the programme notes for Atomos, the new piece by McGregor and Random Dance which had its world premiere at Sadler’s Wells last night. Helping McGregor and his dancers to answer it Read more ...
kate.bassett
Once upon a time, there were two cultures, and they were at odds. A forested wilderness stretches between the kingdoms of Sealand and Lagobel, as we glean from the childishly-drawn, giant map that serves as a front cloth for the NT's new musical spectacular – directed by Marianne Elliot and opening in the Lyttelton last night. The map shows, on one side of the wilderness, Sealand’s coastal realm with winding rivers and a chateau bristling with turrets, all in shades of blue. On the other side, inland, is Lagobel’s walled city of Arabian-style domes where everything is orange or yellow-gold.Co Read more ...
Peter Culshaw
Congo has been where European adventurers have for generations gone in search of fortune. Probably not making a fortune, historian Dan Snow, an affable, energetic sort, was keen to tell us about this vast country, the size of Western Europe and these days known as the Democratic Republic of Congo, previously Zaire, before that Belgian Congo.The first couple of minutes were edited as though the makers were terrified we might get bored. There was Dan Snow in a speedboat! Dan on top of a train! Dan on a bicycle! Actually, this huge mineral-rich country, is a fascinating place, albeit with a Read more ...
Ismene Brown
The ballerina Sylvie Guillem was always out on a limb, even when she was the classical star at the Royal Ballet in the '90s and early '00s. She was French, she was tall, she was unbelievably flexible, she was staggeringly charismatic, and she had no fear of setting her terms and saying “non” if they didn’t suit.She’s always made great media copy, but it’s inevitable that the story on which The Culture Show pegged its half-hour profile is - given that she’s 48 - the usual omen, “As she faces retirement”. The irony is that Guillem has such a phenomenally handy physique that she could well just Read more ...
Demetrios Matheou
As good as many films are, few have the “wow” factor that leaves you elated, high as a kite. Gravity is one of those. Alfonso Cuarón’s space drama is a cinematic tour-de-force, after which it takes quite a while to come back to Earth.A team of US astronauts are space walking outside their shuttle. Mission commander Matt Kowalski (George Clooney) calmly tells jokes while he enjoys the view; Ryan Stone (Sandra Bullock), a scientist on her first mission, is a bag of nerves. Suddenly they receive a message from Houston that the debris from a destroyed Russian satellite is speeding towards them. Read more ...
kate.bassett
The setting is Dublin. We're talking modern-day and down-at-heel in this major new musical which has a deliberately scruffy look – with a launderette glowing in the dark and a concrete, four-storey housing block hulking upstage. The adaptation is by Roddy Doyle himself, based on his 1987 comic novel.As many will also remember from the 1991 big-screen version of The Commitments, Doyle’s young protagonists are scraping by in Ireland, with no scintillating job prospects. But then they get together, form a band, work hard at it and wow a guy who has a recording studio. Though looking set to go Read more ...
Jasper Rees
Sexual intercourse was, famously, invented in 1963. Before that, of course, babies were delivered by beak. So Channel 4’s Sex Season marks the golden jubilee for shaggers. Perhaps there should be bunting and pageantry throughout the land. Instead we’ve got the blank-firing Sex Box and, as of last night, Masters of Sex.The pun in the title is the clumsiest thing about this new Showtime drama exploring the work of William Masters and Virginia Johnson, the scientific pioneers in white coats who in the frozen wastes of Fifties America set about researching sexual response. We first meet the Read more ...
alexandra.coghlan
English Touring Opera has form when it comes to baroque opera. Handelfest in 2009 marked the composer’s 250th anniversary with a sequence of excellent stagings, while 2010’s The Duenna was a riotous and irreverent musical delight, and there was an Alcina back in 2005 that still sticks in the memory for all the right reasons.So a season of three period productions – Monteverdi’s L’incoronazione di Poppea, Cavalli’s Jason and Handel’s Agrippina – promised much. Some careful repertoire choices, deft direction, and the added enticement of a return to the Royal College of Music’s intimate Britten Read more ...
Katherine McLaughlin
In a deranged world where Charlie Sheen is President of the United States, Hollywood gets a much-deserved and highly amusing roasting. Robert Rodriguez’s sequel to Machete goes straight for the jugular by mocking Hollywood's golden child, that "galaxy far, far away" film franchise - which doggedly refuses to sling its hook. Rodriguez not only flips his middle finger at reboots and outworn action clichés, he also takes jabs at US foreign policy and the controversy surrounding the Mexican border fence.In keeping with the absurd humour of the previous film, POTUS demands that Machete (played Read more ...
aleks.sierz
British theatre is obsessed with the new, with novelty. And one of the obvious casualties of this is old plays that are not by Ibsen or Chekhov. Plays that feature in every history of British theatre, such as Arnold Wesker’s 1959 classic, Roots, about the political and sentimental education of Beatie Bryant, with its uplifting final scene of her self-awakening. At last, this revival gives us all the chance to watch a legendary piece of our cultural history.The second in Wesker’s trilogy about 20th-century society, this version of Roots follows nicely on from the Royal Court’s revival of the Read more ...
Sarah Kent
In the 25 years she has spent taking photographs, Dayanita Singh has accumulated a huge body of evocative and memorable images. For instance, there’s the girl lying face down on a bed (main picture), dressed in what looks like her school uniform. She lies awkwardly, her legs stretched diagonally across to the edge of the mattress, presumably so that her shoes won’t dirty the sheets. Why didn’t she take her shoes off?Propped up on one arm on a bedspread decorated with leaping fish, in Zeiss Ikon (1996) (pictured right) a beautiful young woman gazes thoughtfully to camera. She would probably Read more ...